It’s not worth visiting the garden.
You should pity the green moss on the teeth of the clogs, and the small buckle firewood door will not open for a long time.
The garden is full of spring scenery, and a branch of red apricot comes out of the wall.
Annotation: This poem blends scenes and scenes and has been passed down through the ages. The poet went to a friend's house to visit the garden and see the flowers.
The moss-covered road was full of traces of the teeth of the poet's wooden clogs. He knocked on the firewood door for a long time, but no one came to open it. The poet imagined the spring scenery of the garden from a branch of apricot blossom exposed on the wall, saying that although the garden gate is tightly closed, the spring scenery cannot be shut!
It’s not worth visiting the park: you won’t meet anyone when you visit the park.
Small button: knock gently.
Chai Fei: Chai Men.
Being disappointed and happy at the same time because of the obstruction of the tour should be regarded as a kind of spiritual adventure. This poem
records this kind of spiritual adventure. It is a unique
travel poem that cannot be completed, but is better than completed travel. The first sentence also reads "You should be disgusted with the moss on your teeth", but I think the word "suspect" is not good.
It seems to express the aristocracy of the owner of the garden who thanks guests behind closed doors and stays away from the hustle and bustle of the world, but he is so aloof. A bit contrived.
On the contrary, the word "pity" is affectionate, and the high-toothed wooden shoes (pronounced "jī jī") are not afraid of the slippery road.
Going to visit Spring News, its perseverance spirit It is worthy of pity and sympathy, even though it was rejected
by tapping the wooden door (chai fei, pronounced fēi fei) and not opening it for a long time.
"Suspicion" is written from the perspective of inferring the feelings of the owner of the garden, while "Pity" is written from the perspective of the pleasure of visiting the spring beauty
The latter is more in line with the concept of "not visiting the garden." "Value", the title of the poem about not having the chance to enter. No luck
Enter the garden gate, the desire to enjoy the sightseeing is thwarted, which is a bit disappointing. But after being disappointed, I was pleasantly surprised to find
an adventure, a branch of red apricot coming out of the wall, and imagining the dazzling spring scenery in the garden inside the wall. ” turned into a “spiritual amusement park”. The unexpected spiritual compensation after disappointment is extremely precious. Between such "off" and "out", the spring scenery breaks through the wall and overflows outside the garden, showing a vigorous and unblockable vitality. After all, the natural world is more
considerate to the interests of tourists than the owner of the garden. This means that not only the tourists pity the clogs, but also the red apricot envoys sent by the spring scenery
come to pity the clogs. Judging from some sentences, this poem inspired Lu You's poem "Making on the Horseback":
"The rain has just begun to fall on Xiaomo Pingqiao, and the light sun shines through the clouds and green mist floats. The willows do not cover the spring scenery. , a branch of red apricot emerges from the wall. "However, Lu You's work is a bit flat, a bit of an immediate flower viewing, and is not as spiritually focused as Ye Shaoweng's work, in terms of profound spiritual experience and psychology. Amidst the twists and turns, the unstoppable spring, the vitality of joy
falling from the sky, and the enlightenment of the interesting spiritual philosophy burst out. It can be seen that poems by famous writers may not necessarily become masterpieces easily. Once non-famous writers develop their lives and poems sincerely, miracles may also happen.
[Brief Analysis]
This short poem describes what the poet saw and felt while visiting the garden in spring and watching flowers. It is very vivid and full of rationality.
The first two sentences, "You should pity the clogs with green moss on their teeth, and the small buckle firewood door that has not been opened for a long time" explain that the author did not meet his friends when visiting, and the garden gate was closed, so he could not appreciate the spring flowers in the garden. But the writing was very humorous, saying that the owner of the garden probably cherished the moss in the garden and was afraid that my teeth would leave trampling marks on it, so the "Chai Fei" could not be opened for a long time. The host is not at home, and it is deliberately said that the host intends to refuse guests. This is to pave the way for the following poem. Because of the idea of ??"I should pity the clogs and the moss on their teeth", the last two sentences are even more novel: Although the owner selfishly closes the garden gate tightly, as if he wants to enjoy the spring scenery in the garden alone, "the garden is full of spring scenery" If it can't be shut down, a branch of red apricot comes out of the wall." The last two lines of the poem have vivid images and unique conception. Both "spring scenery" and "red apricots" are personified. Not only are the scenes full of emotions, but they also contain logic. They can arouse many associations among readers and inspire them with philosophy: "Spring scenery" is If it cannot be locked, the "red apricot" will inevitably "come out of the wall" to announce the arrival of spring. Similarly, all new and beautiful things cannot be blocked or imprisoned. They will definitely break through any constraints and flourish.