What do you mean by living, adding food, dancing skirt and singing board?

Living, and adding meals, dancing skirts and singing boards means: when you are in good health, try to add meals and enjoy yourself with beautiful women singing and dancing.

Before Huang Tingjian wrote this word, he wrote a poem "Partridge Sky" entitled "Laughing at yourself tomorrow and offering history". History should have a harmonious word. Therefore, Huang Tingjian used the rhyme to answer this question. Historical words are no longer visible, and two yellow words were written after the Double Ninth Festival. So they all express their feelings by drinking chrysanthemums. The rise of "Huang Juzhi gives birth to Han Xiao" is relatively gentle, which just points out that autumn dawn is opposite to chrysanthemum. The next sentence "Don't let the glass dry in life" means that chrysanthemums can't live without wine, but the word "life" speaks for itself.

The original legend in History of Song Dynasty that "I don't mind being exiled" should be related to this broad-minded attitude towards life. The next two sentences are a couplet: "The flute wind blows rain obliquely, and the flowers are drunk." Writing a flute in the first sentence and writing a hairpin in the second sentence are all debauchery at the banquet. The piper is not necessarily the author himself.

For example, in Nian Nu Jiao (Breaking the Rainbow and Rain) written at the same time, there is a sentence "I love bagpipes all my life, only in Jiangnan and Jiangbei", which means that Bin Sun plays the flute and listens while drinking in the valley. The person who wears flowers should refer to the author himself, because there are also days of "hanging the crown upside down". The so-called "true celebrities are those who have romantic relationships" belongs to the valley.

The beauty of this connection lies not in the documentary, but in the use of the code without revealing traces. In September, the wind was surging, and Meng Jia, a A Jin native, boarded Longshan and took off his hat, which became a common allusion in poetry. Hat and Chongyang almost formed an indissoluble bond, so that Liu Kezhuang said humorously: "I always hate the fanatics who lack new ideas in this world and love to talk about the Southern Dynasties (called Meng Jia).