Film and television, poetry

Generally speaking, the understanding of words belongs to logical (abstract) thinking, and poetry is no exception. In China's classical poems, there are many beautiful sentences, which describe the beauty of the world through abstract words, vividly, as if there were scenes of movies and TV pictures playing in people's minds. Through analysis and thinking, the author thinks that the artistic conception of China's classical poems can be used for reference in the construction of the basic thinking of film and television art. Here, taking Wang Wei's Autumn Night in a Mountain as an example, the author analyzes the basic thinking mode that film and television art should have. The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. The four sentences in this well-known Tang poem respectively represent a basic thinking of film and television art: First, it is empty after the rain, standing in late autumn-sense of lens: visual thinking of intuitive image The most basic thinking of film and television art should be visual thinking of intuitive image, that is, the feeling and consciousness of using the lens, which includes the following two aspects: 1, speaking with visual image.