Liu Bai
Starring = Zhou Yunpeng
There are flowers in spring, moons in autumn, cool breeze in summer and snow in winter.
If you don't mind your own business, this is a good time on earth.
Sunset at the corner of Wuyi Lane near Suzaku Bridge.
In the old society, Wang Xietang flew into the homes of ordinary people.
Yangliuqing Jiang Shuiping heard the song on the Lang River.
The sunrise in the east and the rain in the west are ruthless but affectionate.
Taohuatan is as deep as thousands of feet. ...
Li Bai got on the boat and was ready to start. ...
This song by Zhou Yunpeng is great. In this creation, he combines the teasing of Jiangnan minor, Bayu style, southwest Jiangxi folk songs and northeast customs, which appeals to both refined and popular tastes and makes people feel comfortable and happy.
The first paragraph, written by Zen master Huikai of Wumen in the Southern Song Dynasty, was used by Zhou Yunpeng to lay the unique feelings of Suzhou and Hangzhou people for the whole article and start the singing method of Jiangnan minor.
The second paragraph is the representative work of Yuxi, Liu Tang, which is one of his five Jinling topics. In fact, when he wrote this poem, he had never been to Jinling. He only expressed his yearning and sorrow for the capital of the Eastern Jin Dynasty through other people's information, and was regarded as a fugue. The Wild Grass Flowers by Suzaku Bridge brought Zhou Yunpeng's dream of Jiangnan to the deepest place. Interestingly, Zhou Yunpeng changed the "entrance to Wuyi Lane" in the original poem to "north of Wuyi Lane". Wuyi Lane is located on the south bank of Qinhuai River. "Wuyi Lane North" is a river flooded with oil, and the Wende Bridge across the river is the Confucius Temple. This area along the Yangtze River is also a place where I wandered away from restlessness when I was young (usually at night). On the Wende Bridge in the north of Wuyi Lane, you can only see the Qinhuai River in the west. If you see the afterglow of the sunset reflected by the river at night, even if you are in a deserted downtown, you will inevitably feel sad.
The third paragraph is also Liu Yuxi's work, but the scene is shifted to Bayu landscape. Here, Zhou Yunpeng intentionally or unintentionally integrated and strengthened Jiangxi local songs. This is also very interesting, from Qu Yuan imitated by Liu Yuxi, to Liu Yuxi himself, to Wang, a modern folk collector, and to Wang who sings today. Although we have been facing each other for more than two thousand years, walking in this strange and ferocious country, looking for a quiet person in poetry, is like firewood in the endless night, which will never wither.
In the fourth quarter, we returned to Jiangnan, to be exact, southern Anhui. This is one of my sightseeing spots in most love. I have been to road trip twice for the beautiful scenery at the foot of Taohuatan Mountain. As a Jiang Ji native, compared with Jiuzhaigou and other places in western Sichuan, southern Anhui and northern Zhejiang are the best retreat. Thousands of feet's Deep Peach Blossom Pond is a masterpiece of Li Bai, and we are familiar with it. At this point, Zhou Yunpeng jokes about deconstructing fashion, and the tone is here, which reminds people of Luo Yonghao, a colleague of Zhou Yunpeng.