"Night Mooring on the Maple Bridge" is praised by the world for its reasonable structural arrangement of dense and dense pictures, the rhythm and beauty of the writing like music, and the tragic character of the poem's inner connotation. This article does not intend to discuss these aspects, but attempts to use the principles of hermeneutics to understand the overall picture and gain insight into the cultural connotation of the poem through the dismantling of the overall picture. There are four aspects worth noting: 1. The poet's subject's sensory world and emotional world are perfectly integrated with the natural world, the complicated human world and the transcendent religious world. It not only describes the poet's own life, but also describes the natural and realistic world and perfectly integrates them to form an overall picture. 2. From the sensory world to the emotional world and then to the rational judgment. 3. Just four sentences, but full of ups and downs. 4. The image of "frost" sets the tone of the poem. The image of "sorrow" really opens up the poet's spiritual world. To appreciate this poem, "frost" and "sorrow" are two key images. The first sentence, "The moon sets without crows and the sky is filled with frost." It describes the poet's sensory world. "Moon set" is visual; "crows cry" is hearing "The sky is full of frost" is a feeling. In the vast dark night after the moon, although the things around him cannot be seen clearly, the poet feels that the frost of late autumn fills the universe, from the cold moonlight to the bone-piercing cold. Frost gives people a feeling of oppression, which already indicates the loneliness and desolation of the poet's mood. The image of "frost" is the focus of this poem, and the word "frost" sets the tone of the poem, "Jiang Fengyuhuo versus Chou Mian." ". The transformation from the sensory world to the poet's emotional world is the first ups and downs of the poem. The fishing fires are lit on the river, and the maple leaves are red on the shore. But in the face of the uncertainty of the world and the hardships of life, lonely travelers and hard-working fishermen are here In the long frosty autumn night, I can only sleep with sorrow. If the first two sentences are about the poet's sensory world and emotional world, then the last two sentences rise to the rational world. This is the biggest ups and downs of the whole poem. The first part of the poem is very dense, with fourteen characters describing six scenes, but the second part is particularly sparse, with only two sentences describing one thing: the sound of the bell at Wowenshan Temple, but it realizes the transition from the sensory world to the rational world. Leap, giving people unlimited room for reverie. The third sentence, "Hanshan Temple outside Gusu City." Gusu City is a famous historical city. On this cold night, is the city of Gusu full of lights and dancing, or is it like this on the river? The same tranquility and desolation? Whether it is noisy, peaceful, happy, or miserable, this is what we should face in this world, but where should the human soul rest? Can people achieve transcendence of themselves and reality? Isn't Hanshan Temple such a pure land? (This sentence is a great ups and downs, which makes people feel transcendent from the world) The fourth sentence, "The midnight bell to the passenger ship" ". The midnight bell rang in the temple, and the poet returned from the transcendent realm to the real world. The arrival of the "passenger ship" announced the beginning of the noisy life in the world. (Again, they fall together) The word "sorrow" opens The poet's spiritual world also made the poem itself open-minded, and the poet began to question the relationship between people in the real world, the relationship between people and religion, and the meaning of human existence. In this world, facing the hardships and sorrows of life, people have lost their true grasp of themselves and the world outside themselves, making all kinds of relationships secular and boring. People have lost their sensitivity to the existing world. The ability to communicate with nature. And this sensitivity still exists in the poet. This creates a strong contrast and forms the tragic character of the poem, how people transcend themselves and reach the other world. How to maintain the ability to dialogue with nature and the purity of one's own soul is not the poet's pursuit of cultural issues? This is the cultural connotation of this poem, and it can be imagined that the loneliness and sorrow caused to the poet. I know. A poem by Master Hanshan can be used to illustrate the poet's feelings at that time. On the cold mountain road, there are always birds chirping, and there is no one in the wind. I don’t see the sun in the morning, I don’t know the spring every year.