? Zhou Xiaotian's "Spring Festival travel rush fever" has a unique poetic style. Spring Festival travel rush Gaofeng's language is easy to understand, with the characteristics of Tang poetry, and some modern words, such as "curse", "staying behind" and "empty nest", alternate the old with the new. After careful reading, people can't help but doubt the difference of the poet's creative level. If readers with a little basic knowledge of poetry are allowed to read this poem, they may have a critical and questioning attitude towards it when they first come into contact with this type of poetry.
But in any case, poetry is still worth seeing. The artistic value of poetry exists.
This Spring Festival travel rush craze is not a product of language framework, and it pays no attention to language or artistic conception. This poem is a direct leap from classical poetry to modern poetry, which completely integrates the ideas of new poetry and is written to modern people in the words of the ancients. Its rhyme is relatively free and its meter is loose, which has the rhyming characteristics of modern poetry. Secondly, it contains the great vitality of classical poetry, which leads to the ambiguity of language expression, the separation of artistic conception and content, and subverts the meaning of traditional poetry that readers think.
This poem focuses on the real content, does not directly express the poet's inner feelings, but writes the content in a plain style. In the content of poetry, the poet sympathizes with those who can't go home for the New Year because of the long journey, and at the same time, he doesn't forget to write about the helplessness of left-behind children and empty nesters who are eager for their loved ones to return home on the other side. Dual descriptions of social contradictions coexist. The next two sentences, "The tree is leveled with Lin Yuan, and there is an empty nest on the branch", are heroic in artistic conception. The bird's nest on the tree is compared to the empty nest elderly in reality by metonymy, which makes the language subtle and euphemistic with sadness and reflects the poet's thinking about special groups in contemporary society.
From the poem Spring Festival travel rush Peak, we can see the poet's sensitivity to life. No matter the poet wants to write his own poems in an unusual style, even if it is strange. His knowledge comes from practice, such as Du Fu's poems.
? If we want to combine Zhou Xiaotian's Spring Festival travel rush in a hurry to make our own understanding of contemporary poetry, then I think: every poet's thoughts are old, the subject matter is traditional, the writing format is modular, the creation has not really changed, and it is difficult to make a qualitative change in a short time. If the poet writes almost the same, there will be no taste of inheritance and artistic personality. If both writers and readers can't accept new forms and changes at the same time, poetry can only go the same way forever, and creation is meaningless.