There are more than 200 words from famous Confucian scholars.
Qin Shaoyou of Huaihai said in "Han Yu Lun": The beauty of Du Zzi in poetry is actually the result of the accumulation of public opinion, and it is just appropriate at the right time. In the past, Su Wu and Li Ling's poems were better than Gao Miao, Cao Zhi and Liu Gongqian's poems were better than heroic, Tao Qian and Ruan Ji's poems were better than Chongdan, Xie Lingyun and Bao Zhao's poems were better than Junjie, Xu Ling and Gengxin's poems were better than Zaoli, so Zimei It has an extremely sublime style, a very heroic spirit, a refreshing interest, a majestic and clean posture, and a beautiful appearance, which are beyond the reach of other works. However, if you don’t combine the strengths of all the families, you can’t be as beautiful as you are. Isn’t it just the right time? "Mencius" said: "Bo Yi is the purest of saints." Yi Yin is the person who is appointed as a saint. Liu Xiahui is the one who brings peace to the saints. Confucius was a saint in his time. Confucius's so-called collection of great achievements. 'Alas! Is Zimei also a master of poetry?
Fengtai Wang Yanfu's "Shihua" said: The rise of the Tang Dynasty inherited the legacy of the Chen and Sui Dynasties. During the Kaiyuan period, seal carving was eliminated, the glitz and glamor were removed, and the style was slightly reduced to elegance and straightness. Although the poems and sentences are painted with seals, the people are all the same, each competing for his or her own strengths. Like a large soup of Xuanjiu, it has a weak taste; like a solitary peak and a vast shore, it is a shame to the temple; a lovely farmer has no character; a rotten but precious thing has many flaws. Zimei's poems are full of Zhou's emotions and Confucius' thoughts. They are thousands of things. They are from the past and present. They are boundless and solemn. If you are in an arsenal and see the array of swords and halberds, it will attract people's ears and eyes. There are no special words coming out of the sky. He is especially good at using words, so he is the best in his generation and has been popular for thousands of generations. Every time I read his article, I find it hard to understand. For example, in "The Journey of the Falcon", Liu Mengde was doubtful about the sentence about "juqi demolishing old boxing". Later, he read "Shi Le Biography" and found out where it came from. This is often the case when it introduces and connects categories and brings forward the previous events. Han Tui said that the flames are as long as the flames, and the world is called the history of poetry. Believe it!
Su Zizhan of Su Zizhan of Dongpo said in "Poetry Talk": When Taishi Gong discusses poetry, he thinks that "Guofeng" is lustful but not lewd, and "Xiaoya" is complaining but not chaotic. Looking at it, is it that the special knowledge changes the wind and the elegance, and it is not clear that the poem is true? In the past, the king's glory declined, and then his mood changed. Although it has declined, it has not been exhausted. This is because it is still limited to etiquette and justice, and it is just a person who thinks that he is virtuous and has no end. If a man starts from his nature and ends with loyalty and filial piety, how can his poems be the same! There are many poets in ancient and modern times, but Zimei is the leader. Isn't it because he lived in exile, hungry and cold, and had no use for his whole life, but he never forgot the king even once?
Houshan Chen Wuji's "Poetry Talk" said: Huang Lu bluntly said: "Du Zimei's poetic method comes from Shen Yan, and his syntax comes from Yu Xin, but it is wrong." 'Tiaoxi Hu Yuanren said: Lao Du also said that 'my ancestor's poetry is the most ancient', so his poetry technique was passed down from his family.
"Poetry Eyes" says: The knowledge of the ancients must be related to teachers and friends. The book written by Yang Yun of the Han Dynasty was very different from that of his predecessors at that time, and Sima Qian was his nephew. Since Du Shenyan began to write poems on his own, Shen Quan and Song Zhiwen were friends in the Confucian Academy at that time. Therefore, Du Fu laid out the laws and regulations for his poems and studied them all in Shen Quan's period, and even promoted the collection of poems. Shen Youyun: "The clouds are white and the mountains are thousands of miles green. When will I visit the Holy Mingjun again?" Fuyun: Yunbai Mountain is more than ten thousand miles blue, and looking directly to the north is Chang'an. Shen Youyun said: "People are like sitting in the sky, and fish are like hanging in the mirror." Fu Yun said: "The boat on the spring water is like sitting in the sky, and the old flowers are like looking at the mist." 'It is inevitable for all of them to follow the example of their predecessors, but the outstanding sentences before and after them are not easy to be superior or inferior.
Huang Luzhi of the Valley said in "Shihua": "The boat is like sitting in the sky, and people are like walking in the mirror." ''The boat is like sitting in the sky, and the fish is like hanging in the mirror. 'A poem written by Shen Yunqing. Yun Qing was very proud of this, so he used it many times. Lao Du's "Spring water boat is like sitting in the sky", which is also the ancestor's saying of the Qian period, followed by "old flowers are like seeing in the mist", which is based on the analogy. Hu Yuanren of Tiaoxi said: Shen Yunqing's poem originated from the line "Walking on the Shanyin Road is like swimming in the mirror" in Wang Yishao's "Jinghu Poetry". However, Li Taibai's poem "Entering Qingxi Mountain" goes: "People walk in the mirror, and birds fly in the screen." 'Although there are some attacks, the words are beneficial to the work.
"Poetry Eyes" said: Huang Luzhi said that articles must be arranged carefully. Based on this summary, we can see the laws of archaeologists. For example, Du Zimei's poem "Gift to Wei Jiansu" says: "If you don't starve to death, you will miss your body if you have many Confucian crowns." 'This article has a clear intention, so it makes people listen carefully and have a clear ear. From "when I was young in the past" to "when the customs are pure again", they are all dialects of Confucianism. From "this meaning is actually depressed" to "there are no vertical scales", the words are wrong. Then the intention was raised and the writing was prepared, so the poem already existed. However, it must be said that the reason why he saw Wei Zhe was "very ashamed" and "true knowledge". Therefore, those who truly know it are those who pass on and recite his poems. However, the prime minister's job is to recommend talents, and he should not just love others. Scholars must not be hopeless. Therefore, it is said that "it is happy to steal services and pay tribute to the public, but it is difficult to accept the poor." If you can't recommend virtuous people, then you can leave. Therefore, it is said, "How can I feel sad and just walk around?" He will enter the sea and go to Qin. However, when he leaves, there must be a delay in recognizing him, so he said, "I still pity Zhongnan Mountain, and look back to Qing Weibin". Then what you know cannot be ignored, so it is said that "I often plan to report a meal, but I am pregnant and resigning to the ministers". If you are like this, you can forget each other outside the rivers and lakes. Even if you see each other, you will not be able to see each other. Therefore, it is said that "the waves of white gulls are so majestic, who can tame them thousands of miles away" in the end. The layout of this poem is the most formal, like the first floor of an official residence, the halls and rooms, each has its own place and cannot be messed up. It is also said: A poem has a destiny meaning, and a sentence has a destiny meaning. For example, Lao Du's poem "Shang Wei Jian Su" is arranged like this, which is a destiny. When he feels that he can't bear to leave, he says, "I still pity Zhongnan Mountain, and I look back to Qing Weibin." When he wants to be different from Jian Su, he says, "I always plan to repay you with a meal, but I'm sorry to say goodbye to the minister." This sentence also contains the meaning of fate. If you do this, you can file it elegantly.
Fengtai Wang Yanfu's "Chen Shi" says: Du Shenyan is the ancestor of Zimei. During the reign of Emperor Zetian of the Tang Dynasty, he was famous for his poetry and sang in harmony with Zhiwen of the Song Dynasty. His poems include "The mist is clear and the strips are weak, and the purple vines are carried by the wind", and there is also the sentence "I send a message to Luo City on the wind and moon, and the spring scenery will be returned to people twice as much next year".
Ruo Zimei said, "The flowers in the forest are falling with the rain and the rouge falls, and the waterlilies are carried by the wind and the green belt grows." He also said, "It is said that the scenery is constantly changing, and there is no contradiction in admiring each other for the time being." Although the meaning is not copied, the context of the language is based on the family tradition. That’s it.
"Wenchang Miscellaneous Records" says: In the Tang Dynasty, there were Tusu wine, Wuxin Pan, and Xiaoyao in the Yuan Dynasty; in the Renri period, there were pancakes; in the Shangyuan Dynasty, there were silk cages. February 2 On the day, there are fruits to welcome wealth and honor, on March 3, there are carved people, for cold food, there are fake chicken balls, carved chicken roe, thousand piles of steamed cakes, and porridge, on April 8, there are cakes, and on May 5, there are On the summer solstice, there are rice dumplings with apricots; on July 7, there are golden needles, Weaver Girl's Stand, and Qiao Qiao fruit; on August 1, there are moxibustion sticks; on September 9, there are dogwood, chrysanthemum wine, cakes, and on the twelfth day of the lunar month, there are Oral fat, noodles, bath beans, and at the beginning of spring there are vegetables, chicken, swallows, and lettuce. Du Fu's poem "Spring Day": "On a spring day, a plate of thin lettuce will be served." ’ He also said: ‘The golden flowers in Shengli are clever and cold. The poem "Double Ninth Festival" says: "Cornus officinalis is given to court officials." "The Poetry of La Ri" says: "The lip fat and facial medicine follow the grace." 'This is all about what was important at that time.
"Jinshilu" says: Tang Dynasty's "Liu Gong Ode", written by Li Yong and written by Hu Luling. I first read the poem "Eight Sorrows" by Du Fu: "When you chant the chapter "Liu Gong" aloud, you will be blinded by worries." 'I hate to see the plan. I got Shi Ben late. His diction is ancient and truly a masterpiece of his generation. As for the six princes, each of the five kings has one chapter, and Prime Minister Di has one chapter.
Qin Shaoyou's "Shihua" said: Zeng Zigu's writings are wonderful all over the world, but those who have rhyme often fail to do it. Du Zimei is good at singing and poetry, but those without rhyme are almost unreadable. Mengbi said that the poems without rhyme are like "Preface to the Poetry of Lesson on Logging".
"Duzhai Xianlan" says: Du Zimei's poems are full of sorrow, joy and pride, restrained and suppressed, slow and vertical, and can do anything. Therefore, some of his poems are plain and simple, some are beautiful and precise, some are serious and majestic like the commander of the three armies, and some are as fast and galloping as if he were riding a horse that was originally missing.
Cannot deal with Qilin. Then I sent a message to the two pavilions of Yanba Prefecture in Jia Yue Prefecture: "The brave tiger wears golden armor, and the unicorn receives the jade whip." The Pihu is rightly opposed to the Qilin. "Crying Wei Jinzhi" says: The peng bird is taboo in Changsha, and the rhinoceros is pitiful in Shu County. Take the rhinoceros as the right counterpart. Doesn’t Zimei know that the opposite is right and wrong? Covering its vertical and horizontal entrances and exits, everything is in harmony.
Houshan Chen Wuji's "Shihua" said: Du's poetic method is also Han's grammatical method. Poems and essays each have their own style. Han regarded prose as poetry, while Du regarded poetry as essay, so it was not a good idea.
Shi Lin Ye Mengde's "Shi Hua" said: Zen Buddhism says that Yunmen has three kinds of language: one is the sentence of "following the waves", which means that things follow the opportunity and do not take the lead; the second is the sentence of "cutting off the flow", which means It goes beyond the words and cannot be reached by emotions; the third is a sentence that covers the universe, saying that everything is in harmony and can be waited for without interruption. The depth is in order. Yu Changxi said to the students: Lao Du's poems also have these three words, but the order is different. The sentence "The wild rice is floating in the waves and the clouds are black, the dew is cold and the lotus room is pink" is the sentence that covers the world, and the sentence "Falling flowers and silk threads are white." "Quiet, singing doves and swallows are young and deep" is a sentence that follows the waves, and "a hundred years of land has been far away from Chaimenpi, and in May the river is deep and the grass pavilion is cold" is a sentence that cuts off the popular flow. If you have an explanation for this, you should consult with him.
Huang Luzhi's "Poetry Talk" in the valley said: Zimei wrote poems, and when he retired, he wrote compositions. Not a single word has any origin. Because his descendants read less, it is said that Du Han wrote this poem himself. The articles written by the ancients can really cultivate all things. Even if you take the ancient statements and put them into calligraphy, it is like a magic pill that turns iron into gold.
"Mansou's Poetry Talk" said: There are clumsy sentences in the poem, which can be regarded as a wonderful work. Ruo Zimei said, "Two orioles sing in the green willows, and a row of egrets ascends to the blue sky." This is the sentence.
Tiaoxi Hu Yuanren's "Cong Hua" said: Rhymed poetry has a fan antithesis, the first and third sentences are opposite, and the second and fourth sentences are opposite. For example, Shaoling's poem "Su Shaojian, Zheng Sihu, Taizhou" says: "If you offend Taizhou, you will abandon the great scholars." After moving to Peng Pavilion, Gu Gui passed away. 'Su Zizhan of Dongpo's poem "He Yugu Terrace" says, "Encounter with chariots and horses, looking for beauty and Xie Tiaozhou." Looking at the country in desolation, there is a sentence like "Zhongxuanlou".
"Mansou Poetry Talk" says: Du's poem has "Since the sky is wet, the title is wet, and when the summer comes, it will be clear". From the sky, when the summer is the full language. Su Zizhan, a poet from Dongpo, said in his poem: "The public alone does not know his taste, but I am now trying to catch him." 'It can be said that he is better than his predecessor. "Cong Hua" written by Hu Yuanren of Tiaoxi said: Zi Zhan wrote this poem and played with Xu Junyou and Meng Heng. None of them drank alcohol. Not only was this a natural pairing, but the whole poem was written in a friendly way, which is particularly gratifying. The poem goes: "Meng Jia is a drunkard and Huan Wen laughs, and Xu Miao talks wildly about Meng De's doubts." I don't know how interesting it is, but I'm going to catch it again. Romance has its own high-level knowledge, and Tongjie would rather follow the vulgar. The second son has a spirit and should touch his palm, and my grandson still wakes up alone. 'It's all about Xu and Meng's affairs.
"Lu's Children's Meng Xun" says: Lu Shiheng's "Wen Fu": "It is a warning policy to set up a few words to serve as important points." 'This is the main point. If the article has no warning, it will not be passed down to the world, and it will not be able to move the world. For example, Du Zimei and other poems of the Tang Dynasty are all like this. However, people in the Jin and Song Dynasties devoted themselves to this, so they lost their elegance and lacked the atmosphere of antiquity. Zimei's poem goes: "If you don't speak enough words, you will never stop dying." 'The so-called shocking words are warning policies.
Cai Suan's "Poetry of the Western Qing Dynasty" says: Zimei's "Dongting" poem says: "Wu and Chu lie southeast, and the universe floats day and night." 'I don't know how many clouds and dreams Zimei swallowed in her chest.
Sanshan Old Man's "Hu's Quotes" said: Zimei's poem "Cien Temple Pagoda" is a mockery of Tianbao's current affairs. The mountain is the image of the king. If Mount Tai is suddenly shattered, then the ruler has lost his way. A virtuous person mixes food with food, and does not distinguish between pure and turbid food, so it is said that "Jingwei cannot be sought". There are no rules and regulations in the world, and the same is true in Shangdu. Therefore, it is said that "how can you distinguish the imperial state if you look down but have one breath". Therefore, the virtuous king who yearns for the past is not available, so it is said, "Looking back, I call you Yu Shun, and the Cangwu clouds are sad." At that time, the emperor of the Ming Dynasty indulged in sexual pleasures, so he said, "I drink in the Yao Pond and have a banquet in the Kunlun Hills every day." Wise men and gentlemen often go to the imperial court, so it is said that "the yellow swans go away without stopping, where can they cast their cries".
But the villain is greedy and steals the salary and position in the court, so it is said that "you see the geese following the sun, everyone has their own plans."
Shi Lin Ye Mengde said in "Poetry Talk": Poetry should avoid using too much skill. However, due to emotions and objects, there are natural craftsmanship, and no traces of carving can be seen. Lao Du said, "Fish come out in the drizzle, and swallows slant in the breeze." There is almost no meaning in this cross. The drizzle makes the water surface wet, and fish often float up and swim. If it rains heavily, it will lie down and not come out. The swallow's body is light and weak, and it cannot win if the wind is strong. However, the gentle breeze is used as a force, so there is also a saying that "the light swallow is tilted by the wind". Even if the word "deep" does not have the word "piercing", and the word "style" does not have the word "dian", it is impossible to see its subtlety. . However, the reading is clear and it seems that there is no exertion at all, so this does not hinder his superior character. Let the scholars of the late Tang Dynasty do this, and it will be like "a fish leaps into the river and throws a jade ruler, or an oriole wears a silk willow and weaves a golden shuttle".
Su Zizhan of Dongpo said in "Shihua": The seven-character majesty is like Zi Meiyun: "The banner is warm in the sun, the dragon and the snake are moving, the palace is gentle and the sparrows are high." ''The sound of drums and horns at the fifth watch is solemn and solemn, and the shadow of the stars in the Three Gorges is shaken. 'Since then, I have been lonely and unknown. Until Ouyang Yongshu said: "The blue waves will flow forever, and the white birds will fly in pairs." ''Thousands of horses do not neigh and listen to orders, and all the peasants are busy plowing without anything to do. 'We can fight for the lead.
"Poetry Eyes" says: The world likes beauty, but those who know literature can take it lightly. If the younger generation is fond of wind and flowers, the boss will be disgusted with them. However, the article's argument is reasonable but not reasonable. If you do it properly, then the beautiful wind and flowers will be as beautiful as the wonderful things; if you don't do it properly, everything will become a long speech. From the Dukes of Qi and Liang to the descendants of Liu Mengde and Wen Feiqing, their righteousness is often burdened by beautiful scenery and flowers, and their fault is that they are unable to express their ideas and have more than enough words. Zimei said: "The green bamboo shoots are broken by the wind, and the plum blossoms are red and plump." ''The flowers on the shore fly to see off the guests, and the swallows and swallows keep the guests. 'It is also extremely beautiful. It imitates the scenery and has a friendly meaning, so it is wonderful in ancient and modern times. It talks about the leisurely appearance of spring, such as "You can see the butterflies deeply through the flowers, and the dragonflies are flying in the water", "The falling flowers and gossamers are quiet in the day, and the singing doves and swallows are young and deep." In his words about the tragic autumn scene, there are "blue water falling from thousands of streams, jade mountains high and two peaks cold", "endless falling trees rustling down, endless Yangtze River rolling in". His poems about wealth and honor include "The incense returns to the palace as the spring breeze turns, the flowers cover thousands of officials and the beautiful scenery moves away", "The unicorn does not move as the smoke from the furnace turns away, and the peacock slowly opens its fan and returns its shadow". As for the ancient poems, there are "The green grass reflects the spring color on the steps, and the oriole's sound is heard in the sky through the leaves", "The bamboo sends the moon to the clear stream, and the moss moves to the jade seat in spring". They all come from the wind and flowers, but they exhaust their reason and nature, and take away the creation. Since ancient times, poets have said that cleverness is not strong, and strongness is unlucky. It's like being clever and strong.
"Hermit Poetry" says: Li Guangbi replaced Guo Ziyi and joined his army. His orders were not changed but the flags changed color. When he died, Zi Mei lamented: "The three armies are dim and the martyrs are in pain." 'The predecessors called Du Fu's 'history of poetry', and this is true. It is not just a preface and anecdotes.
Cui Defu said: Shaoling's "Eight Sorrows" poem can express "Ya" and "Song" both internally and externally, which is beyond the reach of medieval authors. There are twenty-four poems in the two chronicles, from Qinzhou to Fenghuangtai, and from Tonggu County to Chengdu Prefecture. They are all arranged in order of sutras and deeds. In the past, Han Zicang's comment on the changes in the writing power of this poem should be compared with the praises of Tai Shigong, and scholars should often recite it.
Tiaoxi Hu Yuanren's "Cong Hua" said: Li Du's portrait is a poem about the decline and fall of ancient and modern poets. If Du Zimei is beautiful and his poems are sublime, it goes without saying. If you want to know what his intentions were in his life, you can get them from the poems of the old man in Banshan. If Li Taibai's arrogance is unparalleled in the world, even after thousands of years, he can still sigh and think about it, so Dongpo laymen can only praise him. The poem of the old man in Banshan goes: "I look at Shaoling's poems, which are called "Yuanqi Cao". His strength can surpass the heaven and earth, and his beauty and perseverance are indescribable. In the vast world, there are many creatures. There are thousands of ugly beauties in different sizes, but no wrinkles can be seen. It's a pity that fate is so poor that there is no end in sight. The old man in green shirt even scolded him and left half of Jiuzhou hungry. The thin wife stood in front of her, her son and her servants behind, fighting with thieves and spears. Yin oh, at this time, the imperial court is not worried. May the emperor be a saint, and the ministers all be happy. It would be better for my house to be broken down and freeze to death than to have the naked children in the world freezing in the cold. I am ashamed of the people who mourned me. So when I see the statue of the public, I bow to Si Liu again. The desire to promote the public is rare in ancient times, and we are willing to travel after the public's death. Dongpo layman praised: "Heaven and man are all the same, and the immortals are not relegated, but they are wandering." He rebuked the eight extremes and nine states, and turned them into two birds chirping in response to each other. One chirp stopped three thousand years of autumn. Kaiyuan has a way to stay for a few years, and it is impossible to be stubborn and willing to ask for it. Looking west to Taibai across Emin, the sky is empty and there is no one around. The eldest son Fenyang Zhonglingjun, the younger one sits on the rooftop and forgets himself. He has never known a high general in his life. He dares to be angry when he dirty my feet with his hands. He writes a poem and smiles at the king's ears. '
Danyang Ge Changzhi's "Yunyu Yangqiu" said: The sage hides in the countryside, and he should be in harmony with the light. Although those who leave the house are fighting for seats and ridiculing the disease, how can it be better to sit in a glass of wine? Tao Yuanming, Du Zimei are all great men of this generation. Every time the father asks for a drink, he will make him enjoy himself to the best of his ability and then leave. Yuan Ming's poem says: "When I hear knocking on the door in the morning, I turn over my clothes and open them." Asked whom the son loved, Tian's father had a good idea. When the pot of pulp is far away, I doubt that I am with the time. Zimei's poem goes: "Tian Weng invites me to taste the spring wine." Ask the woman to open a large bottle and take it from the basin for me. 'Both the two princes have the throne, why should Yu Tian's father refuse? As for Tian's father's saying, "We are all the same for the rest of our lives, and I hope you will drink the soil", then I just follow Tao Zhijie's saying, "We have been guests for a long time and cherish the kindness of others. How can we reject our neighbors?" How can we hinder Du Zhidong?
"New Talk on Men Liao": Lao Du's poems should be regarded as the "Six Classics" among poems, while other people's poems are like those of other scholars. There is a wonderful saying in Du's poem, such as: "The princes and the ants will go to the ruins together." I am willing to hear the first meaning and return to the beginning of my heart. 'It can be said that it goes deep into the cave. No poet since the Jin and Song dynasties has said this. "Xin Di Chu" is the meaning of what Zhuangzi calls "the mind wanders in indifference, and the Qi becomes indifferent".
Cheng's "Yan Fanlu": Lao Du's "Seven Songs": "The bamboo forest sings for me in the clear day." 'Cai Sui took 'Bamboo Forest' as the name of the bird, fearing that it would be penetrated.
Bamboo is not a crow, but the poet calls it a crow because it sounds like the wind is mourning. Why should someone with a beak be able to crow! "Shuowen": The growth of bamboo is like human laughter, because of the word "laugh". How can bamboo laugh? It speaks like an elephant. It is not a smile but can be called a smile. Looking at it from the perspective of someone who is mourning, how can it be said that it cannot be called crying?
Hong Neihan's "Rongzhai Essays" says: The ancients must answer their intentions when they receive poems, unlike today's people who are limited by the rhyme. It can be seen from the "Selected Works" compiled by He Shao, Zhang Hua, Lu Chen, Liu Kun, Er Lu, and San Xie. There are so many people in the Tang Dynasty that it is impossible to record them all. I will take several chapters from "Du Ji" and briefly record them here. Gao Shi's "Send to Du Gong" says: "You are ashamed of being from the southeast and northwest." Du Zeyun said: "East, west, north and south are even more comparable." Gao Youyou's poem says: "The "Xuan" of Cao is now finished, what more can be said?" Du Zeyun: "How dare I dare to write "Xuan"? Fu may be similar." Yan Wu sent a message to Du Yun: "Xingfahui can gallop a horse, but it will eventually reach Shijuntan." Du Zeyun said, "It's useless for Mu Jing to leave the city. There is no way to teach him how to hoe." Du Gong sent a poem saying: "Where is the way out of Bashan? There are heavy rocks and thin chrysanthemums." I know a bunch of pommel horses in the distance, looking back among the white clouds. Yan replied: "When I am lying towards Bashan and the moon is setting, who are the yellow flowers and chrysanthemums facing outside the fence?" Ba Ma looked at you for a moment, and the cold ape and autumn geese were extremely sad. Du sent Wei Tao and said: "There are no wild geese in Dongting. Don't forget each other if you write sparsely." 'Tao Yun: 'When we remember each other without Nanyan, when will there be a newspaper? Du Youyun said: "Although there are no geese going south, let's look at catching fish coming from the north." Guo Shou wrote to Du Yun: "I don't know how many poems there are about Chunxing." Du replied: "The poems that care about the medicine are always useless." 'It's all like a bell and a chime being placed in the office, and when it is buckled, it responds. It goes back and forth repeatedly, so there is almost a residual flavor.
Huang Changming's "Poetic Talk": Du Fu has a word that is difficult to change in dozens of places, such as "the road along the edge of the river is familiar and overlooks the green suburbs", "arrogantly overlooking the cliffs", "the exhibition mat overlooks the long stream", "Zhang Qi overlooks Shazhu", "This state overlooks the key point", "Looking around overlooks the top of the layer", "Yantou overlooks the stream", "Stands overlook the wind Zhu", "Youmu overlooks the river", "Jiang Yi overlooks Yuanyang" . The remaining words are often used. There are so many of these that it is impossible to specify them.
"Ying Xuecong's Theory": Lao Du's poems love the word "shou", which reflects the wonderfulness of contentment. For example, "Xiuzhu is not affected by the heat", "Qingyan is affected by the wind", "Blows the surface and is affected by the gentle wind", "Wild sailing is only affected by two or three people", which are all sincere words. However, there is no reason why it is greater than others. It is just commonplace. Although it is said to be common, it is actually a matter of immediate concern. 'The old wife draws paper to make a chess game, and the child knocks needles to make a fishing hook. 'The old is to the young, the wife is to the son, there is no such intimacy, and it is a boudoir affair, and it is better to talk to the wise.
Huang Changming's "Shihua": Counting things by one means eating for food, which is very vulgar. Dudu often uses it: "The ape is startled by hearing one at the mouth of the gorge", "Two orioles sing in the green willows", But he went around the well to add others. "Send Li Xiaoshu" said, "I am very worried about the differences, and I can't drink wine." If you are familiar with it, you can eat it with Zhu Lao. There may be something strange in the cover chapter that can be copied.
"Melissa Xinhua" says: Han used prose as poetry, Du used poetry as prose, and Shi Chuan as drama. However, the poem must have its own poetry within the text, and the poetry must have its own text within it, which is also the way to create each other. If there is poetry within the text, the sentences will be precise; if there is text within the poetry, the tone of the words will be smooth. Xie Xuanhui said: "Good poems are round and beautiful and circulate like bullets." 'There is text in this so-called poem. Tang Zixi said: "Although the ancient prose does not use puppets, there is a hidden tone in the prose, and the steps are galloping and rhythmic." 'This is what is called poetry in the text. After Guan Zimei arrived in Zhouzhou, his poems were simple and proficient, with no axe marks, and his letters were as good as bullets.
Huang Changming's "Poetry": Zimei's "View of Fishing" says: "Set a net and thousands of fish will be in danger." 'Gai refers to the officials who gather together and impose harsh laws on fishing, making it difficult for the people to make a living, which is why thousands of fish are in danger. Another saying goes: "A capable person can sail a boat as fast as the wind, and he can hold up the waves and fork them in." 'When the villain dances with wisdom, the clever officials will move around. It is said to be 'as fast as the wind'. The remnants of the people are trying to succeed, regardless of overturning, which is called "straight forward". 'At dusk, dragons change their caves, and mountain roots follow clouds and thunder. 'How can a dragon live in peace if a fish cannot find its place? This is the same for the king and the people. How is this different from Liuyi Bixing? 'Why do I, my disciple, indulge in this kind of pleasure and be violent and violent to the holy place of mourning for heaven and earth? 'This is joyful, able to abstain, and has benevolent intentions, just like 'the former king made a net to try to harm the living beings', and it is not just for catching fish. Tuizhi's "Forked Fish" said: "Watch music and remember my colleagues." 'That's different.
Huang Changming's "Poetry": Jia Sheng wanted to conquer lightly during his childhood. Most of the time, he was a young man who was impetuous and made Mianli mature. This should not be the case. In the past, people wanted to sink Sun Wu in the Five Lakes and kill him in Changping. It is true! Taste the love of Lao Duzhi: 'Be careful not to swallow Qinghai, and ask Yue Shang for free. The king stopped fighting first and returned to Mahuashanyang. ’ There are also sayings, ‘The strong men of Ande are confined to the Tianhe River, and their armor is cleansed, and the commanders of the army do not use it. Sleepless, worried about war, unable to rectify the world'. He sighs and feels sad because he thinks about the human beings. "Mencius" regards war as a major crime with good words. If we fight, we will definitely defeat the people's thieves and benevolent people. This is true in any place.
"New Stories from Menglu": Tao Yuanming's poem: "Picking chrysanthemums under the eastern fence, leisurely seeing Nanshan Mountain." 'When I was picking chrysanthemums, I didn't care about the mountains, but the scenery and my thoughts met. This is where I am very happy. And Lao Du also said: "The night is full of soft words, and the falling moon is like a golden basin." 'The meaning of "I love you" is leisurely and elegant, without diminishing its profoundness, but its sentences are more vigorous and vigorous. Every time I chant these two poems, I feel that the clear scene at that time is all in front of me, and the writing style of Er Gong is almost as if it were made by nature, which is very precious.
"Ancient and Modern Ci": Shu people's "About to Enter the Wine", I thought it was a Shaoling poem, and wrote "Rui Partridge" and sung: "In the past, I came from the Han Dynasty to the Liang King, and got drunk several times by the Zhuojin River. . When I sit on the stone, my shirt sleeves feel cold, and when I step on the flowers, I return home with the scent of horseshoes. At the beginning, I would rather quit being drunk when the wine was cheap. Today, sorrow is hard to bear. Secretly thinking about my old trip, it seemed like a dream, and there was a lot of water under Furong City. 'This poem may be attributed to Du Fu, or to ghosts and immortals, or to lyrics, but it is unknown which one it is. However, if you read his words in detail, it is also the language of the Tang Dynasty.
First of all, there is a sentence written by the King of Liang of Han Dynasty, which is definitely not Zimei's work. If the situation is concentrated and not carried, the burning can be seen. I don’t know what Yang Manqian is basing this on.