On the occasion of Zhou Enlai's birthday 1 10, Huai' an Daily published seven full-page long poems, which are really rare in China newspapers.
A long poem is a picture scroll, which captures the rich fragments of the great man's personality, quality and spirit from the historical moment he experienced and eulogizes the great man's glorious life.
A long poem is a piece of music. With the rhythm of the poem, it spreads the yearning for great men and the cry that shocked the earth of peace-loving people in the 20th century. The mountain extends all the way to the top. A river of tears. The mountains are stacked. Thousands of miles away.
The 3200-year-old poem, Love is wings, flying one after another to the stormy life in Zhou Enlai. Love is Zhou Enlai's love for the motherland and people, and it is also the love of the motherland and people for Zhou Enlai. Zhou Enlai's stormy life is a condensed history of China's revolution.
At the beginning of this stormy life, a "chaos" took off from the bank of Huaihe River. "Big Luan,/God Bird,/God Bird,/Brave Bird,/Warm and vivid bird of Huaihe River,/Like a phoenix like an eagle,/a wing. /The charm of wings is beyond charm. /Beyond the earth,/Beyond the mountains,/Beyond the white clouds,/Wing,/Wing,/Finally beyond yourself. " The "chaos" after take-off often soars in parallelism, and its powerful wings and rich emotions are one of the overall feelings that this long poem gives people in one go. The poet Hong's unrestrained passion has laid out the spiritual three-dimensional space and multi-dimensional space he devoted himself to again and again, so that readers and his poems can be invited to visit the heaven beloved by great men. What a touching thing it is.
-Write about the love between Deng. "Luan birds spread their wings,/go to Paris. /A Bordeaux,/197 students. /crossing the waves,/having an English-French dictionary,/having a thick fluffy coat,/having a soft fluffy coat. /There is a small line of Juanjuan embroidered in the collar:/Give you warmth/-Xiaochao. " Plain, kind and affectionate, just like pure first love.
-writing about the growth of the revolution. "Zunyi has grown:/It has grown into art,/It has grown into music,/It has grown into drama. /grow into a stamp and send it to Sima Qian, let him write historical records. " The plane life and profound history are written ingeniously and naturally, quietly, but the growth process of the revolution is suddenly and stereoscopically placed in front of us.
-write the United front. "United front,/wisdom,/courage,/mind. Once thoughts spread their wings,/one beats the sun and the other beats the moonlight. /then surpass the sun and the moon,/soar. " God is light, and the spirit of revolutionary romanticism is vividly on the paper.
-Write a bloody battle. "Soil guns attack from caves,/foreign guns attack from caves,/broadswords attack from caves,/spears attack from caves." Plane phalanx, three-dimensional attack and Liao Liao's four sentences depict a nation's strong revenge psychology and show the irresistible power of the people's war. Technically speaking, parallelism constitutes the overwhelming momentum of this long poem, so another skill to make it flow naturally like a river is the thimble technique. Interlinked with each other and connected with each other layer by layer, it constitutes an impenetrable pleasure of reading poems, which makes long poems develop in the flow. For example: "It's northwest,/Is there a bamboo flute? //The Journey to the West, huh? Faith-Sky-Travel-/If you don't have wings, why do you need the sky? /If you dare not fly,/Why do you need wings? " The echo between paragraphs is closely linked, and the progressive relationship between poems makes the long poems more tense on the one hand, and strengthens the strength of poems on the other.
For example: "Looking at Chang 'an in the west,/Chang 'an is uneasy:/Song is a song outside the city,/Gun is a street gun. /I cry when I sing/I cry when I sing:/My home is on the Songhua River in the northeast ... "Repeated singing and neat antithesis of long and short sentences make this poem express the homesickness of people who have left their homes very rhythmically.
Judging from the content selection of poems, long poems abandon the method that people used to list every important historical stage of great men in the past, but intercept historical events that people are familiar with and unfamiliar with to show the greatness and greatness of the Prime Minister.
Motherly love comes from soil, love comes from sewing needles, national love comes from gunfire, and peaceful love comes from singing. Footsteps are so closely linked with the fate of the earth and the motherland. Slowly, Zhang Chi described the greatness, humility, mediocrity and elegance of a great spiritual kingdom.
Long poems are exquisite and decent in one go, which is a poetic cultural phenomenon worthy of discussion in the face of today's less prosperous poetic landscape. From careful structure to writing, the author only spent more than a month. Writing such a macro article in a month shows the author's love and familiarity with the Prime Minister. From his love and familiarity, the poet found that Zhou Enlai was the "discoverer" and "founder". "Discovery" and "creation" constitute two clues of poetry, and the emotional kite will soar in the sky under the traction of these two lines.
Interestingly, after this poem was written, it took the poet ten years to revise it. Ten years ago, on the occasion of Premier Zhou Enlai's centenary birthday, he positioned the emotional tone of his narrative as nostalgia for the great people in his hometown. Ten years later, he positioned the emotional tone of the narrative as the great personality and spiritual contribution of the great man to mankind. For the author, it is a kind of transcendence and sublimation, whether it is the laying out of creative techniques or the display of spiritual core. Let love and poetry have wings, and let the bird of spirit soar freely in the spiritual kingdom. Zhou Enlai is undoubtedly the towering poem wall in the poet's heart!
Faced with endless yearning, the poet wrote in a low tone: "No shortage of people cry for a country,/very few countries cry for one person." /The flag of the motherland/And/The flag of the world/At a loss,/They/Help each other/Struggle/Stand on the slope of human feelings-"These words, I always regard it as the best of this poem. In a few lines, its love has transcended nationality, country and color. If there is no love in my heart, how can I write a poem about love?
Zhao Kai is over seventy years old, but he always stands at the forefront of creation with full passion, broad vision and profound thinking. He pursues and yearns for those magnificent, broad and dignified macro masterpieces similar to the Palace Museum and the Three Gorges of the Yangtze River, and completes each paragraph of his works with a strong sense of quality. In this sense, Zhao Kai is a climber. After he conquered one mountain after another, the happiness he got was the happiness of climbers looking up at the peaks under the sky. Isn't the climber leaning forward like an eagle flying on the wall? Facing the 2 1 century, China's new poetry has reached the moment of calling for epic and his divine comedy and paradise lost. If "My Love" and "Fifty-seventh Dawn" are compared to Zhao Kai's camp on the way to mountain climbing, as a climber, then Zhou Enlai is undoubtedly a banner for him to hunt on the high mountain.
About the author:
Gong Zheng, male, 1964 was born in Huaiyin, Jiangsu Province in June. 65438-0985 started literary creation, and won the first prize of national reportage essay writing and other provincial and municipal literary awards. His published poems include String Guitarist, Snow in the Sun, Long Reportage, Golden Eagle Dream, Poems, The Edge of the Season, Moonlight as Water and so on. He is currently a member of Chinese Writers Association, director of Jiangsu Writers Association, vice chairman and secretary general of Huai 'an Writers Association.