What are the training methods for broadcasting and hosting basic skills?
The first stage: practice Qi before speaking out
Research data shows that under normal circumstances, people , breathing 16-19 times per minute, each breathing process takes about 3 or 4 seconds. When singing, sometimes one breath needs to be extended for more than ten seconds, or even longer, and the inhalation time is short and the exhalation time is long. You must master the The key is to keep the breath in the lungs and exhale slowly, so you must first do:
(1) "Breathe deeply and exhale slowly to control and extend the exercise"
The key is: first learn " "Store Qi", first press the air to expel the waste gas, then use the gap between the nose and the tip of the tongue to inhale gently and naturally, relaxedly like "smelling flowers". Inhale to fullness, then the air sinks into the Dantian, and slowly relaxes the chest and ribs. , make the breath slowly exhale like a long stream of water, exhale evenly, the longer the control time, the better, repeat the practice 4-6 times.
(2) "Deep Breathing and Slow Exhaling Number Exercise"
We call the first step "inhale and push", "inhale and push" the breath inward, and "push" "Push" your breath outward and downward, and do breath extension exercises while "pushing". We recommend three practice methods:
A. Counting exercises: "Suck and lift" as before. While "push", whisper softly Count the number "12345678910" quickly - count in one breath until the breath is gone. See how many times you can count.
B. "Counting dates" exercise: Same as "sucking". Before. While "pushing", he whispered softly: "Go out of the east gate and cross the bridge. There is a jujube tree under the bridge. Use a bamboo pole to hit the jujubes. There are more green ones and less red ones.
(Take full breath) One jujube, two. Three jujubes, four jujubes, five jujubes... Keep this breath until your breath is gone. See how many dates you can count. Repeat 4-6 times.
C. "Counting gourds" exercise: "Suction"
Same as before. While "push", whisper softly: "Golden gourd, silver gourd, I can't count 24 gourds in one breath (take enough breath) one gourd, two gourds, three gourds..." Repeat this 4-6 times until you are exhausted. .
Count numbers, "count dates", and "count gourds" to control the breath. The more you practice, the better you can control it. Don't let it run away. There will be soreness in the abdomen at first, but after practicing for a while, you will feel that you have made great progress.
(3) "Breathe deeply and exhale slowly and practice long sounds"
After breathing practice, the sounds begin to be gradually added. This exercise is still mainly about Qi training, supplemented by vocalization. While pushing, choose a mid-low range and gently pronounce the "ah" sound ("ah" for "big voice" means that the exhalation and Qi training go hand in hand). Girls make the "咿" sound ("咿" in a "small voice" is a delivery). Hold it in one breath, and the sound outlet will advance in a cylindrical wave-like manner. You can pull it as long as you can, practice it repeatedly.
(4) "Qi-holding staccato exercise"
This is an exercise with half voice and half breath. Put your hands on the waist or protect the abdomen, hold the breath from the Dantian to the forehead and pharynx, and make a sound at the same time. Mainly mid-bass, elastic, the abdomen and diaphragm use the stretching force to pop out at the same time. We introduce three exercises:
A. Hold it in one breath, and make a quick "peep beat" from your mouth. "Plop, pat" (repeatedly) until the breath is about to end and a staccato sound of "pop, pop" is made. Repeat 4-6 times.
B. Stretch your feet in one breath, first slowly, then quickly Pronounce "Ha Gong Ha" - (repeatedly) (speed up) Ha, Ha, Ha..." to practice the explosive staccato. "Haha..." laugh, "ah ha", "ah cough" are commonly used in singing.
C. Stretch your feet in one breath, first slowly and then quickly, say "Hey - thick, hey - thick" (repeatedly and gradually speed up) "Hey thick, hey thick..." Speed ??up until you are exhausted, repeat Practice.
After this stage of practice, Qi is the foundation of sound, and Qi is the breath of sound. It has been basically full, and the "place of Qi" has been basically excited and active, and the sound has always been During preparation and protection, on this basis, you can start preparing for voice practice
The second stage: practice of breath, voice and words
Opera actors, especially Peking opera actors, include opera actors. Fans tend to be impatient when it comes to vocal training. They wish they could shout out a high and bright voice quickly. They rush to shout high notes, shout loudly or even shout blindly, which is often counterproductive. When we are studying how to practice shouting, we should deliberately practice breathing first and not rush to vocalize, which is beneficial to vocal practice. We need to clarify a step-by-step rule and perseverance. In this third stage, we recommend not to rush up the scale and shout high notes. , and start from the combination of Qi, sound and words. The relationship between the three should be in this order: Qi serves the sound, the sound serves the tune, the tune serves the word, the word serves the word, and the word serves the emotion. In the order, we can see that the position of the character is in the center, with "yin" and "qiang" in the front, and "ci" and "qing" in the back. The trueness of the character's sound determines everything. The mellowness of the voice is precisely the principle of "using words to express the tone". The relationship between words, sounds, and breath in shouting and singing should be based on the "qi", the "tone" is correct, and it is true." The specific method is: use the Chinese Pinyin method to enlarge and slow down the beginning, belly and end of the word, practice the sound with the word, and then speed up, and at the same time practice the flexibility of the mouth, lips, teeth, tongue and throat.
The third stage: poetry recitation and singing practice
The purpose of placing poetry and singing in the fourth stage is to practice and explore the "generous bass, mellow midrange, and tough treble" When it comes to voice quality, we don’t blindly raise or climb higher, but rather consolidate the midrange and bass to make the sound gorgeous and pure, keeping a good-sounding and usable voice, and at the same time training the tenacity and elasticity of the treble. At this time, the singing practice of chanting and singing is all unaccompanied. The singing is more difficult and the requirements are higher. In the third stage of practice, the breath, sound and words are at the bottom. It is climbed step by step. The voice is not tired and the practice is smooth. Effective and reliable.
The fourth stage: arc-shaped breath practice
This is a very unique vocal technique in Peking Opera. It is like bouncing in dance, jumping up, squatting down and bouncing up again. It is also like the shot put in sports. It spins up, retracts, and then throws out. The breath and sound are pushed out to form a shape, a parabola, pulled back, and then thrown out.
The fifth stage: practice of climbing scales and difficult sounds
"Ga tune", "turning high" and "high tune" are indispensable in singing. We call them difficult sounds . When practicing this sound while shouting, be careful not to practice it too much. The key is to find a way to find the position. If you try your best to shout and shout, all the previous exercises will be wasted and your throat will be hurt. When practicing this sound, you should avoid squeezing, jamming, pinching, pressing, forcing, or forcing yourself to do it. The old man said, "If you want to sing a word loudly, you don't have to shout hard (shouting with clumsy strength). If you make the word narrow, thin, sharp, and deep, the sound will be louder... Whenever you encounter a word that is raised high, it will sound louder." Lift up the Qi and send it out...then the sound will be clear and bright to the listener, and the singer will not have to exert any effort. "There are tips and methods here. You have to explore and explore them according to your actual conditions.
When it comes to basic skills, everyone should be familiar with it. Some people ask about the basic skills training materials for broadcasters and hosts, and others ask what equipment the broadcasters and hosts use to broadcast. What is going on? In fact, broadcasters and hosts must practice basic skills every day. The following is the basic skills that broadcasters and hosts must practice every day. Let’s learn about them together.
Broadcasters and hosts must practice basic skills every day
Practicing basic skills means practicing voice, breath, and posture. Mainly Mandarin and pronunciation position.
The image of a broadcaster and host must be good. The other factors will depend on the admissions requirements of each school. Study hosting at a media university.
I don’t know what the basic skills training for broadcasting and hosting is like?
Although it is a basic skill, in addition to reporting and commenting on news, you generally need to be able to read and edit.
What do students majoring in broadcasting and hosting usually do? What are the basic skills training? Please tell me more details, thank you
Unlike dancers, broadcasters do not require basic skills
When I was training abroad, the teacher taught me ballet gestures, sitting postures and standing postures
Be able to properly compress ligaments
Kicking and back-pressing broadcasting and hosting mainly require coordination and temperament
You also need to teach girls how to wear high heels
Exams Sometimes our teacher will ask us to learn a dance
Because some students plan to take performance exams
The best dance is folk dance
Play more music for them Students may ask for makeup lessons if necessary
You need to make these plans in advance
Common knowledge about broadcasting and hosting
Basic broadcasting skills include breath, articulation and pronunciation ***Ming waits until maturity reveals style. You can now strengthen your practice according to the following requirements:
1. Correct pronunciation and correct enunciation. Use standard Mandarin to read, paying special attention to polyphonic and polysemous words. In ancient poems, special attention should be paid to the correct pronunciation. Don’t add too many words, don’t read broken sentences, and read clearly and completely.
2. Speak at an appropriate speed and feel with your heart. It is necessary to grasp the characteristics of the article, make the rhythm smooth and harmonious, and combine priority with urgency.
3. The tone of voice is vivid and appropriate. According to the needs, prioritize and distinguish the rhythm and rhythm to express the thoughts and feelings of the article.
2. Breathing during broadcasting
1. In addition to pausing to rest and breathe, it is also to fully express the reader's thoughts and emotions. Pauses include grammatical pauses and semantic pauses. Grammatical pauses include natural paragraphs and punctuation pauses, which should be clearly organized. You should also pay attention to logical pauses in sentences, and one of the methods is to pause for breath.
2. Stress means placing a heavier emphasis on words and sentences. Expanding the range or extending the sound can highlight the focus of the article and express your feelings. Stress can be divided into sentence stress and thought stress.
3. Breath control
1. Ventilation is the process of using breath. The content of the broadcast is ever-changing, so different methods of using breath must be adopted. Replenishing breath and changing breath are A recitation technique that draws breath based on emotion and adopts different methods of using breath according to changes in emotional development.
2. Ways to replenish qi: steal qi, grab qi, and gain qi. Listen, read and experience. Method guidance: Read short and concise poems, tongue twisters, prose, etc. for training.
3. Tension is actually the tension of the lips. Before reciting, you should do some lip exercises, such as circulating the tongue 360 ??degrees in the mouth for about fifteen times.
4. The charm of voice
1. Beautiful voice comes from breathing correctly. Short breaths and incorrect posture will cause tension. Sit like a bell, stand like a pine, and keep your head and back straight. , your feet are naturally vertical, take a deep breath, don't shrug your shoulders.
2. The most important thing for broadcast lovers is to express a feeling, a mood, and arouse the screams of the audience. You should read it for yourself, integrate yourself into the article, and ignore other people. , don’t play with your voice.
3. Practice the sense of distance and distance. This exercise is very helpful for us to read the dialogue in the article. Reading aloud must have a target audience.
4. When breathing, you must have a certain breathing reserve. No matter how difficult the natural conditions are, you must sink your breath. Chest rumbles can produce magnetic sounds.
5. Practice the front and back parts of the nasal sounds, an en in un vn ang eng ing ong
6. The flat and curved tongue sounds must be pronounced correctly: zhi chi shi ri z c s
Hosting skills
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Moderator Program topic skills
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The host’s spoken expression
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Voice rhetoric training
Voice carries content, and it is the most basic rhetorical means of oral expression. There is no spoken language without pronunciation, and there is no spoken rhetoric without pronunciation. Although some content of speech rhetoric can be seen in broadcasting and reading textbooks, broadcasting reading and oral expression are not exactly the same discourse forms. We must pay attention to their connections and differences, and use them correctly in spoken language. Come in.
Mouth...
Introduction to the program host
1. The core of the program - the key points of the host concept. The host program is a program format that implements the functions of radio and television in the form of the host's appearance. Looking at the host program form as a whole, it is composed of the main body of the program, the means of the program and the object of the program. The connection between the program object and the main body of the program must have an intermediary link, and the entire intermediary link is the program means. Therefore, the program method is the host...
What are the basic skills of broadcasting and hosting?
If you are an outbound host, there are certain appearance requirements
Being pretty is not the most important thing, temperament, approachability, and being photogenic are the most important
If The requirements for being a radio host are relatively loose
The basic skills are standard Mandarin, good communication skills, understanding skills, the ability to interact with the audience, reaction skills, speaking skills, expression skills, and writing skills , and a heart with a correct attitude!
These abilities will be effective if you practice more, read more, learn more knowledge, and train yourself more
Basic skills of broadcasting and hosting
Broadcasting and hosting Basic Skills: If you are an outbound host, you have certain appearance requirements
Being beautiful is not always the most important thing, temperament, approachability, and being photogenic are the most important
If you are a radio host, the requirements are It is relatively loose
The basic skills are standard Mandarin, good communication skills, understanding skills, the ability to interact with the audience, reaction skills, speaking skills, expression skills, and writing skills, and a correct attitude. heart!
With these abilities, practice more, read more, learn more knowledge, and train yourself more, and you will have effective basic skills training for broadcasting and hosting. Part 2: Incorrect vocalization methods and their correction (Part 1) 1. Common Incorrect pronunciation methods and their correction (Part 1) 1. Throat sound (1) Timbre The sound is stuffy in the throat, stiff, heavy, and has poor elasticity. (2) Causes: This is due to shortness of breath, tension in the upper chest, and force on the base of the tongue. The posterior vocal cavity is opened too wide, the larynx is stretched, and the sound stays in the hypopharynx and vibrates. Because the sound stays in the larynx and pharynx and cannot come out, and it does not receive comprehensive stimulation of the mouth, the sound seems to be stuffy in the throat, which overburdens the vocal cords. In this way, the throat is easily fatigued and will develop lesions over time. (3) Solution 1. To know the correct active parts of the tongue, you should realize that the active parts of the tongue are mainly at the tip and middle of the tongue. The general rule should be to lightly touch the tip of the tongue against the back of the lower teeth, relax the base of the tongue and lower palate, and keep the throat relaxed. 2． Relax your shoulders, and when adjusting your breathing and pronunciation, do not lower your head too much, and your breath should have a certain depth to keep it under control. In addition, the direction of the sound wave in the oral cavity should be changed, so that it is gently lifted up and follows the parabola of the soft palate and the hard palate to the front end of the hard palate, the focus point. 3. Use the feeling of inhaling with your mouth open or "half-yawning" to feel the relaxation of your throat, tongue base, and lower palate. At this time, because the soft palate is lifted up, the sound path in the back of the mouth is unobstructed, so you will also get oral whine and throat. The burden is relatively reduced. 4． During vocal training, strengthen the strength of the lips and tongue to practice bilabial sounds and tip of the tongue sounds /b, p, m, d, t, n, l/ and syllables with finals. Focus on practicing bi (nose), pi (cleave), mi (mi), drop (di), ti (ladder), ni (nee), li (mile), you can also practice ji (machine), qi (period), xi (formerly), nü (female), lü (LV), ju (home), qu (district), xu (need). When practicing, you should practice according to the requirements of the previous items. 5． Phrase exercises jade (fěi cuì), emerald (cuì lǜ), bright (míng duài), squad leader (bān zhǎng), cotton (mián huā), whole family (quán jiā), standing (zhàn lì) 6. Choose short poems to practice. During the vocal practice, you can choose short poems with idioms such as "Yan Qian, Yi Qi, Ash Heap" and classical poems to practice. Such as: One and Seven Rules, Jinling Map, Wei Zhuang, the river rain is close to the Feijiang River and the grass is flowing, and the six dynasties are like birds singing in the sky. The most ruthless willow is Taicheng Liu, still smoked ten miles away from the embankment. Preface Song of the four o'clock in the night: Spring Song Li Bai Luofu girl in Qin land, picking mulberries by the green water. On the green strips on the bare hands, the red makeup is fresh in the day. Silkworms are hungry and my concubine wants to leave, but Wang Bamo lingers.
2. Pinch and squeeze (1) The sound is thin and flat, and the sound seems to be squeezed out of the mouth.
(2) The reason is that the base of the tongue is pressed down or the base of the tongue is stiff and then the throat is pinched, which blocks the path of the sound. The vocal cord sound does not get the sound in the throat cavity, so it is difficult to cause oral cavity. The ***wow. At this time, the soft palate is placed too low and the mouth cannot be opened, which also causes the muscles of the vocal organ to lose flexibility. In addition, there is also a subjective pursuit of "bright sound", which produces a bright and forward effect. As a result, the larynx naturally rises, causing pinching. This kind of sound is white and shiny, lacks roundness and full color, and is a dull sound without the support of reading books. It will not only affect the quality of the sound, but also affect the range expansion of the broadcaster. This pinching sound will also increase the burden on the vocal cords and limit the range of movement of the vocal cords. If you further pursue the volume, your voice will be easily damaged, and this method will affect the "studio life".
(3) Solution 1. Change the incorrect breathing method and adopt the chest-abdominal combined breathing method, and the breath should be maintained at a certain depth.
2． When pronouncing, open your mouth naturally, pay special attention to relaxing the lower jaw, lift the soft palate, relax the jaw, and open the teeth so that the throat can be opened and the posterior vocal cavity will also be opened. Use this state to pronounce a prolonged /u/ softly, and then bring out the other main vowels. Such as: u—ua—a—o—e—i—u—ü3. The main purpose of practicing the syllables in the "Mandarin Phonetic Syllable Table" that combine initial consonants with final consonants and final consonants in open consonants is to increase the opening of the oral cavity. When pronunciation, pay attention to the short pronunciation of the "prefix" of the word. The main time should be used in the stage of opening and erecting the "rhyme belly". Such as:
ba (ba), pa (climb), da (take), ta (him), bang (help), dang (dang), zhang (张), chang (chang), shang (Business), bu (cloth) 4. Four-character word exercises such as: China is great zhōng guó wěi dà natural treasure tiān rán bǎo zàng birds singing and flowers fragrant niǎo yǔ huaā xiāng stormy sea jīng tāo hài làng joyful xǐ xiào yáan kāi5. Exercises for exaggerated upper-tone characters such as: good (hǎo) beautiful (mǎi) full (mǎn) want (xiǎng) look up (yǎng) field (chǎng) please (qǐng) run (pǎo) 6. Practice poems with "Fahua, Jiangyang, Gusu" and other similar lines. For example: Jiang Yangzhe's second of three Qingping tunes by Li Bai. One skill is red and the dew is fragrant. The clouds and rain in Wushan are in vain. Who can borrow it from the Han Palace? Poor Feiyan relies on her new makeup. For example, Su Zhe returned to Nanshan at the end of the year, Meng Haoran wrote to Bei Que, and returned to the open house in Nanshan. If you don't know your talent, you will give up. If you are sick, you will lose friends. Gray hair makes you grow old, and green hair makes you grow old. I can never sleep with my sorrow, the pine moon night window ruins. 3. Nasal (1) The timbre is dark and dry, and it sounds like the clogged sound coming from the nose when you have a cold.
(2) Cause: Due to insufficient opening of the oral cavity, the soft palate collapses weakly. At this time, the middle part of the tongue is raised, blocking the passage between the pharyngeal cavity and the oral cavity. The airflow cannot completely flow out of the oral cavity, causing part of the airflow to enter. The nasal cavity is closed, thus losing part of the oral sound, which sounds like a nasal sound. In addition, the subjective pursuit of bright sounds focuses on the nasal cavity, thus confusing the difference between nasal sounds and nasal cries. However, some people try to save trouble and take shortcuts, nasalizing most of the vowels and pronouncing them at the same time as the syllables with nasal rhymes. On the one hand, this pronunciation method ignores the standardization of the language, and on the other hand, the pronunciation of the characters is not clear, causing problems for the listeners and viewers. Difficulties in listening.
(3) Solution 1. Close the nasal passage. Use a half-yawning feeling to lift the soft palate, relax the base of the tongue and the teeth, increase the opening of the posterior vocal cavity, and close the nasal passage. 2． Use the above feeling to pronounce the six unit extended sounds. These six sounds are all pronounced with oral cavity. Please note that the focus of the pronunciation is in the front of the hard palate. The general tendency of pronunciation is downward. 3. Practice splitting and combining the main vowels and nasal finals among the sixteen nasal finals. To practice, pronounce the main vowels first, then pronounce the nasal finals, and then combine them to pronounce them, and then combine them with the initial consonants. an—a—n ang—a—ngian—i—a—n eng—e—nguan—u—a—n iang—i—a—ngüan—ü—a—n ing—i—ngen—e—n ong —o—nguen—u—e—n uang—u—a—ngün—ü—n ueng—u—e—ng4. Syllable exercises such as: ya (duck) ye (coconut) yao (waist) you (excellent) Wai (crooked) jia (home) jiu (investigation) qia (pinch) qiu (autumn) xia (shrimp) xiu (rest) biao ( Standard) piao (floating) bie (hold) pie (left) bai (break) pai (shoot) gai (should) kai (open) hai (hi) zhuai (pull) chuai (guess) shuai (failing) 5. Make the "keng" sound to practice the operator's soft palate, close the nasopharyngeal passage, and suddenly open the nasopharyngeal passage to make the "keng" sound. 6. Pay attention to the few syllables that should be practiced less. People with nasal sounds should practice less syllables starting with the initial consonants /m and n/ and syllables ending with /n and ng/ when first practicing their sounds.
How to train the basic skills of broadcasting?
Mandarin is okay? Did someone else say this? There needs to be objective evaluation in Mandarin. Haha, don’t get me wrong, it’s not that I look down on you, but that comments from non-professionals will be very biased! I admire your learning spirit. If you want to learn more professional broadcasting system theory (mainly suitable for primary-level broadcasting and hosting enthusiasts who are broadcasting professionals), then buy the "Broadcasting and Hosting Art and Language Basic Skills Training Course" published by Communication University of China Press. It comes with a learning CD
(I personally don’t think it makes much sense or use) If you want to correct your Mandarin and make it more standard, you can buy the