Appreciation of Bodhisattva's Works in Yellow Crane Tower

The whole poem begins from the big picture, from far to near, with precise geography, which implies the author's careful layout and latitude and longitude. All this has been handled cleanly and concisely, using only the ingenious symmetry of "nine factions flowing to China", "one line crossing the north and south" and "tortoise and snake locking the river", just like a chess player's compact and generous layout, which also shows his familiarity with the mountains and rivers of the motherland. Then the next turning point reveals the poet's feelings about the vicissitudes of the world and the snow mud. The past has been passed down from generation to generation, and now the poet is one of the tourists who sing in a low voice. In the last two poems, the poet poured wine into the river to express his ambition. The surging emotion was like a raging wave, and he immediately felt a strong desire to be in the center. Poetry reached its final climax here, and reached the core of poetry expression with persistent thoughts and generous singing.

Write the scenery on the pavilion, watch the scenery on the pavilion, from far to near, magnificent. The word "lock" connecting the great rivers in Shuang Shan not only vividly depicts the scene of catching turtles and snakes in the forest, but also secretly writes down a river scene where rocks and clouds fall and waves beat on the shore. The first two sentences are: climb high and look far, from west to east, from north to south, and look around. The following two sentences: "misty rain, turtles and snakes lock the river." One is to look at the distant view, and the other is to look at the close view. Looking into the distance, the misty rain is boundless. "Mang Cang Cang" is a confused scene. Quoting Wang Wei's "The Place with and without Mountains", we can see that the mountains in the distance are looming, looming, similar to misty rain. On closer inspection, I saw Kameyama Mountain in Hanyang and Snake Mountain in Wuchang, facing each other across the river, and the word "Lock" just said that the river was narrow there. Compared with the vastness of the "Nine Schools", it is more effective. Together, these four sentences form a broad, vigorous, profound and powerful realm. This realm just reflects the poet's broad mind and heroic bearing.

When you are in love, you should feel things boldly and profoundly. The word "Zhu Yi" echoes the emotion, which not only vividly depicts the surging waves, but also symbolizes the surging revolutionary climax. "Yellow crane know where to go? There are still tourists left. " I don't know where the Yellow Crane went, only this Yellow Crane Tower is left, which is a sacred place for tourists to range rover. This is improvisation, and there is no intention of worshipping God. The following is an expression of revolutionary feelings, "Let the wine pour and the tide rise!" Pour the wine into the surging river, and the inner excited thoughts are as high as the billowing waves in the Yangtze River, indicating the determination to fight the reactionary forces to the end. On the eve of the failure of the Great Revolution, I felt extremely excited, as if I were chasing the surging waves in the river. Mao Zedong quickly ignited the revolutionary kindling of the autumn harvest uprising, established the Jinggangshan revolutionary base, created a new situation of the China revolution, and put the China revolution on the right track.

The title of this word is only a wisp, and the whole article has only 44 words. But the breath of the times, class struggle, line struggle and surging feelings are as complicated as a long story. The whole poem closely follows the landing scene, highlighting the image of the great river, and natural philosophy, political struggle and revolutionary passion complement each other. The theme is particularly concentrated, profound and touching. Scenery description is combined with key description and atmosphere rendering, lyricism is combined with emotion and freehand brushwork, and the realm is implicit and lofty. The language is calm and powerful, the verb overlapping is novel and accurate, the rhyme is patchy and harmonious with the content. Guo Moruo, a modern writer: This word can express the great victory of China's first cooperation and the hardships and pains of the failure of the Great Revolution, as if coming to that complicated domestic situation. I also wrote about my anxiety about the future of the revolution and my optimism about the future and the revolution.