He created a negative image, was the spokesman of feudal paternalism, and was a typical example of feudal ethics destroying teenagers. She is extremely arrogant and unreasonable. She didn't understand and sympathize with Lan Zhi's virtue and Zhong Qing's love, and arbitrarily forced them to separate. This fully exposed the ugly nature of feudal paternalism destroying young people.
She gave Zhong Qing both hard and soft, and for a minute (when forced to condemn), she swore: "I have been angry for a long time, how can you be free!" "Boy doesn't matter, how dare you help a woman!" After a while (when he died), he coaxed him: "The master has a virtuous daughter and grandmother to beg you." The purpose is to ask Zhong Qing to punish Lan Zhi quickly, remove her eyesore and safeguard her parental rights.
Poetry creates two groups of characters, one is a positive image: Liu Lanzhi and Jiao Zhongqing. One group is negative images: Jiao Mu and Liu Xiong.
In the positive image, Liu Lanzhi is praised. She is beautiful, intelligent, hardworking, kind and loyal to love. What is commendable is that she has a strong personality, dares to fight against feudal parents and makes a final resistance with her own life. She is one of the glorious female images in China's classical literary works who dare to resist evil forces.
Although Jiao Zhongqing is consistent with Liu Lanzhi in being loyal to love and resisting the persecution of feudal ethics, unlike Lan Zhi, he is weak because of his fantasy and love for his mother. I was obedient to my mother, but in the end I was able to break through the shackles of paternalism and hang myself on the genealogy, showing the spirit of rebellion.
The burnt wood is a prominent negative image. She is ruthless. In order to be sent back to Lan Zhi, she did not hesitate to give her son both hard and soft, so as to safeguard the authority of her parents. The love tragedy between Liu Lanzhi and Jiao Zhongqing was caused by her and Lan Zhi's brother.
Although the villain Liu Xiong did not appear many times, his bossy, snobbish, mean and heartless bourgeois style has been exposed. Together with Jiao Mu, he became the defender of feudal ethics and the representative of feudal paternalism.