1. Poems about virtuality and reality
Poems about virtuality and reality 1. What are the ancient poems that combine virtuality and reality
Poems that combine virtuality and reality include: Du Fu's "Moonlight Night" ", Wang Wei's "Remembering Shandong Brothers on September 9th", Chen Tao's "Long West Journey", Wang Changling's "Farewell to Xin Jian at Furong Tower", etc.
Words that combine virtuality and reality include: Li Yu's "Poppy Beauty", Li Qingzhao's "Wulingchun", etc.
Specific analysis: For example, Wang Changling's "Farewell to Xin Jian at the Furong Tower" -
It was cold and rainy and the river entered Wu at night, and I saw off the guests in Chu Shangu in the bright light.
Relatives and friends in Luoyang are like asking each other, with a heart of ice in a jade pot.
This poem was written approximately after the 29th year of Kaiyuan (741) by Emperor Xuanzong of the Tang Dynasty. Wang Changling was the Prime Minister of Jiangning (now Nanjing) at that time. He had just arrived from Luoyang to Jiangnan. It happened that Xin Jian was about to return to Luoyang, so he wrote this poem to send to his friend Xin Jian.
The first two sentences are the first layer of the poem, pointing out the time and place of farewell. It is like using a huge ink landscape painting as the background, with the tall Furong Tower and the rushing river as the background. The cold rain is flowing across the sky and the river, and friends, high-rise buildings, and the entire Wu area are shrouded in the cold rain, adding a bit of sadness to the upcoming farewell. "Chu Mountain Solitary" is not only a realistic scene, but also a portrayal of the poet's lonely mood. How could the always heroic Wang Changling be so lonely after a farewell and a cold rain? It turned out that the poet was demoted to Lingnan, and Wang Changling, who was very conceited, was very unhappy in officialdom.
Another example: Li Qingzhao's "Wuling Spring":
The wind and dust have exhausted the fragrant flowers, and I am tired of combing my hair day and night. Things are different and people are not the same. Everything stops. If you want to speak, you will shed tears first.
I heard that the spring in Shuangxi is quite good, so I plan to take a boat trip. I'm afraid that the boat in Shuangxi cannot carry many sorrows.
In his later years, Li Qingzhao wrote this poem when his country was ruined and his family was ruined, and he was living in a foreign land. The upper part mostly uses real characters and focuses on the actual description of the appearance: the female poet was locked in the home by the ruthless wind and rain, and was very depressed; after the sky cleared, the fallen flowers had turned into dust, which was regrettable. Due to the invasion of the Jin Dynasty from the south, her husband Zhao Mingcheng died in the chaos. He lived alone in Jinhua, Zhejiang Province. Seeing the spring scene and her husband's belongings and the "Jinshilu" left by him, he felt that things had changed and people were sad. He stopped everything and slept until three o'clock in the morning before getting up. I am too lazy to comb my hair, and sometimes I even want to speak, but tears have already burst into my eyes.
Shangqian only uses the empty word "desire to speak" in the fourth sentence. The words seem simple, but the intention is extremely subtle: to express the uncontrollable state of grief and full of sorrow, it is gripping!
The next chapter focuses on inner exploration: The female poet heard that Shuangxi on the outskirts of Jinhua was bright and sunny in spring and full of tourists. She was also interested in traveling and prepared to go boating there. But I am worried that the "light boat" is too small and cannot carry my many sorrows.
The first three sentences use three sets of virtual words "hear said", "ye imitate" and "only fear" in succession, as a turning point in the meaning of the word, and combined with the real words to express it, it is very touching. deep effect. The content word "Qingzhou" foreshadows and sets off the "sorrow" below, making "sorrow" heavy, which is also the incomparable depth of the female poet's feelings! It also makes the abstract "sorrow" concrete and tangible, with "strange energy"! No wonder some people commented: Li Yu, the later master, turned "sorrow" into water, Qin Guan turned "sorrow" into something that flowed with the water, Li Qingzhao further moved "sorrow" onto the ship, and the author who wrote "The Romance of the West Chamber" Dong Jieyuan unloaded "Chou" from the boat and got on the horse again. Like this, it is no wonder that at the end of the poem "Slow Voice", Li Qingzhao wails in despair, moans helplessly, and writes "sorrow" again in a heartbreaking and tear-jerking way - "This time, how can the word "sorrow" be so special! "
2. Poems about reality and reality
Mao Zedong's "Spring Snow in Qinyuan": "Silver snakes dancing in the mountains, wax figures riding in the mountains" are real scenes; "On a sunny day, look at the red clothes "Pure wrapped" is a virtual scene.
"Bu Shuanzi Ode to Plum Blossoms": "The cliff is already hundreds of feet of ice, but there are still beautiful flower branches" is a real scene; "When the mountain flowers are in full bloom, she laughs in the bush" is a virtual scene Scenery.
Zhu Xi's "Shuikou Boating": "Last night, the boat was raining, and the river was full of stormy waves. How was the night? Looking at the exam paper alone, there are still green mountains and green water." Writing about boating on the river is based on what I have seen and heard. It is a real scene; the poem makes people realize that the wind and rain are always temporary, the wind and waves will eventually subside, the green mountains and green trees are always eternal, and the vitality of all beautiful things will eventually be irrepressible. The poet contains the philosophy of life in the narrative of the scene. , this is imaginary.
Li Chen's poem "Waterfall": "Thousands of rocks and ravines have been worked hard. Only when you look at it from a distance can you know where it comes from. How can the stream be kept? It will eventually become the waves of the sea." In the poem It describes the image of a majestic waterfall that eventually runs to the sea after all the ups and downs. This is an objective scene and a reality. In this poem, the poet expresses his belief that he will never be satisfied with the status quo, is not afraid of difficulties, and will never give up until he achieves his goal. This is the thought of ambition, which is a combination of virtuality and reality. Poems include: Du Fu's "Moonlight Night", Wang Wei's "Remembering Shandong Brothers on September 9th", Chen Tao's "Long West Journey", Wang Changling's "Farewell at Furong Tower" Xin Jian" and so on.
Poems that combine false and true words include: Li Yu's "Yu Meiren", Li Qingzhao's "Wuling Chun", etc.
3. Poetry that combines false and true verses with anger
Shu Anger
Author: Lu You
When I was young, I knew that the world was difficult, and the Central Plains looked to the north like a mountain.
The building boat crosses Guazhou in the snowy night, and the iron horse disperses in the strong autumn wind.
I walled up the Great Wall and promised myself that my hair would be empty, but my temples were already stained in the mirror.
If you are a master and show your true name in the world, no one can compare with you for thousands of years.
"At an early age, I knew that the world was difficult, and the Central Plains looked to the north and the energy was as strong as the mountains." When a hero has no place to use, he will return to the memory of the iron horse. I think back then, when the poet looked north to the Central Plains, his ambition to regain the lost land was like a mountain surge, what a courage! Did the poet ever think that the road to killing the enemy and serving the country would be so difficult? I thought that I was selfless and devoted myself to serving the country, so the country would help me. Who would have expected that there would be traitors who would obstruct and sabotage me, leading to me being deposed repeatedly? The poet begins by asking himself, how much anger is there?
The two sentences "Lou Chuan" describe the Song soldiers' fight against the Jin soldiers' invasion in the southeast and northwest, and also summarize the poet's past travels. In November of the 31st year of Shaoxing reign of Emperor Gaozong of the Song Dynasty (1161), the gold lord Wanyan Liang invaded the south. The Song army refused to defend in the Guazhou area, and then the Jin army retreated. The previous sentence refers to this. In the eighth year of the reign of Emperor Xiaozong of the Song Dynasty (1172), Lu You was attending Wang Yan's military affairs in Nanzheng. The poet and Wang Yan actively planned to march into Chang'an. They once forcibly crossed the Weishui River and had an encounter with the Jin soldiers at Dashan Pass. The next sentence refers to this. The glorious past summarized in these two sentences is in sharp contrast to the present situation of "people who are willing to kill thieves are unable to recover". "In good times, I am afraid that I will regret it in another year, and at the critical moment, another autumn will come." Thinking that there is no chance of restoring the Central Plains today, what is the poet's heart like weeping blood? From a poetic perspective, these two poems also fully demonstrate Lu You's great poetic talent. The images of "building ship" (majestic warship) and "night snow", "iron horse" and "autumn wind" are combined, and there are two open and magnificent battlefield pictures. The selection of imagery is very clean and typical.
The sentence "Cover the Great Wall" is a metaphor used by the poet to express his ambition. Tan Daoji, a famous general of Liu Song Dynasty in the Southern Dynasties, once called himself the "Great Wall". The emperor wanted to kill him, so he said: "I will destroy your Great Wall." Lu You promised himself this, which shows how majestic he was when he was young. He defended the country and showed his prestige in the border areas. Who else could he do? However, what about today? The poet's anguish of unrealized ambitions all hangs over the word "empty". Ambition is in vain, struggle is in vain, everything is in vain, but when I look at myself in the mirror, I see the first spots on my temples, and my bright head! How sad it is to compare the two? Thinking about it again, this ending was not caused by my lack of ambition or my lack of efforts, but because of the villain who mistook me and the world that made me wear thin! I have the will, but God won’t let me. Sadness becomes anger.
Look at the last couplet again. Codes are also used to clarify aspirations. Zhuge persisted in the Northern Expedition, and although he "showed his true fame as an army", he eventually became famous all over the world, and "no one can compare with him in a thousand years." After thousands of years, who can compare with it? It is obvious that the poet used the allusion to denounce the mediocre people in the government and the public, indicating that his ambition to restore the Central Plains will also be "famous". The poet cannot find comfort in reality, so he has no choice but to put his soul thirsting for comfort into the future. This is naturally a helpless move. The poet had no choice but to vent his anger and frustration. Through Zhuge Liang's allusions, he admires the achievements of the sages, showing that his patriotic enthusiasm will never change, and he is eager to imitate Zhuge Liang and display his ambitions.
Looking back at the entire poem, we can see that every sentence is filled with anger and every word is filled with anger. Use anger as poetry, and poetry will be full of anger.
4. What are the verses in ancient poetry that combine virtuality with reality?
What is virtuality? That is, emptiness, nothingness; what is reality? That is, reality.
Wu Qiao used the traditional expression techniques of "Fu, Bi, Xing" to analyze the combination of virtuality and reality in ancient poetry, and clarified the dialectical relationship between virtuality and reality. He said in "Wei Lu Poetry": "Bixing is a false sentence and a living sentence, and Fu is a real sentence. If there is Bixing, the real sentence will become a living sentence, and if there is Bixing, the empty sentence will become a dead sentence." It is also said that "the actual writing of the article will be exhaustive, and the empty writing will be infinite. There are many elegant poems and many poems, which are actual writings, while the more elegant poems are more than Xing, which are false writings. Tang poetry has many styles and styles, so it is clever."
The virtuality and reality in poetry theory usually include four connotations: 1. Reality refers to the physical image described by the poet; virtuality refers to the blank image suggested by the physical image. 2. Reality refers to objective tangible objects; virtuality refers to subjective intangible activities. 3. Reality refers to concrete description; virtuality refers to abstract discussion. 4. Reality refers to the scene in the eyes; virtuality refers to the scenery in the mind. In short, what you see with your eyes is reality, but what you think in your mind is reality; what you already see is reality, but what you haven’t yet seen is reality; being immersed in the scene, looking up and down is reality, thinking about it for thousands of years, and seeing thousands of miles away is reality. For example, Mao Zedong's "Qinyuan Spring·Snow": "Silver snakes dancing on the mountain, and wax figures riding in the mountains" are real scenes; "On a clear day, see the red clothes wrapped in plain clothes" is a virtual scene. Another example is "Bu Suanzi·Yong Mei": "The cliff is already covered with hundreds of feet of ice, but there are still beautiful flowers and branches" is the real scene; "When the flowers on the mountain path are in full bloom, she is smiling among the bushes" is the virtual scene. Most of the imaginary scenes in his poems are pictures of the future.
Remember to adopt it, dear, and wish you progress in your studies
5. Ancient poems that use the technique of combining virtuality and reality
There are many of these, and "reality" is what you see in front of you. Scenery, "virtual" refers to the product of imagination and association. Changing subject and object (imagining each other), writing dreams, etc. are all manifestations of "virtual". Here is a little example: a very familiar poem: Alone in a foreign land, a stranger , every festive season, I miss my family even more. I know from afar that my brothers have climbed to a high place, and there is one less person planting dogwood trees. Here the author imagines that the brothers at home miss him, and compares it with the reality of "being in a foreign land" and "being a stranger", from two aspects Show the feeling of homesickness. Another example: On the winter solstice in Handan Posthouse, the shadows in front of the lamps hugging the knees are with you. I think of sitting at home late at night, and talking about people who have traveled far away. In three or four sentences, write "homesickness" on the front. What's touching is that the scene he imagined when he was homesick was actually how his family missed him. During this winter solstice, because he traveled far away from home, his family must have been very unhappy. I hug my knees in front of the lamp and miss my family. I think that late at night, my family members are probably still awake, sitting in front of the lamp, "talking about people who travel far away"! What was "said"? This leaves readers with a vast world for imagination. Everyone who has enjoyed family happiness and has had similar experiences can think a lot based on their own life experience. This technique (change of subject and object) , called "thinking on behalf of others", makes the expression of emotions more subtle, tortuous and moving. Another example is Wang Changling's Farewell to Wei Er: Farewell to the river tower drunk with the fragrance of oranges and pomelo, the river breeze brings the rain into the cool boat. Recalling the king in the Xiaoxiang moon, I feel sad Listen to the ape's dream. [This is a question in the college entrance examination, asking what are the benefits of the last two sentences. The author imagines his friend tossing and turning alone on the Xiang River, worried about listening to the ape's cry, which makes him feel sad about his friend's departure. The reluctance and concern are more profound and touching...