Bo Wang
Wang Teng Linjiang Pearl, Ming Luan continues to sing and dance.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk.
The shadow of the idle cloud pool is long, and things change for a few years.
Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself.
[Notes]
⑴ Wang Tengting: Located on the bank of Ganjiang River in Nanchang City, Jiangxi Province, one of the three famous buildings in the south of the Yangtze River.
⑵ Jiang: It refers to Ganjiang. Zhu: Small and medium-sized continents are on the river.
⑶ Yu Pei Ming Luan: Yu Pei and bells worn on the body.
④ Nanpu: Place name, in the southwest of Nanchang. Pu: the place where a water or river flows into the sea (often used as a place name).
5. Xishan: Nanchang's famous scenic spots, including Nanchang Mountain, Lushan Mountain and Hongya Mountain.
[6] Judah: Wandering freely every day.
(7) Things are human beings: describe the changes of the times and the replacement of everything. Things: the scenery of the four seasons.
(8) Di Zi: Wang Teng Li Yuanying.
Levies: railings.
translate
The towering Wang Teng Pavilion overlooks the sandbar in the middle of the river.
Yu Pei and Luan Ling's gorgeous singing and dancing have long stopped.
In the morning, the painting building flies to the clouds in Nanpu;
In the evening, the bead curtain was caught in the rain in the western hills.
The leisurely colorful clouds are reflected on the river and float leisurely all day.
Time flies, personnel changes, I do not know how many spring and autumn.
Teng Wang, who once enjoyed himself in a high house, has disappeared.
Only the turbulent river outside the railing is empty and rushes to the distance.
Related test questions and answers
1. What is the momentum of Tengwang Pavilion written by the word "pro" in the first sentence of the poem? Which of the following scenes was triggered by Zhu? (4 points)
2. What feelings did the poet express? This paper briefly analyzes this by combining the next sentence and the last poem of the first poem. (4 points)
Reference answer:
1, the word "pro" in the first sentence points out Wang Tengting's high potential, facing the river from a distance and overlooking it. (2 points) The following Nanpu, Xishan, Idle Clouds, Pool Shadow, and The Yangtze River Beyond the Threshold are all triggered by the first sentence "Zhu". (2 points)
The next sentence of the first couplet is from today to now. Imagine that Wang Teng, who built this pavilion in those days, took a beautiful Yu Pei to the pavilion in a carriage and held a luxurious banquet. The scene of luxury is gone forever, and the poet can't help feeling the disappointment of ups and downs in life. Tail couplet points out that things will change, stars will move, Di Zi will die, and the Yangtze River flows eastward endlessly outside the sill, further expressing the feeling that life is ups and downs and the universe is eternal (2 points for analysis and 2 points for understanding).
3. The whole poem adopts the expression of _ _ _ _ _ _ _ _. The first four sentences describe the scene of _ _ _ _ _ _ _ _, and the last four sentences express the mood of _ _ _ _ _ _ _. The style of the whole poem is _ _ _ _, and the poem that can best express this style is _ _.
4. According to the poem "Where is the Emperor in the Pavilion", the word "Di Zi" should be _ _ _ _ _ _ _ _ _ _ _.
Answer:
3 borrowing scenery to express feelings and blending scenes; The location of Wang Teng Pavilion, the scene of people eating and drinking in Wang Teng Pavilion and the beautiful natural scenery around Wang Teng Pavilion; It expresses the sigh that things are different, times have changed and life cannot last forever; Implicit, sad and low; Outside the threshold, the Yangtze River flows by itself.
4. Di Zi should be Wang Teng, because the name of the pavilion is "Wang Tengting", which is named after its title.
5. What artistic techniques are used in Zhuan Xu and what is its function? (4 points)
6. Do you understand the poet's feelings contained in the "long days" and "several autumns" in the necklace? (4 points)
Answer:
5. The necklaces express their feelings through the scenery and blend them into the scenery to achieve the artistic effect of blending scenes. The poet created a desolate artistic conception with "painted building", "Nanpu cloud", "bead curtain" and "rain in the western hills", described the scene of the past prosperity of Tengwang Pavilion, and expressed the author's feelings that time is fleeting and prosperity is endless. "Flying" and "rolling" turn static into dynamic, endow the static scene with dynamic, and enhance the vividness and spirituality of the picture. Leaning on one side, leaning on the other, high and low, strewn at random, closely linked to the first link, created a cold and desolate artistic conception and expressed ups and downs.
6. The description of space in the neck couplet is transformed into the description of time, and the poet sets off the shortness of life with a vast and eternal scene, expressing his feelings of cherishing time and being proactive.
Two:
1, the interpretation of this poem is incorrect ()
A. The first sentence describes the lofty position of Tengwang Pavilion on the river, and the second sentence describes the listless status of Tengwang Pavilion.
B. The third and fourth sentences further describe the lofty trend of Wang Teng Pavilion and the desolate and lonely environment of Wang Teng Pavilion today by metaphor.
C. From space to time, the poet has a feeling that time has passed.
D. Where is Wang Teng in the Cabinet now? Only the Yangtze River outside the railing flows freely.
2. The incorrect analysis of this poem is ()
A. three or four sentences are extremely neat and harmonious.
B. The last sentence ends with a scene, which is similar to the artistic conception of "just watching the Yangtze River flowing in the sky" in Li Bai's poem, and has the same effect.
C. this poem expresses the poet's feelings about the ups and downs of life and the eternal universe.
D. this poem is full of scenes and scenes, the poet's spirit is uplifting, and the tone of the whole poem is also high.
Answer: 1, b; 2、D .
Appreciate:
Poem of Tengwangge is a poem by Wang Bo, a writer in the Tang Dynasty. Originally attached to the Preface to Tengwang Pavilion, the "four rhymes" in the "four rhymes" sentence at the end of the preface refers to this poem. The first sentence of this poem points out the situation of Wang Teng Pavilion. The second sentence imagines that Wang Teng, who built this pavilion in those days, came to the pavilion to hold a luxurious and prosperous banquet in a bell carriage; The third and fourth sentences are closely related to the second sentence, describing Nanpu Yunfei and Xishan Rain Rolling Pearl Curtain. In an exaggerated way, it not only shows the condescending situation of Wang Teng Pavilion, but also shows the desolate and lonely situation of Wang Teng Pavilion. The whole poem is full of emotions and profound feelings. It summarizes the content of the preface with concise and implicit words, with lofty bearing and grand realm. It really comes down in one continuous line with the preface to Wang Tengting and brings out the best in each other.
The first sentence of this poem comes straight to the point, pointing out the situation of Teng Wangge with simple and old brushwork. Wang Tengting was built by Wang Teng Li Yuanying, the son of Gao Zu Li Yuan, when he was governor of Hongzhou. Therefore, it is located at the gate of the newly-built Xizhanghe River in Jiangxi, facing the Ganjiang River. You can look at it from a distance. The following "Nanpu", "Xishan", "idle clouds", "Tanying" and "Yangtse River beyond the threshold" all come from the first sentence "Zhu". The Wang Teng Pavilion is in good condition, but who will visit it now? Wang Teng, who built this pavilion, has passed away. He came to the pavilion, held a banquet and sat in a carriage full of beautiful Yu Pei with phoenix bells. The scene of luxury is gone forever. The first sentence is about space, the second sentence is about time, the first sentence is full of enthusiasm, and the second sentence is depressed. The poet's technique of "sweeping it from the vertical" naturally makes readers feel ups and downs. A few sentences contain the theme of the whole poem.
Three or four sentences follow the second sentence and play more. Since no one came to visit the pavilion, of course, the bead curtains painted in the pavilion were pitifully cold, only the clouds in Nanpu, the rain in Xishan and the twilight. These two sentences not only describe Wang Teng-ting's loneliness, but also describe Wang Teng-ting's height, the rain rolling bead curtain in the western hills, Wang Teng-ting's distance and the blending of scenes.
At this point, the poet's intention has been completely covered, but the expression technique is still relatively hidden and incomplete. Therefore, after the first four sentences used three relatively calm rhymes of "Zhu", "Dance" and "Rain", they immediately became three long and soft rhymes of "You", "Autumn" and "Liu". Together with the coordination of composition and meaning, they put special emphasis on time and exert their strength, which is in the same strain as the first half sentence. The word "idle cloud" is intentionally or unintentionally associated with the above-mentioned "Nanpu cloud", and the word "pool shadow" deliberately avoids the word "river" and deepens the "river" into a "pool". There are clouds in the sky, pools in the ground, and I leaned down and wrote about the space, but then I used the word "day long", and I immediately turned the space into time, pointing out that time is long, not a day or two, but over the years, naturally giving birth to the feeling of changing seasons and shifting constellations, and naturally thinking of the people who are building pavilions now. Here, a "minority" and a "why" ask questions continuously, expressing compact emotions. Finally, from time to space, it is pointed out that things will change, stars will move, Di Zi will die, and the Yangtze River outside the threshold is endless. The words "threshold" and "river" responded to the first sentence, and the spirit was exhausted.
This poem has only fifty-six words, including pavilion, river, building, curtain, cloud, rain, mountain, pond shadow; If it belongs to time, the long day, things change, a few autumn days, where is it now These words are mixed together, and there is no feeling of overlapping bedsteads. The main reason is that they all revolve around a center-Wang Teng Pavilion, and each one plays its own role in the Moon Arch.
Tang poetry mostly uses nominal words (nouns), which is obviously different from Song poetry which likes to use function words (especially turning words). For example, in three or four sentences, except the word "Fei" and the word "Juan" are verbs, the other twelve words are content words, but the two function words bring them together, which shows that the Tang people make good use of content words, which are real but not real.
In addition, the end of the poem is antithesis, which is very distinctive. Generally speaking, antithetical sentences are mostly used in the middle section, which plays the role of arrangement. This place is used for ending, and it is not juxtaposed like two doors (the term is fan pair), but is open and closed. The reader only feels its flow, but does not feel that it is double, which shows Wang Bo's extraordinary talent. Later, Du Fu's seven-character poems, even seven-character quatrains, often used this technique, such as "coming back from this mountain, passing another mountain, coming up from the south, and then going north-to my own town!" , "oral powder medicine is kind, jade tube silver poppy is under the sky", "butterfly always dances, and the charming warbler just crows" and so on. Wang Bo's influence on the development of Tang poetry can be seen.