Qiongzi is only in Yaotai. Who planted it everywhere in Jiangnan? In the snow-capped mountains, nobles lie down, and in the moonlight, beautiful women come down from the forest.
The cold is whispering in the shadows, the spring is hiding the fragrance, and the desert is moss.
A brief encounter is half a fairy, and there is a deep relationship between water and bamboo in life.
Under the pine tree in Bozhuan Mountain and in front of the apricot blossom in Nenhanjiangdian, if the Qin people knew how to plant today, they would not attract fishermen into the cave.
Cui Yu flew away from the tree in surprise, and Leng Xiang was beaten by a wolf. The donkey rider was drunk, and the wind messed up his hat. The crane rider returned to the boat full of snow.
Wei Yun is like a dream on a pale moon, and the empty mountains and rivers become a kind of sorrow. When I look at the lonely shadow, I only travel at night.
Light cream and wet powder marks, who will protect the spring temperature? Poetry follows ten miles to find the way to spring, and sorrow hangs on the village in the middle of the night.
Fly away just for the company of melancholy clouds and sell it to Ken Xinyu as his soul. A statue wants to visit Lofok, and leaves are closed.
As a palace to shelter the snow, clouds can't let the dust pass through. Before the spring breeze moved, the trees in jathyapple were empty when they first arrived.
The beautiful woman with green sleeves is under the bamboo, and the prime minister in white is in the mountains.
Dream shattered Yangzhou Pavilion, covered with dust. During the secluded period, the wanderer was a poet. I stayed alone all night and found that it was not spring in Yu Fang.
Clouds are warm and empty, jade is everywhere, the moon is cold and the tears flow frequently.
If you are alone, how can you be more worried and less jade? The inexpensive clock will go up early next month, and the front corner of the lamp is broken and frosted.
It's early spring for pedestrians and evening for birds and ponds. I'm ashamed that the plainclothes have changed now, and we met as far away as Luoyang.
I like the cold and enjoy the most sunshine. I grew up in Bai Yunxiang. I should be old on a lonely day in spring, and the night is bright and the moon is fragrant.
Chu people don't sing Jiang Ji, and the prince of Wu is drunk and desolate. Who will be surprised by the flowers on the branches? The breeze blew and the frost rustled.
Only the moon knows when the soul is broken, and infinite spring sorrow is in one branch.
In the evening, Song can light a lamp, put on makeup and look at the mirror in the deep palace. Old dreams have drifted away with the running water, and the mountain window chats poetry.
Gao Qi was a poet in the early Ming Dynasty. Ji Di was born in Changzhou (now Suzhou, Jiangsu). At the end of the Yuan Dynasty, he lived in seclusion in Qingqiu on the Wusong River, so he was named Qingqiuzi. At the beginning of the Ming Dynasty, he was ordered to enter the DPRK to revise the history of the Yuan Dynasty, and was awarded editing by the Hanlin Academy. In the third year of Hongwu (1370), Zhu Yuanzhang planned to appoint him as the right assistant minister of the Ministry of Finance, but he refused to go and returned to Qing Dynasty as a disciple to support himself. Later, Zhu Yuanzhang was beheaded in Nanjing through the case of Wei Guan, the magistrate of Suzhou. Gao Qi, Yang Ji, Zhang Yu and Xu Ben are called "four outstanding people in Wuzhong". His poems are vigorous and brilliant, drawing on the strengths of others, without bigotry. Poetry reflecting people's life is simple and true, full of life breath. The works that hang in the past or express hugs have deep feelings and unrestrained style.
"Qiongzhi is only in Yaotai. Who planted it everywhere in Jiangnan?" Why is the plum blossom fairy only in Yaotai, but she has left her beautiful and unyielding figure everywhere in Jiangnan? Judging from the objective environment, the living conditions of literati are as tight as the wind and sword, and Zhu Yuanzhang is suspicious and kills civil servants and military commanders. From the inner world of noble-minded literati, how to overcome the temptation of fame and fortune and save themselves without humiliation has become a dilemma.
The plum blossom, which is "where is the cold in March 9, and the flowers are in full bloom", has become the embodiment of the ideal figure in the author's mind. Look at this plum blossom: "Snow fills the mountains, the nobles lie down, and the beautiful moon falls under the forest." Cold depends on the shadows of trees, bamboo rustles, and spring covers the residual fragrance and desert moss. "The snowy area is full of mountains, and the feeling of loneliness is pure and quiet. Under the moonlight forest, there is a clear, noble and beautiful beauty. Bamboo shadow rustling, fragrant moss desolate, multi-tone vaguely wandering. If there is anything, if there is nothing, it is difficult to find and wander.
We might as well take the historical lens back to the Northern Song Dynasty and take a look at Lin Bu, which has the reputation of "beautiful wife crane" and has been passed down from generation to generation as "the shadows are scattered and the fragrance floats at dusk". The emperors of Lin Bu's time paid more attention to intellectuals, and their policies were relatively loose. On the premise of not touching the interests of the royal family, they did not serve the royal family and did not insist. You can be a hermit if you like. Another person knows that the Northern Song Dynasty accounted for six of the eight masters in the Tang and Song Dynasties. Besides these six names, we can also list a series of shining names: Fan Zhongyan, Mei, Liu Yong, Sima Guang, Yan, father and son, Zhou Bangyan, Qin Guan and Huang Tingjian. In Lin Bu's time, there were still some remnants of the Tang Dynasty, and intellectuals' thoughts were still relatively free. Therefore, the culture of the Song Dynasty is still dazzling. The literary world in the early Ming Dynasty was lifeless. Although Song Lian and Gao Qi were short-lived, they were either exiled or beheaded in the city under the threat of Zhu Yuanzhang. There is nothing to do with this article. Without freedom of thought, there will be no cultural prosperity. Although there are "high fitness" and "beauty", the height of "high fitness" is too heavy for the world to know, the moon is too clear, and the beauty of "beauty" is not used by the world. It is the sorrow of the times that leads to the helplessness of "Gao Shi" and "Beauty".
The poet once wrote in "Climbing the Yuhuatai in Jinling and Looking at the Great River": "The sage's fortune starts from the south and stops when he is in trouble. From then on, the four seas are home, not limited to the Yangtze River. " At the beginning of the founding of the Ming Dynasty, people were grateful to Zhu Yuanzhang for overthrowing the rule of the Mongols who engaged in ethnic discrimination and oppression, and regarded him as the savior of the Han people who were bullied by other ethnic groups. But after the savior came to power, he focused on how to consolidate the imperial power. First, I want to cover the mouth of intellectuals and prevent them from revealing their past as robbers; Second, we hope that people are highly consistent in their thinking. What the emperor thinks, what the world thinks, what the emperor wants to do, the world does; Third, in order to let his descendants sit firmly in the country, the world will always belong to the Zhujiajian side, killing his brother who rebelled with him, and preventing someone from mutiny in Chen Qiao like Zhao Kuangyin. This is the origin of "burning down the building" in folklore. Intellectuals, like Sister Lin in the Grand View Garden, "dare not go one step further or say more" and remain silent. Therefore, the poet said, "Cold shadows bamboo, and spring colors cover the residual fragrance and desert moss." Although it has the same "thin shadow" as that in Lin Bu's time, there is no "faint fragrance floating" that floats and is complacent, and it is replaced by the "lingering fragrance of spring cover" that is at the end of the road. On the surface, it is as warm as spring, but in my heart, it is deeply painful and lifeless. Although the contrast between inside and outside is huge, the thin shadow. This kind of anti-pushing and tearing of emotion and scenery, and the anti-blending of scenery and scenery appropriately express the characteristics of the times and the poet's own complex psychological feelings, which is indeed a good poem in the Ming Dynasty.
At the end of the couplet, it says, "I haven't recited it since I went to He Lang. How many times is the east wind? " He Lang is a famous poet in the Southern Dynasties, He Xun's Plum Blossoms in Yangzhou is Yongmei's masterpiece, which has been highly praised by scholars in past dynasties. It is difficult for future generations to write plum blossom poems as good as He Xun's, because they no longer have the objective conditions of freedom of thought like He Xun's. I really look forward to the opportunity like He Xun, but the "east wind" of freedom of thought is silent. People who value imperial power more than anything else will not give intellectuals more space. There is no "east wind" in my time, it is useless to expect, and there will be problems. Judging from the poet's life situation, he is somewhat hopeful, but it is this idea that makes him unable to escape from Zhu Yuanzhang's black hand after all. The ending closely follows the theme of the poem, taking care of the beginning and the end, exposing all kinds of doubts and giving lovers a complete interpretation.