Problem description:
Urgent, please help!
Analysis:
Starting from China's earliest collection of poems, The Book of Songs, the aesthetic orthodoxy of poetry is "love without hurting", but people are not encouraged to be heroes. When Li Bai was a teenager, he fought bravely to serve his country, resigned from his relatives and traveled far away. He once "took refuge in Whiteblade and killed people in the world of mortals". In his later years, he personally played Meng, the hero of the Western Han Dynasty. At that time, Li Bai's fame was undoubtedly much higher than Du Fu's. However, since the Song Dynasty, scholars in all previous dynasties have made more and more comments on Du Fu, and it is precisely this gentleman's style in poetic requirements that makes Du Fu become the supreme poet! Ci originated from the people (Dunhuang Quzi Ci can prove it). Probably in the middle and late Tang Dynasty, as for the authenticity of Li Bai's Bodhisattva Man and Qin Yi E for thousands of years, we can't decide, so we can't wait. And it was originally used to sing with music, which is very different from poetry. From the perspective of later generations, Dunhuang Quzi words and even five pronouns are basically obscene. Even in the hands of Yan Shu, Ouyang Xiu and Liu Guan in the Song Dynasty, Ci did not exceed its original aesthetic significance. However, since the appearance of Su Shi, this situation has been broken. In Su Shi's hands, Ci, like poetry, has become a tool of his calligraphy life. In order to raise the realm of Ci to an unprecedented level, he has done everything he can. In his opinion, the aesthetic significance of ci and poetry is not much different, because his poems, piano, chess, calligraphy and painting are the external manifestations of his glamorous personality and detached and open-minded tolerance. Later, Li Qingzhao put forward the viewpoint of "different words", which showed that words slowly returned to the original aesthetic thought after Su Shi and lasted for thousands of years. Even the theory and practice of the four great poets in the late Qing Dynasty failed to completely break away from this barrier.