Author: Meng Haoran
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
How many flowers fall after a stormy night.
Precautions:
1, Xiao Chun: A dry morning in spring.
Rhyme translation:
Spring is a good sleep, and it will dawn before you know it;
I suddenly woke up and there were birds singing everywhere.
At night, there seems to be a rustling sound;
Oh, it's stormy. How many flowers have fallen?
Comments:
This is a poem that cherishes spring. The poet seized the moment of life in the spring morning and engraved the nature and the truth of life.
Interesting, expressing the joy of romantic and intoxicating spring and the love for vibrant spring. The words are shallow and profound, and the scenery is true.
Distant, profound and charming. It can be said that it is the sapphire in the five-character quatrain, which has been passed down through the ages and shines brightly.
Appreciation of Xiao Chungu's Poetry 2 Xiao Chun
Poet: Meng Haoran Dynasty: Tang Dynasty
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
How many flowers fall after a stormy night.
Make an appreciative comment
To annotate ...
Dawn: Good morning, Dawn.
2 Smell: Listen.
3 Singing birds: Birds sing.
translate
In spring, I slept soundly, but when I woke up, I didn't realize that it was dawn, and birds could be heard everywhere. The wind and rain rustled at night, and I don't know how many flowers fell.
Make an appreciative comment
The poet described the scenery in the spring morning after the rain from the perspective of hearing, showing the poet's inner joy and love for nature in spring. Spring is vivid in the poet's pen. This poem seems unremarkable, but it has infinite charm. The whole poem is like running water, natural and simple, with profound connotation.
Appreciation of Ancient Poems in "Spring Dawn" 3 Meng Haoran's "Spring Dawn"
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
But now I remember that night, that storm, I wonder how many flowers were broken?
The poem "Spring Dawn" seems bland at first reading, but after reading it repeatedly, I feel that there is a world in the poem. Its artistic charm lies not in gorgeous rhetoric and fantastic artistic techniques, but in its charm. The style of the whole poem is as simple and natural as running water, but it is profound and unique. For thousands of years, people have read it and discussed it, as if there were inexhaustible artistic treasures in this short four-line poem.
Nature without rhythm is superficial; If there are no ups and downs, it is flat. "Spring Dawn" has both beautiful charm and ups and downs of writing, so the poem is mellow and eternal. The poet wanted to express his love for spring, but he didn't say it all or fully. The windward door is half open, which makes readers ponder and guess, showing hidden twists and turns everywhere.
"Love is hidden outside the words, and the appearance is in front of you." (Quoted from Zhang Jie's Poems of the Old Cold Hall) When the poet wrote his feelings, he chose the emotional fragments at the moment of waking up in the morning to describe them. This fragment is the beginning and embryonic stage of the poet's ideological activities, and it is the most productive moment that can make people imagine his emotional development. The poet seized the moment, but did not unfold it. He just confides in his readers and leads them to his emotional trajectory, leaving it alone. The rest will be enriched and supplemented by readers along the direction of the poet's thinking.
When writing about scenery, he only chose the spring side. Spring has charming colors and intoxicating fragrance, and poets don't write about it. He just started writing from the perspective of hearing, and wrote sound of spring: birds are singing everywhere, and it's raining. Birds are euphemistic, sweet and beautiful. Add the word "everywhere", chirp, one after another, and the distance should be matched, which makes people feel at the end of their tether. Spring breeze and spring rain poured down one after another, but on a quiet spring night, the rustling sound also made people want to see the dreamlike artistic conception of misty clouds and the new look of flowers after rain. These are just what the poet heard indoors. However, these bursts of spring sounds have exposed the boundless spring scenery, led readers to the vast nature, and let readers imagine and appreciate the brilliant spring scenery. This is to use the sound of spring to render the beautiful scene of outdoor spring. These scenery are vivid.
Jump', full of energy. It describes the poet's feelings and shows the poet's inner joy and love for nature.
Ye Shaoweng, a poet in the Song Dynasty, wrote a poem "Don't Meet in the Garden", which is a famous sentence from ancient times to the present. In fact, there are * * * similarities in writing with Xiao Chun. Ye Shi introduced people into the wall, and let people imagine it through a visual image, an almond protruding from the wall; Meng's poems lead people out of their homes and make people imagine through auditory images. With only a few strokes, I wrote a prosperous spring with good weather and strange rain. Both poems show that abundant spring is unstoppable. You see, didn't it break through the wall of the house, show it in front of your eyes and linger in your ears?
Shi Buhua said, "Poetry is literature, not expensive." This little poem is only four lines and twenty crosses, but it is full of twists and turns when written. The first sentence breaks the topic and writes the sweetness of spring sleep; It also shows love for the bright morning sun; The second sentence is a scene, which describes the pleasant sound of spring and explains the reason for waking up; Three sentences turned to write memories, and the last sentence came back to my eyes, from happy spring to cherish spring. Love is extremely precious, and cherishing spring means loving spring-that misty spring rain also attracted the poet's attention to flowers and trees. The leap of time, the alternation of wind and rain, and the subtle changes of feelings are all very interesting and can bring endless interest to people.
Xiao Chun's language is simple and natural, and there is no trace of artificial carving. In a shallow sense, the scenery is real, just like a clear spring flowing from the depths of the poet's heart, crystal clear, full of the poet's life and beating the poet's pulse. Reading it, just like drinking refined mash, makes you feel drunk. The poet found the true interest and essence of nature through feeling and understanding. "The article is natural and wonderful." This is the most natural poem and the voice of nature.