This is her collection of poems (Chinese version is relatively complete), and I like her love at first sight very much.
Award: 1996 Nobel Prize in Literature.
Winner: Wei slava Simboska
Achievement: Combining seriousness with humor, conveying profound thoughts in simple language. His representative works include The Man on the Bridge and Writing a Resume.
Introduction:
1996, Nobel Prize in Literature laureate wisawa szymborska was born in Bunin (now part of konic), a western Polish town, on July 2, 1923. She moved to Krakow when she was eight years old and still lives in this southern city. She is the third female poet to win the Nobel Prize in Literature (the first two were mistral in Chile in 1945 and Shaquez in Germany in 1966), the fourth Polish writer to win the Nobel Prize in Literature, and the most popular female poet in Poland today.
As a poetess, Simboska seldom focuses on women's issues, but she shows conscious concern for women from time to time in her poems. In The Portrait of a Woman, Simboska depicts a woman who changes herself for love, makes unconditional dedication to love, and is strong because of love. The shackles of love may make her look like a "sparrow with broken wings", but the belief in love gives her wings to dream and enables her to shoulder the burden of life. This femininity is in great conflict with the spirit of getting rid of male domination and seeking liberation advocated by feminists, but Simboska only narrates it in a restrained and objective way, and her tone seems to be both positive and ironic. What she provides readers is only the choice of questions, not the answers. For Simboska, gender is not important; What she cares about is how individuals position themselves in life.
The relationship between man and nature is also the theme of Simposka's concern. In her eyes, nature is full of wisdom, rich and unpredictable: fine natural phenomena have a positive enlightenment to human beings. She is quite dissatisfied with the superiority and dominance of human beings in front of nature. She believes that human beings always exaggerate their importance, put a halo on themselves and ignore other life around them; She believes that every living thing has its own reasons, and the death of a beetle deserves the same sympathy and respect as a human tragedy (overlooking). The scenery outside the window is colorless, invisible, silent, tasteless and painless; The size of the stone doesn't matter; Heaven never shuts one door but he opens another; Sunset never sets. Everything in nature does not need a name, and human beings do not need to crown it with any meaning or metaphor; Their existence is pure, they are self-sufficient, but they are not false. If human beings can't really integrate into nature and want to spy out the mysteries of nature, they must not enter the door (talk to stones). The ideal lifestyle is actually within reach, and the sky can be everywhere-as long as it is integrated with nature, as long as "a window reduces the windowsill, window frame and window glass." /an opening, but therefore, it is open. "
When human beings and nature achieve perfect harmony, the clear boundaries between mountains and valleys, subject and object, heaven and earth, despair and ecstasy no longer exist, and the world is no longer a place full of polarized things, but an open space. The poem Funeral consists of thirty-five dialogues. Simboska makes the audience's words shuttle, flow and stagger in an illogical order in a way similar to the absurd drama. Most of the sentences before and after have nothing to do with question and answer, and some even conflict with each other in essence. The only thing these conversations have in common is that they are all voices of life, trivial and empty, but they are echoes of real life. At the solemn funeral where we should mourn for the dead, we heard the noise of the living. Through this contradiction between substance and form, Simboska presents a real life outlook and texture, without ridicule or harsh criticism, but with understanding humor and understanding.
Simboska cares about politics, but he doesn't get involved in politics. Strictly speaking, she is not a political poet-so her book can escape the official review and come out in a complete appearance-but the implied political meaning can be seen everywhere in her poems. The early poem "However" (included in "Calling a Snowman" published in 1957) is one of the few poems by Simboska that touched on the brutality of Germany during World War II. Therefore, this poem is particularly noteworthy-it not only condemns the atrocities of the Nazi collective massacre, but also implies that some people in Polish society are indifferent to the fate of the Jews. In another poem Possibility, which is set in Germany-occupied Poland, suggestive words such as anxiety, fear, arrest, expulsion and execution can be found everywhere. Simboska's view of fate can be seen in this poem: life is impermanent, and anything can happen in nature and human world. However, Simboska's political satire and wit are fully displayed in the poem "Views on Pornography". Under the censorship system in Poland in the 1980s, political and ideological works disappeared, and the publishing industry was full of pornographic literature. In this poem, Simboska fictionalized a speaker who supported the government's policy of "ensuring national security through ideological restraint", made him point out that the seriousness of Chen's ideological problems went beyond the scope of pornography, and made him use a series of pornographic images to roar at the indecency and evil of free thought. However, after the carnival-like tone of five poetry festivals, Simboska designed an anti-climax-at the end of the calm and restrained poem, he deliberately presented the self-satisfaction and harmlessness of free thinkers drinking tea, jumping and chatting with like-minded people. This design immediately disintegrated the speaker's previous arguments, highlighted the absurdity of his vigorous attack on ideas, and indirectly protested the fear of survival brought about by the ubiquitous ideological monitoring in centralized countries.
Posca believes that survival is an innate human right and should be respected. In the poem "Everything is Possible", she made a quite frank confession of her values, life taste and life cognition. From her favorite things, it is not difficult to see her calm, comfortable, calm, compassionate, sincere, unprincipled personality characteristics. Everyone is an independent individual, and the "possibility" attached to each individual is the loveliness of the world. Simboska declared the diversity and beauty of life and the right to live freely to the world through this poem, because "the reason for existence is not false."
Shim Borska 1996 won the Nobel Prize in Literature.
1996 obtained Nobel Prize in Literature. Reason for winning the prize: "Because of its subtle irony in the art of poetry, it excavates the profound significance of historical changes and biological evolution behind human real life bit by bit."
1996, the Swedish Academy awarded Nobel Prize in Literature to the famous Polish poetess Wislawa Simborska (also translated as Vi Szymborska), who was the fourth Polish writer to win this honor after Xiankovic, Lemont and milosz. The Swedish Academy praised her poems for "showing biological laws and historical activities in fragments of human reality through precise ridicule". Her works not only devote themselves to the world, but also keep a proper distance, which clearly confirms her basic idea: seemingly simple questions are actually the most meaningful. From this point of view, her poems often show a feature-she strives for formal criticism, but her vision is diverse and open. "
Borska, Wiswawa Shim
Wisva Shim Borska was born in Bunin Village, Kurnik, Poznan Province on July 2, 1923/KLOC-0. Like other Poles of her time, she has just entered the prime of life, and she has already tasted the torture and pain of the fascist war. After the war, she entered Yakovo University in Krakow to study Polish, literature and sociology, and at the same time began to show her poetic talent. 1952, she published her first collection of poems, We Live for It. 1954, she published her second collection of poems, Ask yourself questions, and won the Krakow City Award that year. These two collections of poems reflect the characteristics of her early poems: opposing the cold war, opposing imperialism, calling for peace, praising the party and the country, and praising the new construction cause.
1956 is a turning point. Great changes have taken place in Polish literature not only in political thought, but also in creative content. Shim Borska's poetry creation has also entered a new stage. 1957 published a collection of poems, Calling for a Snowman, which reflects the transformation of female poets-from political poems to philosophical poems; From regular poetry to free verse, the rhythm is more lively.
Salt and One Hundred Kinds of Fun, a collection of poems published in 1960s, marks that Szymborska's poetry creation has reached a new height. Since 1968, Shim Borska has also written book reviews for the recommended reading column of Literary Life. Her later published collections of poetry, Any Situation, Lots of Poems, People on the Bridge and Ending and Beginning, have broader themes and more perfect forms and techniques. Man and history, man and nature, man's historical position and living environment have all become the themes of her later poetry creation.
In his poems, Shim Borska often expresses the contradictions and conflicts between individuals and the real society through individual things and special circumstances, and tries to express the inner feelings of contemporary people in ordinary and accidental events, which makes people feel incomprehensible and irreconcilable between people. In some of her works, she also reveals some ugly phenomena in contemporary society, such as drug abuse, violence and terrorist activities. But her poems are the same as hers: concerned about politics and not getting involved in political struggles, concerned about women's fate, but not emphasizing women's problems. It has neither a strong emotional color nor a completely detached attitude towards the objects it describes; I am deeply concerned about the theme described and keep a certain distance.
Shim Borska likes to use questions and dialogues. Through dialogue and questioning, he raised some philosophical questions and showed them with concise language and vivid pictures, which impressed people deeply. This philosophy in her poems is highly respected and loved by contemporary young Polish poets.
Poetry creation has brought great fame to Shim Borska. His poems have been translated into dozens of foreign languages. In addition to Nobel Prize in Literature, she won the Swiss Zygmont Kahlenbach Prize with 1990, the German Goethe Prize for Literature with 199 1, the German Elder Prize for Literature with 1995, and the honorary doctorate of Poznan University with 1995.