Looking south, the northern mountain is beautiful and snowy, like a cloud. -Zuyong's "Looking at the Snow Peak in Central South". The snow in Mei Xu Xun is three points white, but the snow has lost a kind of plum fragrance. -Lu Meipo's Xue Mei No.1. Snow used to be like flowers, but now it is like snow. -Fan Yun "Don't Poem". Suddenly, like a night wind blowing, like a pear tree in bloom. -Cen Can's Farewell to Tian Shuji Wu's Homecoming, Song of Snow. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. -Liu Zongyuan's Jiang Xue.
I was about to lead the light cavalry to catch up when the snow fell full of bows and knives. -Liu Lun's "He Zhangfu shoots the next song, the third song". Like a bird, she still flapped her wings and felt sorry for herself, leaving Beijing for more than ten years. -Gao Shi's "Don't Dongda 2". My window framed the snow-covered western hills. My door often says "goodbye" to ships heading east-Du Fu's quatrains. It's snowing outside, Qian Shan is green, and the riverside in February is in full bloom. -Ouyang Xiu's Song of Thanks to the West Lake in Spring.
poetry
Poetry, pronunciation: shρjù is the sentence that makes up poetry. Poetry usually limits the number of words in each sentence according to its format. China's earliest poems were structured with metrical poems, and the metrical requirements were strict. For example, the poems in the pre-Qin period are generally four-character poems, which can be found in the Book of Songs. Later, it developed into a five-character or seven-character rhythmic poem, which was found in Tang poetry.
After the further development of economy and culture in Song and Yuan Dynasties, the content of poetry was gradually expanded and deduced. In the later period of the new-democratic revolution, poetry evolved into a free poem that was not limited by the number of words.