What you should pursue is to put forward the theory of relativity like Einstein, or to be a genius with great creation. Otherwise, in the real country and society, what is needed is economic development, and you can make a lot of money like Bill Gates. The examples of scientists cited by Mr. Yang Zhenning in his speech, such as Einstein and Bill Gates, are easy to understand, but how can Fu compare with Einstein? I asked Uncle Shi if the newspaper reported Mr. Yang's speech and why Mr. Yang said Du Fu was a great genius, comparable to Einstein.
Shi Shu said, no, there is no report in the newspaper.
I didn't hear Mr. Yang's speech, but his words caused me to reflect.
We are going to talk about Du Fu now. If Mr. Yang of Du Fuxiang is as great as Einstein, where is his greatness? Du Fu is only a poet, so his greatness can only be found in his poems. There are several notes on Du Fu's poems, the most detailed of which is Qiu's Notes on Du Fu's Poems. There is an appendix at the back of Du Fu's Detailed Interpretation of Poems, which contains Yuan Zhen's Preface to Du Jun's Tomb. Yuan Zhen tells why Du Fu is great. He said: As for the beauty of the child, it is said that it is elegant to cover the body, but Shen Song took Su Li and swallowed Cao Liu, hiding his face. In this episode of Yuan, the words "thin and elegant" in this passage are called "thin and coquettish".
It is right to use the word "Sao" and "Bo" is an oblique word, so the word "Ping Sheng" should be used in the position of "Sao", but "Bo Ya" is wrong.
Everyone must pay attention to why I often pronounce the ancient poems and prose written by China. This is what I mentioned in China's Poems and Touching Tradition. Voice is always combined with emotion. The word "thin" is an entering tone word.
The so-called "Bo Sao" covers Wei Yuan's talk about Du Zimei, which is close to The Book of Songs and Li Sao, because The Book of Songs and Li Sao are China's earliest and greatest works. "Shen Xia Song" means that Du Fu has all the advantages of Shen Quanqi and Song Poetry in the early Tang Dynasty.
The language of Du Fu's poems can be compared with that of Su Wu and Li Ling.
Su Wu and Li Ling are the ancestors of five-character poems.
"Swallowing Cao Liu", the verve and momentum in Du Fu's poems, can engulf the works of Cao Zhi and his son and Serina Liu in Seven Children in Jian 'an. Du Fu's poems can cover up the loneliness in Yan Yanzhi's and Xie Lingyun's works, but at the same time they are mixed with the elegance in Xu Ling's and Yu Xin's works.
Du Fusheng was born in an era of integration, and he has the talent and ability to integrate. If you were born in an era that can be summarized, you have not made all-round achievements, but you are sorry for this era; If you have the ability to epitomize, but you were not born in an era that can epitomize, then the times are sorry for you.
Du Fusheng was born in an era that can be epitomized. He has the talent to epitomize, and he has finished his works, which is really remarkable.
As far as the development history of China's poetry is concerned, Du Fu is a link between the preceding and the following, and he is really "unique". His works collect all the styles of ancient and modern times. Speaking of it, it's really a pity that Tao Yuanming is "a thousand years old, and a hundred articles are preserved" (Xin Qiji's "Gu Tian can't read Yuanming's poems, but he can't send them in small print). His works are only a hundred, while Du Fu's works are nearly a thousand, but we really don't have time to introduce this great author in detail.
When I was teaching at Nankai University, I told some poems by Du Fu. I asked the students what genre those poems were, but in fact, the students who had taken doctoral courses couldn't answer them. I want to say that this is the wonderful place of Du Fu's works. I don't know whether Mr. Yang Zhenning compares Du Fu with Einstein, because Du Fu has such a special position in the history of China's poetry development. Du Fu once wrote "Qujiang three chapters and five sentences".
Look at this topic, it's wonderful. Qujiang has three chapters, because Chang 'an has Qujiang, and Du Fu wrote three poems by the Qujiang River, each with only five sentences. China's poems are usually even sentences, whether quatrains or metrical poems or even ancient poems. Even the Song of Eternal Sorrow is an even sentence, but there are only five sentences in each chapter of the Three Chapters of Qujiang, "Qujiang is heavy in autumn, the water chestnut is withered with the wind and waves, and the wanderer is empty. White stone and plain sand also shake, and love red is Cao. " The first three sentences rhyme, the fourth sentence does not rhyme, and the fifth sentence rhymes.
Du Fu is really a creative genius, and Qujiang Three Chapters and Five Sentences combines ancient and modern times. "Qujiang three chapters and five sentences", you should know where this proposition method comes from. Let's take a look at The Book of Songs. How many chapters is Guan Zheng? Yao Tao is several chapters.
It is three chapters and four sentences. You see, there is such a method in the Book of Songs. Du Fu wrote seven sentences close to the body in the way of the Book of Songs. This is Du Fu's creation, but also Du Fu's change. It is really a "wind of ancient and modern times". Du Fu also wrote "Eight Immortals of Drinking", "Knowing chapters is like sailing a boat, falling into a well and sleeping under the water". Every sentence rhymes with eight famous people who liked to drink at that time in the Tang Dynasty. Some of them write about one person in two sentences, some write about one person in three sentences, some write about one person in four sentences, and one rhyme runs through. These are all changes in Du Fu's creation. Now I will briefly cite two topics to illustrate Du Fu's "trying his best in ancient and modern times". Now I want to explain "ancient and modern".