Bao is the sister of Bao Zhao, one of the "Three Masters of Yuanjia". Although Bao Huiling's poetic talent is not as good as Bao Zhao's, Bao Zhao said to Emperor Xiaowu of Song Dynasty, "My sister is not as good as Zuo Fen, and my sister is not as good as Zuo Si." Zuo Si, an important writer in Jin Taikang's literary world, once wrote Luoyang Paper Expensive with Sandu Fu. Zuo Fen is Zuo Si's sister, the wife of Emperor Wu of Jin Dynasty, and wrote poems such as Li Sifu and Woodpecker. Bao Zhao is modest here, but he compares Bao and Zuo Fen, and is proud of having a sister as talented as Zuo Fen. In the history of China literature, there are many writers in a family, such as father, son, brother and husband and wife, but it is rare for Zuo Si and his brother and sister to be writers at the same time. Therefore, it is not surprising that Bao Zhao is proud of having a talented sister.
"Small Catalogue" records: "Bao Zhao, the word is far-reaching. My sister's words made her intelligent and talented, far away from the bright future. He wrote "Xiang Ming Fu Ji" and walked on earth. "
Bao, the younger sister of Bao Zhao, is a female writer in Southern Song Dynasty. People from Donghai (now nanqiao town, Lanling County, Shandong Province). Zhong Rong called her a Qi person in her poems, but judging from the language in Bao Zhao's Leave, it seems that she died in filial piety to Emperor Wu. She is a famous talented woman in ancient China, with excellent poetry and prose. Bao Zhao's "Climbing the Leian and Sister's Book" is written on her. Bao Zhao thinks he is not as good as Kim, but his sister is not as good as Misa. There is a collection of Xiang Ming Fu, but there are not many works left. Seven poems are recorded in "New Ode to Yutai". Among them, most of the works told by people are antique works, such as "Send a Pedestrian after Inscription" and "Allow a Guest to Come from afar", which are full of sad words and sincere feelings, such as "There is no homesickness in the wood, and the strings have a parting sound; Hold this tune all your life, and don't change your mind when you are cold. Zhong Rong's "Poetry" commented on Hui's poems: "It is better to be original than antique. "Criticizing her" lust "probably means that her poems are mainly acacia. In Qing Dynasty, Qian Zhenlun annotated Bao Ji and his poems.
Due to the limitation of life vision, Bao's poems don't have much profound social content except leaving thoughts and not hating. However, her poems are still borrowed, imitated, innovative, ingenious and pure. Since Zhong Rong in feudal times can leave a place for such a talented woman writer in his concise literary monograph, we have all the more reason to comment on it.
Bao was born in Donghai (now nanqiao town, Lanling County, Shandong Province), a poetess in Southern Dynasties. Bao Zhao's sister comes from a poor family and is good at making love. Zhong Rong said in her poem that she was from Nanqi, but from Bao Zhao's "Ask for Leave", only one sister died. It seems that he died around Emperor Xiaowu of Song Dynasty.
According to Zhong Rong's poems, Bao Zhao once said to Liu Jun, the filial piety emperor: "My sister is not as good as Juicy Zuo, and my talent is not as good as too much." (Zuo Bang is Zuo Si's sister Zuo Taichong, and she is also very talented in poetry. It can be seen that Bao is outstanding in poetry. Zhong Rong said that her poems "are often original and antique is the best", but she also criticized her for "lust", probably saying that her poems mainly focus on acacia.
Hui Ling's poems have not been widely circulated. Seven of his poems are recorded in New Poems on Yutai, and all of them are imitations, such as "Send a group of people after writing a book" and "Allow guests to come from afar". In Qing Dynasty, Qian Zhenlun annotated his poems in Bao Ji. Modern Qian Zhonglian's Notes on Bao is accompanied by poems on Bao.
There are few historical records about Bao's life. There are also great differences between her and Bao Zhao's native places. Some people say they are from Lianshui, others say they are from Guanyun, but they are actually from Tancheng, Shandong, and later moved to Jiankang. Comrade Zhang Zhiyue has already expounded this issue in the article "A New Exploration of Bao Zhao and His Poetry" (the first issue of literary criticism 1979), so I don't need to repeat it here. Bao was born in a poor gentry family. Bao Zhao talked about their family's situation and said, "I am in decline in the Northland, lonely and humble." He also said: "When the vegetable bundles are delivered, the period will be over." ("Bao Shou Ji Bai Shi Lang Collection") Bao Zhao said that his family had to rely on their own firewood and vegetables to make a living, which was an exaggeration. However, in the Northern and Southern Dynasties, which emphasized family status, it was not an exaggeration for Bao Zhao to say that he was "ignorant". Bao Zhao's family is lonely, and only his sisters Bao Hui Ling and Bao Zhao accompany him day and night, so brother and sister are very close. Bao Zhao once wrote Journey to the East Gate, expressing his melancholy when he was in a foreign land. The affection between brother and sister is beyond words.
Hurt the birds, frighten them and make them tired. If you leave a voice and hurt the feelings of the guests, the guests and the royal family will cry. Cut off your tears and you'll give them back. We don't know each other, let alone a foreign land. It's a long way and a long night. Live in seclusion and have a midnight lunch. The wild wind blows grass and trees, and my heart is broken. Eating plums is often bitter and sour, and a brother is often bitter and cold. Full of silk and bamboo, people are worried. Long song wants to * * *, he has a long hatred.
This poem is about the sad scene when I left home, and among the people who saw me off, Bao was of course the protagonist. Along the way, Bao haunted Bao Zhao's mind, and his face was covered with tears. When he came to the side of the big thunder pool, his homesickness was more depressed and his nostalgia for Bao was more urgent. So he wrote "The Book of Deng An and His Sister" and told Bao what he saw and heard during the trip in detail.
These affectionate poems spread to Bao, making her see the difficult course of Bao Zhao, so she wrote:
Lin Xuan has been puzzled since you came out.
Don't burn the anvil and pestle at night, and always close the high door during the day.
The tent was brightly lit and purple in front of the court.
You will know the difference when things are dry, and you will know that the guests are cold when they come.
Travel at dusk and in winter, except in spring.
Here, Bao Hui Ling tells Bao Zhao that he has never been happy since Bao Zhao left home. Sitting by the window, watching Bao Zhao's way home, he was even more worried. Dare not start the anvil pestle at night. As soon as I use the anvil, I will miss you, so I have to close the door early. In the account, fireflies keep company; Zilan is a friend in court. Understanding the change of time series from the withering of vegetation; The letter brought by the messenger knows the traveler's cold. I just hope that when winter is over, tourists will come with spring.
When Bao Zhao arrived at his post, he probably didn't go home to visit relatives immediately, which frustrated Bao's wish of "waiting for you in the spring". So the bag was written again. A poem "Show the Pedestrians" (also known as "Seeing People Off");
Osmanthus fragrans spit two or three branches, and orchids bloom four or five leaves.
If you don't come back, the spring breeze will laugh at my concubine.
Xie Lankai, Guangxi, from autumn to spring, pedestrians did not return. Bao stood in the warm spring, watching the flowers fall, and spring began again, but his wish was not as timely as that, which seemed destined to cause ridicule, so he embarrassed himself. This little poem, the change of time sequence, was written naturally by Gui Helan, without any trace of a far-fetched turning point. Emotional expression, driven by the east wind, is profound, beautiful and solemn, profound and bright, elegant and simple. As Wang Fuzhi praised: "The poem is natural and true, so there is no need to rush it. The chapter "When I ask your students, under a pine tree" begins now. " ("Selected Poems of Chuanshan")
Bao Huiling died before Bao Zhao. At that time, Bao Zhao was ill and had pessimistic thoughts about the afterlife. When he learned the bad news of Bao's death, he reviewed the "storm of loneliness and pain" in his life. Only Bao shared the happiness of his family, and now he has lost his compatriots who shared the hardships with * * * *, and he "keeps his life forever, has no plans to see" and "hates himself personally and has deep feelings" ("Bao joins the army for leave and notes"). At first, the boss only approved Bao Zhao to take a vacation at home for 30 days. The death of my sister and the loneliness of my mother made Bao Zhao take a leave of absence again 100 days in order to ask her about her sadness. However, how can Bao Zhao get comfort in a short time after losing his beloved sister? Especially at home, seeing homesickness adds to my heavy heart. In the morning, he climbed the South Mountain and saw his sister buried in the long soil. It was clear autumn at that time. "Exposing the hibiscus in autumn and rolling the cold roses in the wind" helped him, so he was "sad." So I wrote Ode to the Past. "Regret for the Past" expresses Bao Zhao's mourning for Bao's depressed soul, which is touching and makes people cry, from which we can see the deep feelings of Bao's brothers and sisters.
The friendship between Bao brothers and sisters prompted them to return their poems and express their homesickness and mutual concern. These not only constitute a theme of Bao Zhao's poems, but also a major theme of Bao's poems. Hui Ling's poems are profound and touching, and eventually he became an important writer in the literary world.
Bao's poems include six of the other four themes. One is Grass on the Riverside of the Qingjiang River, the other is Guests from afar, and the third is A Gift from the Ancient Meaning (this poem is a woman's wish to send her husband home. Shen Deqian's "The Source of Ancient Poetry" was mistaken for Wu Maiyuan's poem), and his fourth poem was "Poems of Mrs. Daige Guo Xiaoyu". These poems are all imitations of ancient Yuefu poems. Therefore, Zhong Rong said that the bag is "antique and superior to others". Its advantage lies in its conception, that is, the sentence is "often ingenious". Taking Zhun Qing Jiang Bian Cao as an example, we can see this basic feature of Bao's poetry creation.
Bamboo curled up by the window and paulownia hung low.
The burning green porch girl, on the high platform.
Ming Zhi's autumn frost, jade Yan Yan's spring is red.
Everyone in life hates you joining the army early.
Sing, shame jathyapple, shame the spring breeze.
This poem is based on Grass by the Green River in Nineteen Ancient Poems. Compared with the two songs, although there are some similarities in techniques, because of the different identities of the characters described in the two songs, people feel different, and there is a feeling that "shine on you is better than blue". The former is the wife of a slut, and the latter is the wife of a husband; The former is a brothel that advocates women, and the latter is a dignified lady; The former is a prodigal son who hates Fei, and the latter is a counselor who misses him. Due to the different identities of characters, the feelings expressed are not only significantly different in ways, but also different in the connotation of expressing feelings. The former is a woman from a family background, who can't bear loneliness, but complains about slandering sluts, which is not only straightforward but also shallow. The latter is to tell the recruiter about their feelings in a comparative way, so as to be aware of it: "It's cool, it's flood." This naturally reveals Sifu's loyal ambition and noble taste. "Playing the devil's advocate shames jathyapple and the Spring Breeze", expressing his hope and sadness that this hope cannot be realized. It is quite original to borrow old topics and make new ones.
Brief introduction of characters' lives
Bao, born in Donghai (now Tancheng County, Shandong Province), was a female poet in the Southern Dynasties. Bao Zhao's sister comes from a poor family and is good at making love. Zhong Rong said in her poem that she was from Nanqi, but from Bao Zhao's "Ask for Leave", only one sister died. It seems that he died around Emperor Xiaowu of Song Dynasty.
According to Zhong Rong's poems, Bao Zhao once said to Liu Jun, the filial piety emperor: "My sister is not as good as Juicy Zuo, and my talent is not as good as too much." (Zuo Bang is Zuo Si's sister Zuo Taichong, and she is also very talented in poetry. It can be seen that Bao is outstanding in poetry. Zhong Rong said that her poems "are often original and antique is the best", but she also criticized her for "lust", probably saying that her poems mainly focus on acacia.
Hui Ling's poems have not been widely circulated. Seven of his poems are recorded in New Poems on Yutai, and all of them are imitations, such as "Send a group of people after writing a book" and "Allow guests to come from afar". In Qing Dynasty, Qian Zhenlun annotated his poems in Bao Ji. Modern Qian Zhonglian's Notes on Bao is accompanied by poems on Bao.
Personality assessment
Zhong Rong, a poetic theorist in the Liang Dynasty, believed that only Bao and Han could write poems in the Southern and Northern Dynasties and the Song and Qi Dynasties. Zhong Rong said: "Hui Ling's songs and poems are often unique." Antique is the best, but Hundred Wishes is obscene. "Lan is very famous" (see the second volume of The Whole Poetry). Bao once published "Xiang Ming Fu Ji" in the world, but now it has been lost, leaving only six poems and seven poems; Han's poems are all lost. Therefore, Bao became the only female writer with works in Song and Qi Dynasties.
Bao is the sister of Bao Zhao, one of the "Three Masters of Yuanjia". Although Bao Huiling's poetic talent is not as good as Bao Zhao's, Bao Zhao said to Emperor Xiaowu of Song Dynasty, "My sister is not as good as Zuo Fen, and my sister is not as good as Zuo Si." Zuo Si, an important writer in Jin Taikang's literary world, once wrote Luoyang Paper Expensive with Sandu Fu. Zuo Fen is Zuo Si's sister, the wife of Emperor Wu of Jin Dynasty, and wrote poems such as Li Sifu and Woodpecker. Bao Zhao is modest here, but he compares Bao and Zuo Fen, and is proud of having a sister as talented as Zuo Fen. In the history of China literature, there are many writers in a family, such as father, son, brother and husband and wife, but it is rare that Zuo Si and his brother and sister are writers at the same time. Therefore, it is not surprising that Bao Zhao is proud of having a talented sister.
"Small Catalogue" records: "Bao Zhao, the word is far-reaching. My sister's words made her intelligent and talented, far away from the bright future. He wrote "Xiang Ming Fu Ji" and walked on earth. "
Bao, the younger sister of Bao Zhao, is a female writer in Southern Song Dynasty. People from Donghai (now nanqiao town, Lanling County, Shandong Province). Zhong Rong called her a Qi person in her poems, but judging from the language in Bao Zhao's Leave, it seems that she died in filial piety to Emperor Wu. She is a famous talented woman in ancient China, with excellent poetry and prose. Bao Zhao's "Climbing the Leian and Sister's Book" is written on her. Bao Zhao thinks he is not as good as Kim, but his sister is not as good as Misa. There is a collection of Xiang Ming Fu, but there are not many works left. Seven poems are recorded in "A New Ode to Yutai". Among them, most of the works told by people are antique works, such as "Send a Pedestrian after Inscription" and "Allow a Guest to Come from afar", which are full of sad words and sincere feelings, such as "There is no homesickness in the wood, and the strings have a parting sound; Hold this tune all your life, and don't change your mind when you are cold. Zhong Rong's "Poetry" commented on Hui's poems: "It is better to be original than antique. "Criticizing her" lust "probably means that her poems are mainly acacia. In Qing Dynasty, Qian Zhenlun annotated Bao Ji and his poems.
Due to the limitation of life vision, Bao's poems don't have much profound social content except leaving thoughts and not hating. However, her poems are still borrowed, imitated, innovative, ingenious and pure. Since Zhong Rong in feudal times can leave a place for such a talented woman writer in his concise literary monograph, we have all the more reason to comment on it.
Bao's poems and essays are no different from those in the cold countryside, but they are written in brown. The sun and the moon look forward to your return, and they don't understand year after year. Jingyang spring is early and peaceful, but you are still first frost. My concubine in the north is known, but my mistress in the south is unknown. Who works for Tao? Send love to two swallows. Modeling forced fried silk, face electricity in the wind. Hua Rong was once exhausted, but Yu Xin remained the same. -In the Northern and Southern Dynasties, Bao's "Make the Past Serve the Present" was presented to today.
Bao Huiling in the Southern and Northern Dynasties
I take the tanker. Lang is riding a green horse. Where is the knot? Xiling pine and cypress. -In the Northern and Southern Dynasties, Bao's "Qiantang Su Song" Qiantang Su Song
I take the tanker.
Lang is riding a green horse.
Where is the knot?
Xiling pine and cypress. Spring in February and March. Grass is the same color as water. Every road leads to a pleasant journey. I hate not knowing each other earlier. -Bao's "Danyang Song" in the Southern and Northern Dynasties Danyang Song
Spring in February and March.
Grass is the same color as water.
Every road leads to a pleasant journey.
I hate not knowing each other earlier. See more packages of poems >>