1. Zhu Sujin, 1953, a native of Lianshui, Jiangsu, is a writer and screenwriter in Chinese mainland.
1978 wrote his first novel, Punishment. 1980 published a novel in a summer camp, and won the first prize of national excellent children's books. 1982 published the novella Shooting Sirius, and won the second China Excellent Novella Award and the China People's Liberation Army Literature Award. 1986 wrote a novella "Marriage after the War".
2. Zou Jingzhi, 65438-0952, born in Nanchang, Jiangxi, is a writer, screenwriter and producer in Chinese mainland. Graduated from Chinese Department of Central Radio and TV University.
1997 The screenwriter started his screenwriter career from the first TV series "Kangxi's Private Visit Part I". In 2000, he was the screenwriter of the costume drama Ji Xiaolan with Iron Teeth and Copper Teeth.
In 2003, he was the screenwriter of the love drama "I Love Peach Blossoms" and participated in the 11th China-Korea Drama Festival, which was the only Japanese drama. In 2005, he won the excellent screenwriter award of the 25th Flying Award for Chinese TV series with the drama "Flowers in May" of the Republic of China.
3. Song Fangjin, born in Qingdao, Shandong Province, is a screenwriter, director and screenwriter in Chinese mainland, and graduated from the Central Academy of Drama.
In 2005, he became the screenwriter of the drama How Far is it? , which began his career as a screenwriter. Later, he worked as a screenwriter for the play "The Fly", which was nominated for the excellent literary script in Xia Yan at the 1 1 China Film Awards. In 2006, he directed the drama film "Duoduo". 20 10, urban drama "mobile phone" screenwriter. 20 15 The novel The Riverside Scene at Qingming Festival was published. 20 16, screenwriter of the anti-Japanese drama "decisive battle".
Lyrics: (Tang) Li Bai Composed: Lyrics: You can't see how the water of the Yellow River moved out of heaven and entered the ocean, never to return. I can't see lovely hair in the bright mirror of the high room. Although it is silky black in the morning, it has turned into snow at night. You can't see how the water of the Yellow River left heaven and entered the ocean, never to return. I can't see lovely hair in the bright mirror of the high room. Although it is silky black in the morning, it has turned into snow at night. Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the empty moon! Since God has given talents, let them play their role! As for the money, although it is scattered, it will get together again. Cook a sheep, kill a cow, sharpen your appetite, let me, 300 bowls, take a big drink! Master Cen Dan Qiu Sheng, don't stop entering the glass. Let me sing you a song! Please listen to me. What are bells and drums, delicacies and treasures? I hope I will never wake up after being drunk. The sober people and sages in ancient times have been forgotten, and only great drinkers can remain immortal. Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the empty moon! Since God has given talents, let them play their role! As for the money, although it is scattered, it will get together again. Cook a sheep, kill a cow, sharpen your appetite, let me, 300 bowls, take a big drink! Master Cen Dan Qiu Sheng, don't stop entering the glass. Let me sing you a song! Please listen to me. At a banquet in the temple, Chen bought a barrel of wine with 10 thousand gold coins. Everyone laughed and quipped. Why did you say, my master, your money is gone? Go buy wine, and we'll drink together! Five horses and thousands of gold coins were given to the boy in exchange for good wine. Wine will be wine, wine will be wine, and you will share the sorrow of all times. Share with you the sorrows of the past generations. Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the empty moon! Since God has given talents, let them play their role! As for the money, although it is scattered, it will get together again.
Zou Jingzhi is a poet. He is famous for Kangxi traveling incognito and Ji Xiaolan with iron teeth and copper teeth. These two well-known TV dramas show the creative talent of screenwriter Zou Jingzhi, and this ironic deconstruction feature has also become the golden signboard of Zou Jingzhi's Iron Triangle, leading to endless sequels. However, just before Ji Xiaolan 3 with iron teeth and copper teeth was finished, another drama, Sophora japonica in May, came to an end and haunted Zou Jingzhi. Zhu Wei, editor-in-chief of 1030 10, has a problem from this. Why did Zou Jingzhi, who hasn't touched the realistic theme for more than ten years, pick it up again? Mr. Zou admits that he once hated realism, but he didn't like it because "being educated from an early age is the only correct way to express his feelings. Such education stifled the most valuable literary imagination alive." For example, my daughter described the snow scene like this in her composition' The sky is full of white butterflies', and the result was criticized by the teacher as' inaccurate description!' So when I was writing Sanlian Life Weekly, I decided to be unrealistic, take the ironic route and let myself go. "This new costume drama is written like a duck to water. Why go back to the once-vilified realistic line? Zou Jingzhi mused, "Liu Heng's Kangxi Private Visit touched me a lot, and it told me that realism is always attractive. If postmodern writing means talent, then realism means a thorough understanding of life. How to write a script and expand your imagination in the life stream of eating, drinking, smoking and chatting? It's difficult, but it's interesting. "Another recognized beauty of Zou's TV series is that the lines are delicate and concise. Zou Jingzhi attributed this to his early poetic career: "If you write more poems, you will feel that language has a wonderful rhythm like music. Later, when I wrote the script, I naturally transplanted the rhythm of poetry into the TV series, so I was especially grateful for the training I received during that time. "