Throughout the ages, in the writings of countless literati, there are sparse willows and breezes in spring, flowers that moisten things in summer, rainy days in summer, and bright moons in autumn, but what about winter? Dead trees, Leng Yun and crows are mostly bleak and desolate. Wang Meng's Riverside Scene at Qingming Festival is unique, novel and profound, like a quiet mountain stream flowing in front of me. First of all, the author chooses early winter with his unique aesthetic perspective, discovers the beauty of early winter, and shows everyone's demeanor with his sophisticated brushwork. Wang Meng/Kloc-joined the Party at the age of 0/4, and 19 wrote the famous work Long Live Youth. His life has experienced ups and downs, the great changes in China, and all kinds of ups and downs. In the vicissitudes of life, Wang Meng gained a life experience and sentiment beyond suffering, and always maintained a "clear" heart. Written in 1983, The Riverside Scene at Qingming Festival conveys the author's life realm. The full text begins with the last few dead leaves, writing about lakes and rivers, writing about the countryside, and writing straight to the flowers and trees, ponds and pavilions in the park. It seems chaotic, but it is natural. For example, if you write a tree, you should be "eager to sprout and grow" in spring, "eager to get the energy of the sun" in summer, and "crushed" by the fruit in autumn, but only in early winter can you feel quiet, calm and serene; Write about the sun again, "What sun is more kind, charming and considerate than the sun in early winter?" After the ice cleared, "the water in early winter is more pleasant than the autumn water in Ming Che", without the interference of yachts and the greed of anglers, "even the fish become gentle and delicate, and quietly inhabit the depths of the water". Everywhere shows the tranquility and leisure of nature in the early winter in the north, and plays a leisurely and quiet movement on the author's heartstrings. Secondly, the parallelism sentence in Wang Meng's prose is a unique scenery and a form of language carnival, and the flowing charm formed from it is really beyond others' reach. For example, at the end, after two "farewell", there are six "welcome": "welcome the glittering snow all over the sky and welcome the ice lamp. Welcome the beating fire in the room and the thoughtful whisper beside the fire, welcome the new year, welcome the new grand plan, and welcome the ancient China New Year. These six "greetings" are not arranged side by side, and their connotations have their own artistic conception: from ice lanterns in snowy areas-quiet beauty, to meditation by the fire-gentle beauty, to grand plans for the New Year-magnificent beauty, and to kicking the pavilion in the Lunar New Year-fiery beauty. This beautiful language reminds readers of the rolling waves of the Yangtze River and the grandeur of the sea. The quiet early winter touched the sweet and clear heartstrings of the author and countless readers. [ 1]
There are many scenery that can be written in early winter in the north, so the author wrote the unique scenery of trees, lakes, sun, earth, flowers, ponds, wild pigeons and rabbits in winter. However, the author has always fixed his eyes on the most natural range of "suburbs, parks and fields", showing the beauty of early winter in the most authentic natural background and better reflecting the seasonality of the scenery.