In 684 BC, Mrs. Xi went back to Chen to visit her relatives, passed by Cai, and visited Mrs. Cai Hou's sister. Unexpectedly, Cai Hou flirted with Mrs. Xi at a banquet. Mrs. Xi went back to the interest country in a rage and told the interest Hou about it. Xi Hou plotted with King Wen of Chu for Cai, and Chu sent troops to capture Cai Hou. Cai Hou designed revenge. He strongly praised the beauty of Lady Xi to the King of Chu. The lecherous King of Chu snatched Lady Xi as his wife by force, and Hou Xi was placed in Rushui by the King of Chu, and he was given ten cities to eat, so that he could keep her alive. Xi Hou died of depression, and Xi Guo died from then on. Mrs. Xi missed her old country all day long, and worried about the rest of her life. Although she gave birth to two sons for the king of Chu, she remained silent for three years and eventually committed suicide. Later, in order to commemorate her, a peach blossom lady temple was built on the peach blossom cave outside Hanyang City.
this is the story of the king of Wen tossing and turning. It describes the time when the king of Wen wanted to leave his wife.
Why didn't he remember Wang Ji and Tai Wang, but the lady? It means that King Wen doesn't miss talented people like Wang Ji and Tai Wang, but thinks that a beautiful woman is a satire on the ruler's lust for sex.
According to Records of the Historian, King Zhao of Chu came to hire Confucius, and Dr. Chen and Dr. Cai surrounded Confucius, resulting in seven days of starvation. After the clearance, Confucius went to Chu, and soon King Zhao of Chu died. Wei Chugong wants to use Confucius. Confucius answered Zilu's question, saying that "correcting the name" must be the first thing in politics. After returning to Wei, Confucius was treated as a "virtuous man", but he was still useless. In the 11th year of Lu Aigong (484 BC), Ran returned to Lu and led the army to defeat the Qi army in Lang. Ji Kangzi sent people to greet Confucius with coins. Confucius returned to Lu at the age of sixty-eight.
when Chen Cai's son besieged Confucius, he was called Confucius Yu Chen and Cai Jimen, which meant that Confucius was a disciple of Confucius.
Confucius didn't think about Lu Jun, while thinking about Lu Jun meant that Confucius thought about what his disciples should do instead. 2./ Suiyuan Poetry/
Suiyuan Poetry Volume XIII
72
I tasted that the fish gate cloud said, "The world is inferior to the ancients. My generation is not as good as the ancients because there are too many books in their chests. Chang Liyun:' I dare not read the books of the three generations and the Han Dynasty.' That's what it means. Dongpo said:' Meng Xiangyang's poems are not good, but unfortunately there is little material.' Shi Yushan refutes the cloud:' Dongpo's poems are not bad, but unfortunately there are many ingredients. Poetry is like a human eye, a flash of light, in which there is no gold dust; Can you ask for material in poetry?' Giving is quite his word. Or ask:' Poetry is not expensive, why does Shaoling have the saying of reading thousands of books?' I don't know that the words "broken" and "god" are all ways to teach people to read and write. Cover its volume and take its spirit; It's not necessary to use its dross. Those who eat mulberry and spit silk are not mulberry; Bees pick flowers and brew honey, not flowers. Reading is like eating, those who are good at eating will grow up, and those who are not good at eating will have phlegm tumors. "3. Suiyuan Poetry
was once called by Mr. Lu Xun as" not every helper can do it "("from helping to nonsense ") Suiyuan Poetry is the most famous kind of poetry in Qing Dynasty.
The author Yuan Mei (1716-1797) was born in Qiantang, Zhejiang Province. He was a scholar in the fourth year of Qianlong (1739), and he chose Jishi Shu to join the Imperial Academy. In the seventh year of Qianlong (1742), he was released as a magistrate in the south of the Yangtze River. In the thirteenth year (1748), he resigned and settled in Xiaocang Mountain Suiyuan, Jiangning, so he was called Suiyuan. As a "master of Sao Tan", Yuan Mei has been in charge of Wen Yuan for nearly 5 years, and his poetic theory of "the theory of spiritual nature" was popular in Ganjia (1736-182), which swept away Shen Deqian's theory of imitating ancient times and Weng Fanggang's unhealthy trend of taking textual research as poetry, and made the poetic world in Qing Dynasty look new.
Poems with the Garden is a book compiled by Yuan Mei to publicize his aesthetic thought of "the theory of soul". Song Renxu? Said: "Poets, distinguish syntax, prepare for the past and the present, remember virtues, record different things, correct mistakes."
(Xu Yanzhou's Poetry Talk) Therefore, poetry talk works mainly focus on comments, notes or textual research, which are generally of the nature of essays with little space. Of course, Suiyuan Poetry Talk is also an essay, but its main content is to collect and record poems of spiritual nature and expound the poetic theory of "spiritual nature", with notes in between, and its style is different from that of previous poems.
Its purpose is to demonstrate its theory of "Soul of Nature" by collecting and recording a large number of poems of "Soul of Nature", or to collect and advocate masterpieces of the time based on the aesthetic thought of "Soul of Nature". This book * * * has 26 volumes (16 volumes of Shi Hua and 1 volumes of Shi Hua Supplement) with nearly 57, words, and its scale is truly unprecedented.
The essence of Sui Yuan Shi Hua is its aesthetic thought of "the theory of spiritual nature", as Mr. Qian Zhongshu said: "It is not only the medicine stone at that time, but also sufficient for future generations to attack mistakes." ("Talking about Art Record") Yuan Mei also commented that "there is still room for expressing one's own opinions in the middle, revealing the hidden light of virtue" ("Building a House with Bi").
Looking at the poetic theory of Suiyuan Poetry, the main purpose is to emphasize the conditions that the creative subject should have, mainly in the three elements of true feelings, individuality and poetic talent, and to issue some specific views based on these three points, thus forming a poetic theory system with the connotation of true feelings, individuality and poetic talent. Here is a brief introduction: First, the theory of true feelings.
Shi Hua holds that a poet's creation must first have true feelings. As the saying goes, "A poet can't lose his childlike heart", and only when he has true feelings can he have an impulse to create: "Love can't be exhausted, and yīnyūn turns into poetry." Poetry, as a lyric art, should naturally "write its own temperament", and think that "all the people who preach poetry are spiritual, regardless of stacking", and oppose replacing spiritual with textual research.
Shi Hua especially emphasizes the poem "expressing the love between men and women" to oppose Shen Deqian's pseudo-Daoism. In view of poetry's vivid feelings, the aesthetic function of poetry is the main one: "The sage says,' Poetry can flourish', because it is the most susceptible to people."
It is emphasized that "poetry is good if it can enter people's hearts and spleen", so as to oppose the concept of "poetry teaching". Second, the theory of individuality.
Poetry Talk also holds that poets should have individuality in their creation. As the saying goes, "Poetry can't be written without me", and that "some people are puppets without me". Highlighting "I" means emphasizing the role of the poet's unique nature, temperament, aesthetic ability and other factors in his creation.
because of the "I", it requires originality in artistic conception. The so-called "careful solo, self-innovation" can express the spirit of individuality, "create new ideas, get rid of the expression" and write excellent works that are far from Jewish. Different poets have different personalities and naturally form different styles. Poetry Talk advocates the diversification of styles. "Poetry is like a natural flower, with flowers in spring and chrysanthemums in autumn, and each has its own show ... doing nothing first and second".
Therefore, Wang Shizhen's verve poems are neither admired nor belittled, pointing out that "it's just a poem" and "a poem doesn't have to be like this, and it's necessary to know this realm". The Book of Poetry also emphatically criticized the imitation of the "tone theory" from the Seven Scholars in Ming Dynasty to Shen Deqian and the last stream of the Song Poetry School: "The Seven Scholars in Ming Dynasty talked about poetry, but they didn't know the present, and they were limited in their opinions." "If you know your temperament, you will have rhythm, and the rhythm is not out of your temperament." "Taking the cold path of the Song Dynasty on purpose is called a beggar moving."
third, the theory of poetic talent. "Spirit" refers to both temperament and "pen spirit", which is characterized by quick thinking.
Shi Hua holds that "the way of poetry and prose is all about talent, and intelligent people can realize it with one finger". Yuan Mei focused on poetic talent and talent, but he didn't abandon learning. Therefore, he pointed out that "anyone who reads more books is an important thing for a poet, so he must have a lot of books".
It's just that the purpose is not to replace spirituality with books, but to "help me look good". For this reason, Yuan Mei opposes Weng Fanggang's mistake of copying books as poems and criticizes "the poems of scholars are unpleasant to read". Based on the poetic talent and spirituality, Shi Hua attaches great importance to the inspiration phenomenon of "inspiration" and "prosperity" produced by the spiritual person when he creates his ideas, and praises "the most beautiful nature", that is, the artistic expression is natural and unadorned. For this reason, he especially appreciates the ballad of "thinking about women, being quiet and cunning".
However, Yuan Mei is not opposed to human merits, especially the literati poem "If human merits are not extremely high, there will be no such thing as nature;" Although the clouds are natural, we must strive for it from people. The so-called "hundred trials have turned into soft fingers". This theory is quite artistic dialectics.
As for the artistic image of poetry, it advocates "liveliness" or "liveliness", that is, flexibility, vividness and touching, because "poetry is lifeless, like a wooden horse and a mud dragon, which only increases people's boredom". If you want to be "angry" and "interesting", the language needs to be vivid and vivid. "Always stand on the paper, not on the paper"; The technique of expression is mainly sketching, "blindly sketching vividly", and it is opposed to "filling books and stuffing books, filling paper with dead air and boasting about be broad and profound" so as not to stifle the vitality and interest of poetry.
However, if the allusion is "without filling marks" and "appropriate", it will not be totally excluded. The above-mentioned poetic theory is partially separated and directly expounded in Shi Hua; Most of them are combined with poetry selection.
The aesthetic thought of poetic theory is the standard of selecting poems in Shi Hua, which is sublimated on the basis of commenting on selecting poems. Therefore, the content of Shi Hua is based on a large number of selected poems.
Yuan Mei once said, "A poem that you love all your life is like love, and every time you read it, it's like a beautiful woman who looks at it. Knowing that it's someone else's wife and daughter, I have nothing to do with it, but I don't know that it's hidden in the center, so I can't help laughing." ("Answer to Mr. Peng Benyuan") can be seen. 4. write a composition "Suiyuan Poetry"
"Suiyuan Poetry" is the first book I have read about ancient poetry. After reading only a few pages, I was attracted by several fragments of the book-
A scholar wrote a poem called "Fly", which is a close-up of a fly: "Flying is beyond the secluded room, and a fragrance is not a gentleman." The flies we usually hate have become very human in this poem, which makes me secretly surprised.
The poems of the Tang Dynasty are the most splendid. "Frustrated and uncomfortable, see flowers like enemies. The road meets the white face, and the drunken flowers are full. " This is a poem written by a Tang Dynasty poet to express his gloomy mood after falling behind. There is also a poet named Tang Qingchen who wrote a poem after he came last-"If you don't return the farthest, your wife will not like it." The yellow dog is just affectionate, and when the door is lying, it shakes its tail. " Falling behind is the biggest blow to ancient students in their lives, but this Tang Qingchen wrote the scene of coming home to see his dog welcoming him very kindly after falling behind in his poem, which made people laugh. Visible, even in the same environment, the same thing, from different angles, with different backgrounds, with different mentality, is happy or sad is not the same. It's really "a thousand people have a thousand tempers and ten thousand people have ten thousand personalities"!
it turns out that poetry can still be written like this! "Poetry with the Garden" says, "Poetry that can make people laugh must be good." It suddenly dawned on me that writing a composition, just like writing a poem, should also be novel and unique in conception, so as to make the article more vivid and aura, and stand out from the crowd.
As the old saying goes, if you read a book a hundred times, you will see its meaning. A good book is like a sponge. Every time it is squeezed, more water can be discharged. This "water" is sentiment. Poetry with the Garden has now become a must-have item for me to carry with me. I hope it will bring me more gains! 5. A poem in Suiyuan
The word pregnant should mean pregnant
This sentence means that the plum tree is full of plum blossoms
In the previous sentence, the dung-carrying person in Suiyuan reported that there were flowers in the plum tree in mid-October. This sentence shows that the plum tree is full of flowers. When the dung bearer saw it, he was very happy and told Yu < P > what the monk said was: This plum tree is in the garden and can't be taken away.
Yu means: I love this plum tree and don't want to take the flowers she gave birth to away.
I express my love for plum tree. The spirit of not taking away someone's love, not forcing others to do it, and thinking for others
compares Mei Shu to the compassion of a woman who can't bear to take her children away from her,
The monk regrets that he can't take Mei Shu away, and Yu Mou can't bear to take Mei Hua away because he knows the pain of separation.
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Hehe ~ ~ ~