This is an affectionate patriotic song, which combines a deep sense of history and a strong sense of the times, surging with the passion of getting rid of poverty, getting rid of bondage and moving towards a new life. It is amazing to read.
Appreciation (Cai Qijiao)
Syntactically, this poem draws lessons from the ring sentence in Goya by the Soviet poet Woznetsky: "I am Goya! ..... I am in pain. I am the voice of war. ..... I'm hungry! ... I am ... the throat of a hanged woman. ..... I am Goya. " Voznesenski wrote about my relationship with the war and used cyclic sentences to strengthen my sadness and anger at the war. Shu Ting's writing about my relationship with my motherland also uses this sentence pattern to increase the depth of pain and love, but it is also a creative development. Circumferential sentences often appear in works that express strong feelings, and are best used to render sad and painful feelings.
Repetition is a common artistic technique in poetry creation, and circular sentence pattern is a rhetorical method of repeating the same type of sentence or word, that is, connecting several parts of a very complete language unit and arranging them in a circle to form a harmonious whole in meaning and tone. Can be divided into two points, three points, four points and many points. This poem uses many elements.
Poetry reached its climax from the beginning, which is Shu Ting's consistent technique. The first two clauses of the first section are balanced sentences, which contain descriptions of sounds and colors. Three or four sentences are shortened and not depicted; The five sentences are long, the lines are short and tight, and the intensity exceeds the previous four sentences, so the subject (motherland) appears.
In the second quarter, direct dialogue is started without adjectives. Three or four sentences summarize the front, and then the theme appears. Hope for a better life in the future. Among them, "a flower that never falls to the ground for a thousand years" means that the good hopes of ancestors have repeatedly failed.
The third quarter is another change. The quintile is divided into seven lines, and the rhythm is staggered. If the first paragraph and the second paragraph are written in the past tense ("flowers that have not landed for thousands of years between flying sleeves"), use the present tense; This third section is about the future (The Newly Painted White Starting Line), and it also uses the present tense, which is more concrete and realistic, connecting the preceding with the following, and the pain rises to hope, so the subject appears again. It symbolizes that China is getting rid of the shackles, thriving and writing about the bright future of the motherland. The poet's feelings reached a climax, and his strong feelings turned into a magnificent oath to the motherland. His strong sense of national responsibility, mission and lofty dedication sublimated his poetic thoughts.
The first two lines in the fourth quarter are one billionth small and 9.6 million square meters large. The unity of the big and the small is the enhancement of contrast, which means that I am a member of the motherland, but my chest contains the whole motherland. Next, scarred breasts nurtured me, taken from my flesh and blood, which is another contrast, highlighting my inseparable connection with the motherland; Even confusion, deep thinking and boiling are the opposites of richness, glory and freedom, so that we can see the endless joys and sorrows. If the first three sections are about my relationship with the motherland syntactically, the fourth section is about my relationship with the motherland in turn, which is the theme. Syntactic ambiguity is a manifestation of extreme excitement, which ends in the double-calling sentence of the subject (the subject at the end of the first three paragraphs is a single-calling sentence) and reaches a climax. It describes that the author is connected with the fate of the motherland, and has an inseparable relationship, flesh and blood, honor and disgrace and * * *.
There are only thirty-four lines in this poem, but ten semicolons are used. The clauses in these semicolons have a short duration, which reflects the changes of rhythm and melody. This poem is political, but it is not discussed, but only described, which is also a feature. All the symbols and metaphors in the poem are simple and beautiful, and every word is closely related to the scenery and images described. The poet not only observes with his own national elements, but also writes the spiritual essence and typical tone of people's inner life and outer life with national language means and expressions that people can understand. What she feels and says is exactly what her compatriots feel and say.
Appreciation II (Li Tingming)
When it comes to the motherland, people often think of the four great inventions of the Yangtze River, the Great Wall, Huangshan Mountain and the Yellow River, which are vast in territory and rich in resources ... praise the strength and greatness of the motherland with a kind of illusion that seems bold but empty. Shu Ting did the opposite, found another way, faced the ancient history and grim reality of the motherland, selected a large number of vivid and meaningful images, edited and combined them into a flowing and dignified picture in a montage way, and sang a true affection for the motherland with a slow and deep rhythm.
In the poet's mind, the motherland is no longer a huge and empty abstraction, but a collection of vicissitudes of the past, the reality of poverty and despair and the hope of crimson dawn. As the lyric subject, the poet integrates the self with the images in his poems, so that the materialized self-image can be embodied in the images of the motherland. I am an old waterwheel worn by your river, a miner's lamp blackened on your forehead, a painful hope of your ancestors, a brand-new ideal of yours, a tearful smile vortex of yours, a billionth of yours, and the sum of your 9.6 million square meters ... The poet is not just a simple individual who grew up in the embrace of the motherland.
This poem is like a symphony with many voices. The first two sections are gloomy and dignified, full of sorrow for the disaster history and severe reality of the motherland; The last two sections are fresh and lively, revealing the joy of the motherland to get rid of suffering and eager to fly; At the same time, it expresses that a generation of young people who have experienced setbacks share the fate of the motherland and exchange their blood and sweat for the aspiration of the motherland's prosperity, glory and freedom.
Appreciation III (Printing Right)
From the late 1970s to the early 1980s, a number of new people emerged in the poetry circle. They spent their youth in ten years of turmoil, experienced a life course of innocence, disillusionment, hesitation, confusion to pursuit and awakening, and ushered in a period of historical change in which darkness and light alternated; They are not satisfied with the old poetry formula, but seek new principles of poetic beauty to express complex feelings and unique personality; They boldly learn from the poetic techniques of modern western poetry, set off a new wave of poetry, and created a number of poems with new aesthetic characteristics. My Dear Motherland, written by the poetess Shu Ting, is one of the representative works. Shu Ting's To Oak is a masterpiece of contemporary love poems, while her Motherland, My Dear Motherland is highly praised by people for its sincere and novel conception and artistic expression.
First, the concept is novel and profound. Motherland, my dear motherland, contrary to the floating and mythical praise of some previous poems, sang songs praising the motherland from a unique angle, showing people's understanding, thinking and feelings about the motherland after ten years of catastrophe. This poem was written in 1979. A catastrophe has just passed, the memory of suffering is fresh, hope, pain and joy are rising on the ruins, and disappointment and belief are intertwined in people's hearts. Seeing the poverty and backwardness of the motherland, people eagerly look forward to the motherland becoming a modern power at an early date and are determined to contribute everything to the prosperity of the motherland. The poet did not express his feelings directly, but keenly captured and artistically expressed the feelings of the people of the motherland, and skillfully transformed the idealistic feelings of the motherland in various historical periods into the image of "I", and then transformed "I" into a vivid image, surpassing a specific time and space. In the vast universe, generate's complex mentality has composed a tragic and passionate love song for the motherland. This method of directly transforming ideas into images is refreshing.
The second is sincere and touching. Motherland, My Dear Motherland aims to express the poet's deep affection for the motherland. Compared with similar poems in the past, it has distinct characteristics and personality of the times-both the confusion, pain and happy hope of contemporary youth and the true feelings of daughter's dissatisfaction and dedication to the motherland. In order to express this deep feeling, the poet adopted a rhythm from low to high. At first, the poet scanned the poverty and backwardness of the motherland with the naked eye, expressing the poet's sad mood: "I am a worn-out old waterwheel,/spinning tired songs for hundreds of years …" Then, the poet expressed his sad feelings with his children's hearts: "I am poor,/I am sad. /I am your ancestor/painful hope,/I am a' flying' sleeve/a flower that will not fall to the ground for a thousand years; After indulging in pain, the poet expressed the joy of hope: "I am your brand-new ideal", "I am your tearful smile vortex" and "the crimson dawn/burst;" In order to realize this beautiful hope, the poet did not hesitate to express a dedication wish: "Then get your richness, your glory and your freedom from my flesh and blood. "Every paragraph of this poem ends with" motherland "." The first section of "Motherland" is a deep sigh, expressing unspeakable sadness; The "motherland" in the second paragraph is a painful call, which contains a lot of pain and hope. The third section "Motherland" is a call for joy, revealing the poet's uncontrollable joy; The fourth quarter "motherland! "My Dear Motherland" is a solemn oath, which pours my desire to devote myself to my motherland. The four poems "Motherland" are recited repeatedly, which pushes the feelings forward step by step and creates a stirring chanting atmosphere for the whole poem.
Third, the imagination is strange and the metaphor is novel. There is no direct discussion in the poem, but a series of symbolic images are chosen to express the harmonious relationship between "I" and the motherland, so as to express the author's thoughts and feelings. Although these images seem incoherent, on the whole, they not only constitute the beauty of internal unity, but also give readers more imagination space. When writing the history of the motherland, the poet summed up the long-term poverty and backwardness of the motherland with a series of bold imaginations such as "dilapidated old waterwheel", "blackened miner's lamp", "withered ear of rice", "disrepair roadbed" and "barge on muddy beach". "Flowers flying in the sleeve/never falling in a thousand years" symbolizes the people's expectation of a better life in the motherland, but the vision of several generations has not been realized for thousands of years, which is novel and accurate. When describing the birth of the motherland, the poet vividly described the new face of the motherland with metaphors such as "brand-new ideal", "embryo of ancient lotus", "tearful smile vortex", "starting line of snow" and "crimson dawn". These groups of images are the images condensed by the poet's strong inner feelings and his philosophical and rational understanding of objective things and the history, reality and future of the motherland. This way of "overlapping images" expresses richer, deeper, broader and more three-dimensional ideological connotation. Because of this, "Motherland, My Dear Motherland" enjoys a high reputation in the history of contemporary poetry in China and won the "198 1 National Excellent Poetry Award for Young and Middle-aged People".
Appreciate four
Use images skillfully and think deeply.
-Shu Ting's Appreciation of the Motherland, My Dear Motherland
Motherland, My Dear Motherland is a famous piece praised by readers, whether it is to praise or belittle the poet. Guo Moruo beautified the motherland as a girl in Coal in the Furnace, while Shu Ting compared the motherland to a scarred mother, poured out her inner pain with childlike innocence, and expressed her passion and determination to devote herself to the future of the motherland. The artistic power of poetry lies not only in the poet's care for his inner emotional memory with novel images, but also in his extraordinary description of the profound disaster and poverty of the motherland, as well as new hope and bright future; Moreover, the poet put himself in the reality of interweaving history and future, reflected himself in the image, thought deeply about the past and future of the motherland, and expressed his deep love and dedication. The four bars of the whole poem naturally show the distinct ideological level and emotional paragraphs of the whole poem.
The first section describes the history of poverty and backwardness in the motherland and various heavy burdens. In the creation and application of images, the poet created his own way. First of all, they personified abstract concepts such as "poverty" and "stagnation" into the lyric hero "I" in the poem, and then visualized this "I" into a concrete objective image, which resulted in the negative sublimation of the image and greatly enhanced the artistic charm of the poem. The two images of "shabby old waterwheel" and "blackened miner's lamp" symbolize the poverty and backwardness of the motherland and the long-term stagnation of productivity. "That Tired Song" and "Snail Exploration" once again brought us a sad chill. This is a manifestation of the poet's sense of hardship. The image of "I am a withered rice, a broken roadbed and a barge on a muddy beach" further summarizes the situation that the motherland is hungry and blocked. The song "Deep into Your Shoulder" and "Rope" vividly outlined the scene of the motherland's development. The images in the novel are intriguing, refracted layer by layer, and exhausting. This artistic technique is integrated with the poet's feelings, especially the synaesthesia effect produced by the clever combination of these images, which not only reveals the complex and subtle feelings of the poet's spiritual world, but also gives readers a strong aesthetic feeling. Our artistic feeling potential is fully mobilized by this kind of synaesthesia artistic technique, and we can see the painful and tired figure of our motherland, the sneaking figure of our motherland in the dark and humid tunnel, and the scars of our motherland bound by heavy ropes. So the cry "Motherland" at the end of this paragraph (full of pain when reading aloud) shocked our hearts and made us cry.
The second section describes the sufferings and hopes of the motherland and the people. The poet reduced my image to abstract concepts such as poverty, sadness and hope. It is pitiful to lurk in the dark tunnel for a long time, and the rope on the boat is even more sad. But only poverty and sadness can bring painful hope. As Mao Zedong said, "If you are poor, you will change your mind", "If you want revolution, you will struggle" and "If you struggle, you will have hope". The image of "flying" is fantastic and magnificent, which is very tempting. Although this image shows that good hopes have not been realized, it is very painful. But he also explained that our ancient nation once had a splendid culture, a prosperous century and a glorious tradition of pursuing ideals. The great leap of this image has opened the poetic space, aroused our thinking about reality and history, and forced us to pursue the ways and answers to realize the painful hope. At the end of the festival, the "motherland" repeatedly shouted (full of expectation when reading aloud) has a new meaning, such as longing for the comfort and love of the motherland and begging for the rebirth of the Oriental Dragon.
The third section describes the awakening and rise of the motherland and my passion. Excellent poets can always skillfully and appropriately use colored pencils to express their feelings and mood changes in a specific realm. Lie Bin said that "color is thought" and Connor said that "the use of color must obey your feelings". The first and second paragraphs of this poem are about the historical burden and great pain of the motherland. The poet's feelings are melancholy and painful, and the tone of the poem is cold and desolate. Starting from the third quarter, writing about the hope and rebirth of the motherland excited the poet's feelings and made the tone of the poem bright. After the downfall of the Gang of Four, new changes have taken place in our country, the cult of religious personality has been criticized, the remnants of feudalism have been eliminated, and the upsurge of reform and opening up is surging, all of which make the poet feel gratified and excited. Therefore, the style of poetry suddenly changed from low to high, giving people a fresh and pleasant excitement. The "brand-new ideal" not only refers to the good wishes of Chinese sons and daughters to quickly change the poor and white face of the motherland, but also refers to the grand goal of the proletariat to liberate all mankind and realize the bright red sun shining all over the world. The mythical spider web symbolizes the autocratic rule and stale consciousness that fetters the development of productive forces and stifles ideological emancipation. It is impossible to give birth to a brand-new ideal without breaking away from the mythical spider web, so these two images constitute a causal relationship. Images such as falling snow, embryo of ancient lotus, laughing vortex with tears, white starting line and crimson dawn have greatly jumped in time and space, forming a comprehensive description of the bitter course of the motherland's growth, the joys and sorrows of regeneration, the beginning of the new Long March and the beautiful scenery in the future, showing us a magnificent scene of prosperity, myriad weather and infinite vitality, and sketching out the heroism of a new generation. They used to be confused, but now they have healed the trauma in their hearts, thinking and exploring, and have jumped to the white starting line. A cry of "motherland" reveals a brand-new surprise, admiration, attachment and passion for the great motherland.
In the last section, the poet expressed his desire for loyalty and dedication to the motherland. The two images of "I am one billionth of you" and "the sum of your 9.6 million square kilometers" describe that "I" and the motherland are integrated and inseparable from the perspective of population and territory. In the poem, I am no longer a grass or a seedling of a pine tree. But the master of the times, the master of history and the master of fate. As the Song of Phoenix Rejuvenating Spring sings, "We are born again" naturally pushes the artistic conception in the poem to a climax. The compound image of "you cook me with scars" is rich in connotation and strong in generalization. It vividly depicts the tragic experience of the motherland, and also briefly shows my tortuous and complicated mental journey, focusing on the deep affection my mother gave me in distress. Therefore, the poet crossed the blue sky of the motherland with a huge stroke like a rafter, erasing the oath of "I": "Then get your freedom and glory from my flesh and blood!" In order to revitalize the great cause of China, the poet did not hesitate to give his youth, wisdom and even flesh and blood; This is the image of loyalty, generosity, tragedy and integrity. The ending "Motherland, My Dear Motherland" has changed after repeated steps, which not only resonates with the poem, but also effectively strengthens the theme of dedication to the motherland, making the poem suddenly end in the climax and receiving the effect of lingering aftertaste.
In a word, this poem selects a group of images, recalling the poverty of the motherland in the past, thinking about the dreams and sufferings of the people for thousands of years, describing the exciting rise and rebirth of the motherland, and profoundly expressing his incomparable love, infinite expectation and dedication to the motherland.
Appreciation five
Shu Ting's Motherland, My Dear Motherland was written on1April 20th, 979. At that time, 1978, the party held the Third Plenary Session of the Eleventh Central Committee to "set things right", and the land of China just woke up from the winter of the Cultural Revolution. Shu Ting, like Gu Cheng at the same time, let go of her voice and shouted for the arrival of spring in the motherland. Gu Cheng wrote a famous generation: "The night gave me black eyes, but I used them to look for light." Shu Ting wrote this famous poem.
The whole poem is divided into four sections. The first section reviews the ancient and heavy history of the motherland, and vividly depicts the disastrous past of the motherland with five typical images, such as "dilapidated old waterwheel by the river", "miner's lamp with black forehead", "withered ear of rice", "disrepair subgrade" and "barge on muddy beach". Show the image of the motherland's perseverance in adversity, and say "motherland!" at the end of the festival. "Express your understanding of the poverty and backwardness of the motherland and your deep admiration for her indomitable spirit.
The transitions in the second section are the same as those in the previous section, but they also describe the past of the motherland from different angles, express their feelings directly, show the "poverty" and "sadness" of the motherland, and also breed "hope" and "flowers". It is the hope of poverty, sadness and pain, which closely connects "I" with the motherland. At the end of the festival, there is also a sentence "Motherland!" Express sad feelings.
The third section describes the reality, and expresses the tearful smile that just woke up from the nightmare of Great Leap Forward and Cultural Revolution with a series of dense images, such as "brand-new ideal", "embryo of ancient lotus", "laughing nest with tears", "white starting line" and "crimson dawn", seeking truth from facts and emancipating the mind. After hardships and twists and turns, at the dawn of the new era, "I" will fly and run with the motherland with "brand-new ideals". At the end of the festival, I want to say "motherland!" Expressed the poet's hope and joy. At this point, the tone of feelings has begun to slow down.
The last section looks forward to the future and expresses the poet's deep and passionate love for the motherland. I used to be confused, but now I am deeply thoughtful and deeply touched. I am willing to give my flesh and blood for the prosperity, glory and freedom of my motherland. At the end of the article, "Motherland, my dear motherland!" Make the feelings of the whole poem reach a climax and form the strongest sound of the whole poem.
Patriotism is the theme of this poem. The expression of patriotism in this poem is not blind, but thoughtful; Not superficial, but profound. It can be regarded as a masterpiece of "reflective literature". For example, for the motherland, the poet saw both the poor and sad side and the bright side (hope and flowers). If the motherland is a "worn-out old waterwheel by the river", then she is "spinning tired songs for hundreds of years" and is not depressed; If the motherland is "a miner's lamp with a black forehead", then she will "grope in the tunnel of history like you" without stagnation; If "(I) am a barge on the mudflat", the suffering of the motherland is also caused by my "pulling the rope deep into your shoulder". It vividly shows the flesh-and-blood connection between the poet and the motherland. The poet himself is "lost me, considerate me, boiling me". Compared with the "generation", the poet closely linked his own experience with the fate of the motherland. So there is no feeling of complaining in the poem. Just like the last section-I am one billionth of you and you are one ninetieth. ...
Appreciation of Waterbird Poems
(1) I am a shabby old waterwheel by your river, and I have been spinning tired songs for hundreds of years. This sentence was written in the first person. I confided to you (the motherland) and expressed that "I" had gone through difficulties and hardships with the motherland. At the same time, with the image of "old waterwheel", it has gone through a long time. Although it is "tired", it still maintains its tenacious viability to symbolize the indomitable vitality of the motherland through storms. (2) I am the painful expectation of your ancestors and the appreciation of the flowers that have not landed for thousands of years in the "flying sleeve". Through metaphor, I compare "hope" to "a flower that never falls to the ground in a thousand years in a flying sleeve", in which "flying" is a god who can fly in the sky in religious legends and entrusts simple people with their wishes for a better life. People have always maintained "painful hope" in poverty, and have been looking forward to "landing" and becoming a reality for thousands of years. It shows that the people of China have suffered many setbacks, but never lost hope. (3) I am one billionth of you, the sum of your 9.6 million square meters; Appreciation: Personally, I am a member of China's one billion people and a "billionth" of the motherland. But judging from my mission, I should shoulder the heavy responsibility of rejuvenating China, and I should be integrated with the motherland, so it is the sum of 9.6 million square meters that expresses a strong sense of patriotism and historical responsibility. (4) Then get your richness, your glory and your freedom from my flesh and blood; -Motherland, my dear motherland! Appreciation: The author is outspoken, saying that he should shoulder the heavy responsibility of the motherland's prosperity and strength, and expressed a strong sense of patriotism and historical responsibility.