Who knows the ancient prose "A Letter with Zhu"? Help me find it.

The original text and Zhu Zhu's Wu Jun (469~520) were written by southern writers. The wind and smoke are clean, Tianshan Mountain/* * *. From flowing/drifting, anything/things. From/Fuyang to Tonglu, Baili, Qishan/Qishui, the world/unique. Water/all light green (skin o) blue, 1000 feet/bottom. Swimming fish/fine stones look straight/clear. Rapids/arrows, fierce waves/Joben. Shore/mountain, born of cold trees, negative potential/competition, mutual/graceful (mi ℉ o), striving for height/guidance, thousand times/peak. Springs/rocks, ringing (lí ng)/(lí ng); Good bird/singing, melody (y and ng) melody (y and ng)/ rhyming. Cicada/endless, ape/endless. Kite (yuān) flies to the sky (Li), looking at the peak/resting; Leon, a secular man, peeped into the valley/forgot the rebellion. Horizontal/cover, faint in the sky/static; Sparse/cross reflection, sometimes/see sunlight. (Bold fonts are stressed) 1 A Letter with Zhu, selected from Volume 7 of Literature and Art Series (Zhonghua Book Company 1982 edition). A book with the Song and Yuan Dynasties. Wu Jun (469-520), uncle. Xing Wu passed away (now Anji County, Zhejiang Province). Liang writers and historians in the Southern Dynasties. 2. All: All three. Net: all 4. * * * color: same color. * * *, the same five. Drift from a stream: (by boat) drift with the current. Follow, follow, follow. 6. To: to 7. X: Probably, it means the approximate number 8. Unique: Unique 9. All: all; Du 10. Light blue: turquoise. 1 1. Fast flowing water 12. Look straight: keep looking, there is no obstacle. The description of this river is very clear. 13. Extraordinary arrows: that is, "more than arrows" and faster than arrows. What: better than. 14. If: It seems to be 15. Ben: The verb is used as a noun, which means a galloping horse. 16. cold tree: cold-resistant evergreen tree, which makes people see cold trees. 17. negative potential struggle: (mountain) strives for progress by (high) mountain potential. Negative: It depends. Competition: for 18. Jessica Hester Hsuan: Gao Yuan. Xuan, Gao Miao, it's far away. It is used as a verb here. 19. Point straight to the sky. Refers to: upward. 20. Thousand peaks: refers to the formation of countless peaks. 2 1. shock: shock 22. Lingling: Lingling. Lingling, onomatopoeia, describes the clarity of underwater sound. 23. Good birds sing: good birds, beautiful birds; Sing to each other, sing to each other. 24.(yρng) Rhyme: It means that the sound is harmonious and beautiful. Melody, birdsong. Rhyming, harmonious voice. 25.zhàn: I've been calling for a long time. Thousands means a lot. Turn, preach "ho", the bird is euphemistic, here refers to cicada. 26. Endless: it means "endless". As opposed to "not poor" in the previous sentence. 27. Kites fly to the sky (Li): It means kites fly to the sky. Here is a metaphor for people who pursue high positions. According to ancient records, a kite is a bird similar to an owl. Some people say it is a fierce bird, similar in shape to an eagle. Crime, to. 28. Look at the peak: Seeing the majestic peak here will calm the heart that is keen on fame and fortune. Breathe: Calm down. 29. Manager: A person who manages government affairs. Economy, planning. 30. Forget the valley: When you see (these beautiful) valleys, you will linger. Reverse: Pass it back. Peep: Look at 3 1. Cross-cutting mulch: Trees are covered on it. Ke, the branches of trees. Shadow: Shadow 32. The day is still dim: even during the day, it is as dark as dusk. Daytime: Daytime. Jude: It seems to be 33. Sparse branches meet each other: sparse branches cover each other. Sparse branches: Sparse branchlets. Cross: mutual. 34. Day: Sun, sunshine. When the wind stopped and the smoke completely dissipated, the clear sky in Gao Shuang was spotless and blended with the green distant mountains. I took a boat and went with the flow. The boat went wherever it wanted to see the scenery. From Fuyang to Tonglu, about 100 Li, Shan Qi is a unique beauty in the world. Fuchun River is bluish white, and the deep river is crystal clear. Swimming fish and tiny stones can always be seen clearly without any obstacles. The swift current is faster than an arrow, and the fierce waves are like galloping horses. Cold-resistant evergreen trees grow on the mountains on both sides of Jiajiang River. According to the height of the terrain, these mountains compete to extend to high places and far away. The mountains compete with each other and form countless peaks. The spring water splashed on the rocks, making a crisp and pleasant sound; Birds sing in harmony with each other, singing in harmony. Cicadas have been chirping for a long time, while apes have been chirping for a long time. Those who fly to the sky like eagles and struggle for fame and fortune will calm down when they see these majestic peaks. People who deal with government affairs will linger when they see these beautiful valleys. Oblique branches cover it, even during the day, it is as dark as dusk, and sparse branches cover each other, and sometimes the sun can be seen. Appreciating "the beauty of mountains and rivers has existed since ancient times", there are so many beautiful mountains and rivers, which have attracted countless poets and poets and composed poems, leaving many well-known landscape masterpieces for today. Among them, Wu Yun, a famous parallel prose writer in the Southern Dynasties, vividly described the beautiful scenery along the Fuchun River with only 144 words, and was regarded as a masterpiece of parallel prose. Recite this article, but the beauty of scenery, emotion, words and chapters, such a short space, gives people a sense of beauty and is amazing. The full text not only reflects the beauty of mountains and rivers with human feelings, but also expresses contempt for secular officialdom and those who pursue fame and fortune, and exhorts friends. Implicitly reveals the noble interest of loving beautiful nature and retiring from the world. First, the artistic conception is beautiful. At the beginning of the article, the background of Fuchun River landscape is outlined with simple strokes: sunny, clear sky, fresh air and green mountains. The overall impression of Fuyang to Tonglu is "strange mountains and strange waters, chinese odyssey". The second paragraph is "different water". First of all, we grasp its "light green" characteristics and write its crystal-clear static beauty: this water seems to be transparent, and the bottom can be seen at a glance, even the fish swimming around and the fine stones at the bottom can be seen at a glance. Then, through exaggerated metaphor, the dynamic beauty of its fast-flowing fierce wave is outlined: this water is sometimes fast-flowing, and it is breathtaking. In this way, there is movement in silence, and the combination of movement and static shows the beautiful and spectacular beauty of Fuchun River, highlighting the word "different". The third paragraph says "Wonder Mountain". First of all, from the point of view of form, the strangeness of writing the mountain itself lies in "competing against the potential" and "competing for height" Yamamoto is still the same, but in the author's pen, it seems to have endless vitality to make progress. They seem to have left the earth and headed straight for the sky. If they want to go up, they will become "thousands of peaks and valleys" with overlapping mountains. Secondly, from the perspective of sound, write the wonder of empty mountains and the sound of nature. In the empty valley and deep mountains, springs tinkle, birds sing cicadas and apes cry. These cheerful voices converge into an ode to life, turning this silent valley into a lively, harmonious, happy and peaceful world. There are these lives in the mountains, and these lives give this mountain unlimited vitality. Thirdly, from the perspective of color, write the wonders of the sun in the mountains. Although it is sunny outside the mountain, it is a different scene inside. The author's brushwork changed from dynamic to static, and wrote a gloomy picture of the valley with dense branches and leaves and shaded by thick shade, and only "sometimes seeing the sun" during the day. In this passage, the color of the mountain voice is closely related to the word "strange". Grasping the characteristics of this mountain and water, the author skillfully combines motion and stillness, sound and color, light and shadow, and paints a vibrant landscape for readers, so that readers can fully appreciate the "beauty of mountains and rivers" on both sides of Fuchun River. Second, the beauty of interest This article focuses on writing landscapes, and there are few languages that directly write lyrics. But excellent articles have always paid attention to the coexistence of scenes. From the author's description of the scenery and a few words about impressions, we can appreciate the author's elegant taste and noble feelings. We can feel a kind of freedom, freedom and freedom from the first sentence "drifting from the stream, anything will do"; From the description of the scenery, I realized the author's love for nature and freedom and praise for vitality. What is even more admirable is that when describing the mountain scenery, the author inserted two words of testimony: "Those who fly kites against the sky look at the peak and rest their hearts;" He who is in charge of the affairs of the world looks at the valley and forgets to betray. "These feelings not only set off the breathtaking charm of dangerous peaks and valleys from the side, but also conveyed the author's contempt for fame and fortune and his boredom with official career. After careful consideration, the author's interest is not only different from active entry into the WTO, but also different from passive seclusion. It is a kind of admiration for relaxation and nature, a yearning for freedom and harmony, and a tribute to a happy life. It is less serious than the former, more natural and unrestrained, less pessimistic and more cheerful than the latter, so its mentality is more common, more acceptable and cordial. 3. Parallel prose with beautiful language is a formal style. Wu Yun, the author, is a famous parallel prose writer in the Southern Dynasties, and his masterpiece Letters with Zhu naturally maintains the characteristics of parallel prose. The article basically follows the requirements of parallel prose, mainly using four sentences and six sentences, and using a lot of antithetical sentences in the second half of the article, such as "Spring Rock makes a cold sound; Good birds sing in unison. "Cicadas are endless, and apes are endless. "In this way, the expression effect of neat sentence patterns, harmonious phonology, ideological contrast and interest in each other is achieved, which is catchy to read and has a strong sense of rhythm. However, this paper is different from the general parallel prose at that time, which broke the shackles of parallel prose form to a certain extent and embodied valuable breakthroughs and innovations. First, the sentence in the four sentences and six sentences "People who fly kites against the sky, look up at the peak and rest in peace;" "The sentence pattern of alternating five characters and four characters avoids the disadvantages of rigid parallel prose and makes the language lively and free; Secondly, there is almost no duality in the first half of the article, which is no different from general prose (especially the first section). The second half is basically neat antithetical sentences with flexible and rhythmic language. Third, the article didn't pile up allusions like ordinary parallel prose, and even deliberately used cold words to write landscapes, trying to be accurate and vivid, so that the language of the article appeared fresh, natural, vivid and smooth, and stood out among the mainstream parallel prose at that time. Fourth, the structure is beautiful. Although Zhu Yu's books are short in length, they are also well organized. The first paragraph of the article leads the whole article with the word "strange mountain and strange water, chinese odyssey", while the second and third paragraphs are divided into two aspects: "strange water" and "strange mountain", and are described around the word "unparalleled". The structure is comprehensive and the context is clear. The order of scenery description is "water" first and then "mountain", from near to far, spread out layer by layer, which is in line with the viewing habit of "drifting from the stream" and is well organized. In the focus of landscape description, the full text details "mountain" and slightly writes "water"; Write the part of "water", the details are static, and the dynamics are slightly written; Write the "mountain" part, write the dynamic part in detail, and write the static part slightly. This not only highlights the main features of the scenery, but also appears meticulous and decent. Reading this book with Zhu is like reading a good poem, because it is not only poetic with meaningful words and harmonious syllables, but also full of fresh and elegant poetry; Reading "The Book with Zhu" is like enjoying a landscape, because it has a unique landscape and is more clear and free. In a word, this article has beautiful scenery and beautiful words, which can give us beautiful enjoyment and spiritual pleasure. [Edit this paragraph] Author brief introduction Wu Jun (469 ~ 520) was a writer and historian in the Southern Dynasties. Uncle Zi. Xing Wu passed away (now Anji County, Zhejiang Province). He is studious and talented, and his poems are highly praised by Shen Yue. At the beginning of Liang Wudi Tianjian, it was written by the monarch. Tian Jian six years (507), Jian 'an Wang Xiaowei was cited as the archives. Later, he was appointed as an invitation of the court. Liang Wudi was dismissed for writing Qi Chunqiu privately. Soon after, he was ordered to write a general history and died before writing it. People called his style of writing "Wu Junti", and The Biography of Wu Jun in Liang Shu called him "quaint in style", which was quite influential at that time and was called "Wu Junti". There are more than 140 poems today, most of which are friends' answers and farewell works. Harmonious phonology and beautiful style belong to the typical Qi-Liang style; But the language is clear and fluent, the allusions are appropriate, and it's okay to pile them up. Wu Jun is good at depicting the surrounding scenery to render parting. Such as "Send Liu Zhuting Collection" and "Evening Fish Pavilion Play, Curtain Rain □ Fun". White clouds come and go, and the breeze is negative. Wandering around cattle and sheep, it is dark and ugly ",and the scene of Shan Ye in the hazy twilight highlights the sad atmosphere of parting. Another example is "light clouds go far through the hole, drizzle bathes the mountain clothes", "Liaochuan is dark in the day, and the yellow dust is long-lasting", and the scenery is very detailed. Wu Yun paid great attention to learning from Yuefu folk songs, and wrote many ancient Yuefu poems, such as it is hard to go, No One Walks in the Huli and Joining the Army. Although the rhetoric is gorgeous, it is full of vigor and freshness, and there are many thoughts of Bao Zhao. Some of his five-character poems, such as "You follow the green waves, I follow the breeze" and "Fold the lotus to cover it and feather it into silk", are also full of folk songs. Wu Jun was born in a poor family, and he was neither arrogant nor impetuous all his life. In some of his works, he often shows the ambition and backbone of a poor man. For example, in "To Wang Guiyang", "Pine trees grow several inches long and are defeated by grass. You can't know the frost until you see the heart of the cage cloud. Using pine trees to express the grievances of talented people is very similar to Zuo Si's Pine at the Bottom of a Depressed Valley and Tao Yuanming's Pine in the East Garden. Another example is "Plum Blossom Falls" and "Farewell to a New Forest", which also implicitly express the desire to make a difference. Another example is "Four Commanders in Border Town", which praises the heroic spirit of the soldier "Gao Qi went to Korea and Africa and wrote with a whip"; In my heart forever describes the homesickness of people's families, with realistic content, which is rare in poetry at that time. Wu Jun is a historian. He wrote 30 volumes of Qi Chunqiu, 10 Record of the Temple, 16 Records of the Twelve States, 5 volumes of Biography of the Sages in Qiantang and 90 volumes of the Book of the Later Han Dynasty, all of which have died. He is a famous writer. Legend of Liang Shu: "The monarch's body is clear and ancient, and those who are good or learn are called' Wu Jun's body'." His Collection of Twenty Volumes. Four Notes of Sui Shu's Annals of Classics: "Liang Fengchao invited Wu for twenty volumes." Records of Old Tang Shu Jing Ji Zhi and New Tang Shuyi Wen Zhi are all twenty volumes. History of Song Dynasty, Art and Literature: Wu Jun's Poems in three volumes. It can be seen that most of his works were lost in the Song Dynasty. Wu Jun was good at writing parallel prose in Ming Dynasty. There are three books today: One Book by Shi, One Book by Zhu and One Book by Gu Zhangshu, all of which are good at writing landscapes. Such as "the cliff is dry, and the lonely peak enters the Han Dynasty. Flowers are green, thousands turn to Qingchuan "and" the wind, the snow and the moon are clean, the Tianshan Mountains are colorful, and everything comes from the stream ",all of which are beautiful in writing and meaningful in charm. Sui Shu Jingji Zhi contains twenty volumes of Wu Jijun, which has been lost. The Collection of Wu Please, edited by Amin Zhang Yan, is included in 103 Records of the Han, Wei and Six Dynasties.