Li Mengyang
Bow down to Qilu and look east at the sea like a cup.
Fighting on a mountain peak, I don't believe that all mountains are open.
The sun is holding hibiscus, and the sky is falling.
After seeing Qin Shihuang, you still have the terrace of Emperor Xian of Han Dynasty.
judge
Since Du Fu wrote a poem about five ancient poems, it is almost difficult for later generations to write it. Li Mengyang's five laws can actually carry a tripod.
. Together, they wrote the spirit of "climbing Mount Tai, a small world", saying that the sea is as small as a cup, which is the foil of Mount Tai.
Tall man. Fighting like a peak refers to Tianzhu Peak, the top of Mount Tai. Sunbathing in Fusang, writing about the spectacular scenery of the peak and the sun, Fusang.
The word "leap" means that the sunrise is dynamic and vivid, and "the sky is horizontal and the stone is coming" is horizontal. The last two sentences are aimed at Qin Huang and Hanwu.
Zen is superstitious and foolish, and is laughed at. However, it is suggestive, not discursive. The whole article is magnificent and commensurate with the topic. No wonder Shen De
The first sentence of Qian and Zhou Zhun praised: "Forty words have the outline of Gankun, which can be used as Taishan poetry."
Jueju
Liu Ji
Life is never a hundred years old. How about a hundred years old?
Heroes in ancient times have all returned to the mountains and rivers.
judge
This poem is about the indignation of people with lofty ideals. Shen Deqian commented: "Sadness." The first sentence comes from Nineteen Ancient Poems: "If you are not a hundred years old, you will always worry about being a thousand years old". Then he said, "How to recover after being a hundred years old?" His famous cross-examination deepened and strengthened the expressive force of life feelings. The second half is meaningful. There is a quip in Su Shi's Fu on a Thousand Red Cliffs: "A few bright moons, blackbirds fly south". Isn't this a poem by Cao Mengde? Looking at Xiakou in the west and Wuchang in the east, the mountains and rivers are mixed and gloomy. Isn't this because Meng Zhizhi was trapped in Zhou Lang? Fang Qi broke Jingzhou and went down to Jiangling, downstream to the east. He is thousands of miles long, wearing a banner, drinking near the river and writing poems horizontally, making him a great man in the world. Now he is at home! The second half of this poem vividly summarizes Su Shi's meaning. Liu Ji himself, in particular, is the hero who helped Zhu Yuanzhang sweep the pack and achieve the great cause of reunification. The sadness expressed here is not the general moan of ordinary literati.
Yangzhou tower
Chen ling
The sound of the waves is cold and lonely,
Listen to the goose in the frost.
Used to be a thousand poplar trees,
There is only one cent this month.
Treasury merchants sing and dance day and night,
Happy new year, southeast sleepy wheel.
Taoism and friendship are utilitarian,
The breeze still remembers Dongjiang Capital.
This poem is a work that hurts time and feels the world. Based on what I saw in Yangzhou at that time, I exposed the dark and decadent social outlook under the feudal rule of the Qing Dynasty during Jiaqing and Daoguang years. The first two sentences are about the cold atmosphere of Yangzhou city, the sound of cold wave and the frost of ten thousand tiles, and the sound and color blend. "Wild goose" is a rainbow, and "wild goose cry" is a plaintive cry, comparable to the cry of refugees. In the process of "listening", the author caused meditation and led to three or four sentences. The sentence "used to be" means that the scenery in Yangzhou was beautiful in the past, and the sentence "only now" means that Yangzhou today is not as good as before. There used to be two bright moons, but now there is nothing, so Yangzhou has been broken. Wang Shizhen's words are used in front of the first sentence, and Xu Ning's poems are used in the next sentence, which goes deeper. Use an old saying to compare the present and the past, with the emphasis on the next sentence "now". From the image description of four sentences to the actual connotation of five or six sentences. During Jia Dao's reign, Yangzhou salt merchants were strong outside and weak inside, but they still lived a luxurious and luxurious life, which is on the one hand; In contrast, although in the harvest year, businessmen also have the burden of transferring materials to the government, and the people are more tired of labor, which is the other side. In the conclusion, the argument is lyrical, but Dong Zhongshu's language does the opposite, accusing Yangzhou businessmen of paying only attention to utility and ignoring the despicable quality of morality, thus giving birth to Dong Zhongshu, a Confucian in Han Dynasty. In other words, it points out the importance of spiritual civilization and moral education. Yangzhou was the concentration of wealth at that time, and it was also the commercial center at home and abroad. It is of typical significance to expose the decay of Yangzhou society, that is, to fully expose the decay of China society. Wu commented: "The documentary can't be finished in five or six words unless you are worried about time." Wei Yuan commented, "The last two sentences are really stupid." Gong Zizhen commented: "The work of cracking flute."
Ji hai's miscellaneous poems
gong zizhen
Kyushu is furious.
It's a pity that a thousand horses can't walk.
I suggest that god stand up again,
Don't stick to a pattern and belittle talents.
Gong Zizhen's Ji Hai Za Shi is an autobiographical large-scale poetry group, which is the new development of this poetic style after Wang Yuanliang in the late Song Dynasty. Cheng Jinfeng commented that "the lines are bright and the saliva is magnificent" and "the voice is heavy and powerful, just like a jade groan." This is different from Qing Qiao's Yin Qi, which focuses on the battle of Dong Yong in the Opium War, and from Huang Zunxian's later Miscellaneous History of Ji Hai. This poem is the most outstanding one in Gong Zizhen's Ji Hai Za Shi, which can best reflect the author's spirit and the requirements of the times. The author conceived the image of the Jade Emperor in front of him, and skillfully linked it with "Heaven" and "Wind and Thunder", showing the reality that people's thoughts were very depressed and society was silent under the rule. This reality is "sad". The author is calling for the arrival of great social changes and expecting the emergence of a vibrant new situation. A new situation can't appear automatically. He has to rely on talent to destroy the old world and create a new one. However, talents need diversity and should not be embedded in a box. The first half of this poem focuses on the problem of "qi", while the second half puts forward the problem of "eclecticism" of talents. This is a new problem, and the author asks people to reconsider and cheer up in order to achieve the goal of transforming the world. This is the enlightenment significance of this poem. Of course, the two poems are ingenious.
Guohumen
kang youwei
Guangdong will close two tigers again,
There's another battle.
So far, there are still residual stones,
White waves pass through Humen like mountains.
This poem was written in Dinghai when the author passed through Humen in the 13th year of Guangxu (1887), in memory of Guan Tianpei who died in Humen. Among them, Guan Tianpei's poems about the heroic sacrifice of the British army are the most prominent, and Lu Tong's poem "Who Tell God" in "Re-feeling" is gloomy and desolate, which is enough to add color to the history of poetry. Lu's poems were written at the time of Guan Tianpei's martyrdom, and Kang Youwei's poems were written at Humen to mourn the past. Forty-six years have passed since the war, but the author's patriotism inspired him to write so vividly. The first sentence points out the situation of Humen, which is already magnificent. The second sentence recalls the scene of Guan Tianpei's battle with the British army, which is condensed into four words: "enter the dragon, larks are boiling." After a long battle in a lonely boat, the sea is dusty, and when you see the glory of the golden armor, your blood will be wild. "There is no need to mourn the ruins in one word, but now the scenery of" white waves like mountains "not only shows the poet's tolerance for adventure, but also implies that the situation at home and abroad at that time may not be calm, so you can sit back and relax.
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