First, from the perspective of the distance between scenery and emotion (in Wang Guowei's words, it is "separation" and "non-separation"), there are five kinds of relationships between scenery and emotion: touching the scenery, borrowing scenery to express feelings, creating scenery based on feelings, containing feelings in the scenery, melting the scenery in the scenery and so on;
Secondly, from the perspective of emotional color, there are four relationships between scenery and emotion: Syaraku's emotion and pleasure, Syaraku's emotion and pleasure, sadness and sadness.
Emotion is born of scenes, and scenes are combined with emotions. The two grow and penetrate each other, thus achieving a seamless integration. This is the so-called "scene blending". One is that the description of the scene is consistent with the author's feelings, that is, the positive contrast between the happy scene and the sad scene.
One is that the description of the scene does not match the author's feelings, that is, writing sadness in the music scene and comparing Syaraku's sadness can double the sadness or joy.
Extended data:
First of all, from the distance dimension between scenery and emotion
1, moved the scene
Du Fu's "Ascending the Mountain": "The sky is windy, the apes are singing and the birds are singing, and the blue lake and white sand are returning. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. Bad luck has a bitter frost on my temples, and heartache and fatigue are a thick layer of dust in my wine. "
The first couplet highlights the desolate features of autumn, and the scenery is full of emotion. Zhuanlian has a broad vision and writes about the geographical features of Kuizhou Mountain City. "Touching the scenery" is both concrete and macroscopic. The Neck Couplet wrote about its own situation-"Wan Li is a guest" and "More than a hundred years of illness".
At the end, the couplets are about the feelings aroused by bleak autumn scenery, vast landscapes and one's own situation-"bitterness, bitterness, hatred" and "poverty". As far as the scenery is concerned, late autumn, this desolate and remote mountain city, has a depressing and desolate taste.
This situation and Du Fu's own "old", "sick" and "difficult" situation have expanded, making the sad mood stronger and stronger. The artistic conception of the whole poem is the artistic conception produced by touching the scene.
2. Lyric by scenery (lyrical by scenery)
Bai Juyi bid farewell to the ancient grass: "The vast sea of grass, four seasons come and go, wildfires have not completely burned them, and they have grown taller in the spring breeze." With the tenacious struggle of "grass on the original", we express our irresistible sigh for the laws of nature.
3. Landscape design based on emotion
Su Dongpo said that Wang Wei was "painting in poetry and poetry in painting". "Painting in Poetry" is a landscape created by emotion; "Poetry in painting" is the feeling in the scene.
Step 4 feel the scenery
Du Fu's "Delighting in Rain on a Spring Night" "Good rain knows the season, when spring happens. Sneaking into the night with the wind, moistening things silently ",the scenery contains the joy of spring rain. "
5. Scenes blend together
Zhang Kejiu's "Introduction to Qingjiang River with Double Tones"? Qiu Huai: Xifeng came to Wan Li and asked me if I would come back. Wild geese crow in red leaves, people get drunk in yellow flowers, and banana rains in Qiu Meng. The poet firmly grasped the meaning of the topic and painted a bleak autumn scenery with west wind, wild geese, red leaves, yellow flowers, plantains and the sound of rain.
And because of the arrival of the "west wind", it is related to the uncertainty of "return date"; Because of The Sound of Banana Rain, I was worried about fame and fortune, tossing and turning. Every sentence is a description of the scenery, and every sentence is the unity of lyricism, emotion and scenery.
Second, from the color dimension of scenery and emotion
1, enjoy the feelings of Syaraku.
Meng Jiao's After Graduation: "In the past, it was not boastful enough, but now it is debauchery. Spring breeze is proud of horseshoe disease, and you can see Chang 'an flowers all in one day. "
The last two sentences of this poem vividly describe the poet's high spirits and express his triumphant pride. The beauty of these two sentences lies in emotion and scenery, which vividly depicts the poet's proud scene of galloping on Chang 'an Road with blooming spring flowers.
2. Write a sad mood with a happy scene.
Xie Ting Farewell by Tang Metabolic Hun: "When my brother misinterprets the boat, the red leaves and green hills rush. It's still far from waking up at sunset, and it's raining down the west building. " The beautiful and poetic scenery of the first "Red Leaves and Castle Peak" in the League reflects the poet's feelings of leaving sorrow and not hating.
3. Mourn the situation in Syaraku.
The Book of Songs: "I have been there, Liu Yiyi. I think about it today, it's raining. " Yi-Liu Yang, the beautiful spring scenery is intoxicating, but it is a sad time to leave; It's raining hard and freezing, but it's time for my husband to go home. "Jiang Zhai Shi Hua" said: "Writing elegies with happy scenes and mourning for Syaraku with sad scenes will double the sadness and joy.
4. Write a sad mood with a sad scene.
Liu Zongyuan's "The Leaves of the Banyan Tree in Liuzhou": "The official feelings are melancholy, and spring and half autumn are fast. The mountain city is full of rain, and the banyan trees are full of leaves. " Liu Zongyuan's My Topic is a work that combines things with my feelings.
When the poet wrote this poem, as a guest, he was far away in a foreign land with mixed feelings. The poet saw the unusual autumn scenery in February in spring, and his poems "follow things" and "swim with the heart". The world in the eyes is in harmony with the sad and confused feelings in the heart.