1. Beautiful sentences describing the Longmen Grottoes
1. "From Xiwu Bridge to Guayan Village on Qingming Day" by Zhang Ji of the Tang Dynasty
Wan Ji Longmen rain brings spring wind to your cave. Birds are chirping, the road is quiet, flowers are ruining the sky.
The overnight rain in Longmen Grottoes in Luoyang has gradually stopped in the evening. With the arrival of spring, the wind is constantly blowing in your cave. Only a few birds were heard on the official road, which made the surrounding area even more quiet. In the gaps between the collapsed walls, a few wild flowers bloomed, decorating the silence here.
2. "Visiting Longmen Fengxian Temple" by Du Fu in the Tang Dynasty
The sky is like a latitude and longitude, and the clouds are lying in the cold clothes. When you want to wake up and hear the morning bell, it is thought-provoking.
Translation: The towering Longmen Grottoes seem to be close to the stars in the sky. Staying at Fengxian Temple at night is like lying in the clouds, and I only feel the cold air through my clothes. When I was about to wake up, I heard the morning bell of the Buddhist temple ringing. The sound of the bell was heart-wrenching and deeply alarming.
3. "Gong Wu Crosses the River" by Li Bai of the Tang Dynasty
The Yellow River comes from the west to conquer Kunlun, and roars thousands of miles to touch the Dragon Gate. The waves surged into the sky, and Yao sighed.
The water of the Yellow River comes from the west. It breaks through Kunlun, roars for thousands of miles, and impacts the Longmen Grottoes. Emperor Yao once lamented about this monstrous flood.
4. "Man Ting Fang Visits the Longmen Grottoes in Luoyang" by Zhu Fan in modern times
Yiluo has a long history, and the Jin and Tang Dynasties passed away, but the remains of the grottoes are left behind. The good craftsmen of those days were able to cut stone with extraordinary skill.
Translation: Yishui and Luohe have a long history. The Jin and Tang dynasties have long been destroyed, but the Longmen Grottoes are left behind. The craftsmen who built this grotto were really ingenious.
5. "Longmen Grottoes" Contemporary Li Yingbin
The long bridge and majestic towers stand like a pass, and the clouds on the Yishui River are leisurely.
Translation: The stone sculptures on the long bridge stood facing each other, and the white clouds were reflected in the clear river water. We took a boat tour. 2. Sentences to describe the Longmen Grottoes
Sentences to describe the Longmen Grottoes
1. The Longmen Grottoes are about twelve kilometers away from Luoyang city. To the east is Xiangshan Mountain and to the west is Longmen Mountain. Two mountains confront each other, and the clear Yi River flows slowly into the distance. This place was called "Yique" in ancient times. Later, Emperor Yang Guang of the Sui Dynasty visited Mang Mountain, climbed up and looked into the distance, saw Yique, and thought it was the palace gate of the True Dragon Emperor. From then on, this place was called "Dragon Gate". The Longmen Grottoes are one of the three largest grottoes in my country. They not only have beautiful mountains and clear waters, but also a quiet environment. They also have nearly 100,000 Buddha statues carved from the Northern Wei Dynasty to the Tang Dynasty that are still well preserved. It can be called a brilliance and a treasure house of Buddhism.
2. When visiting Longmen Grottoes, you will first marvel at the wisdom and perseverance of the ancients. Without uncanny craftsmanship, a confident idea, unwavering faith, and the courage to save all sentient beings, there would be 100,000 huge caves, 100,000 lifelike Buddha statues with different expressions, and more than 400 years of experience. After years of hard work, it is impossible to complete such a great and arduous grand project. Whether it is Fengxian Temple or Guyang Cave, whether it is Ten Thousand Buddhas Cave or Lotus Cave, whether it is Qianxi Temple or Binyang Cave, whether it is Kanjing Temple or cliff Buddhist niche, every Buddha sculpture contains infinite charm. Every Buddha statue is soaked with the youth and life of skilled craftsmen. In particular, the huge Buddhist statue of Bodhisattva from the Tang Dynasty left in Fengxian Temple is 17.14 meters tall, with a head height of 4 meters and ears of 1.9 meters. The broad mind and noble moral character also showed the splendid style of a great country with developed material and culture in the Tang Dynasty. Someone commented: This Bodhisattva statue perfectly combines noble sentiments, rich emotions, broad mind and elegant appearance. This is the place that tourists admire most, and it is also a classic and iconic stone carving of Buddhism. It has profound religious research value and permanent cultural and artistic charm. 3. Poems describing the Longmen Grottoes
1. Longmen Grottoes Author: Jiangsu Yashi Modern More than 2,300 stone Buddhas stop in cave niches on the cliff.
The wisdom of the Buddha lies in giving people a distance that can be resolved by themselves. Kneeling and praying are still crowded. The Buddha's tragedy is that the fingers used for enlightenment disappear in the black hole of time, and the whereabouts of some stone heads and arms are unknown.
The Buddha with intact limbs also has an unsolvable dilemma and is keeping the secret of time with silence. The incomplete parts of the gods are not noticed by humans.
People's piety lies in their firm belief that from the mercy of the Buddha, what they receive back is brand new. 2. Longmen Grottoes Author: Shu Gan'er Modern Longmen Grottoes, you dig a cave, he also digs a cave, the two mountains confront each other, but the water flows helplessly.
The East Mountain is riddled with holes, and the West Mountain is helpless. Han Ru asked, Pindao said, who will become an immortal and become a Buddha?
Even the carp that jumped over the dragon gate cried two times and looked back three times. Who is still attaching its soul to things and dreaming of immortality? 3. Longmen Grottoes Author: Zhao Xianquan The storms of modern war fade here. The serenity of the Buddha illuminates the tranquility of the mountains and rivers. Amidst the tension of the emperors fighting for the world, their souls float from the Dragon Court to the Dragon Gate, looking for a way to the afterlife. .
Five hundred years of tenacity and the relay of successive dynasties have created a legend that amazes the world. The grievances and grudges of generations are resolved in the smile of the Buddha, and the rolling world of mortals is still alive and well.
When crowds of tourists flock to the grottoes to explore the secrets of each stone statue, who remembers that those skilled craftsmen may have just carved a wish to pray for happiness and good fortune for the hardworking people! 4. Luoyang Longmen Grottoes Author: Xi Jixian wiped his body from thousands of miles of quicksand, stood respectfully in front of the Longmen stone Buddha statue, wiped the sweat from his face, quietly asked about the vast earth and thousands of years of history, this is a civilized world, and the world prays devoutly A holy place of blessing? Looking back at the mist and storm of the years, the vast classics reveal the divine shadow of Emperor Zetian of the Tang Dynasty, and the gorgeous silk ribbons and exquisitely carved jade Ruyi reveal the cultural gathering of the divine and Buddhist caves. Light footsteps were heard in Luoyang, and the gathered literati and poets were surprised to interpret the thousand-year feats and thousand-year glory. The sun instantly illuminated the stone Buddha very brightly, and the sunlight also came to happily read the Buddha's poems.
The sacred palace, the elegant, dignified and kind-hearted Buddha, looms large in the magical soil of the Central Plains. The light of the Buddha shines in the east of the ancient country. Foreign tourists flocked to worship and worship, thousands of mountains cheered, thousands of rivers sang, and China was filled with happiness and auspiciousness.
Extended information The Longmen Grottoes were first excavated around the time when Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang (AD 493). Later, large-scale construction continued for more than 400 years through the Eastern and Western Wei, Northern Qi, Northern Zhou, Sui, Tang and Song dynasties. for a long time. Densely dotted on the cliffs of the east and west mountains of Yishui, it is 1 kilometer long from north to south. There are more than 97,000 Buddha statues in total. The largest Buddha statue is 17.14 meters high and the smallest is only 2 centimeters.
Night view of Longmen There are more than 50 large and medium-sized caves from the Northern Dynasties and Sui and Tang Dynasties on the cliffs of Xishan Mountain. Guyang Cave, Binyang Middle Cave, Lotus Cave, Huangfugong Cave, Weizi Cave, Putai Cave, Huoshao Cave, Cixiang Cave, Lu Cave, etc. are the representative caves of the Northern Wei Dynasty.
Qianxi Temple, Binyang South Cave, Binyang North Cave (the caves and cave roof decorations of the above two caves were completed in the Northern Wei Dynasty, and the Buddha statues were completed in the Sui and early Tang Dynasty), Jingshan Temple, Three Buddha Niches on the Cliff, Ten Thousand Buddhas Cave, Huijian Cave, Fengxian Temple, Pure Land Hall, Longhua Temple, Jinan Cave, etc. are representative caves of the Tang Dynasty. Dongshan is full of caves and niches from the Tang Dynasty, including 20 large and medium-sized caves, such as Erlianhua Cave, Kanjingsi Cave, Dawanwufo Cave (also known as Leigutai San Cave), Gaoping Junwang Cave, etc.
The Longmen Grottoes were excavated during the reign of Emperor Xiaowen of the Northern Wei Dynasty. After that, they continued to be built on a large scale for more than 400 years through the Eastern Wei, Western Wei, Northern Qi, Sui, Tang, Five Dynasties, Song and other dynasties. They are 1 kilometer long from north to south. Today, There are 2,345 cave niches, more than 100,000 statues, and more than 2,800 inscriptions. Among them, "Twenty Products of Longmen" is the essence of Wei calligraphy stele, and "Stele of Yique Buddhist Niche" written by Chu Suiliang is a model of regular script art in the early Tang Dynasty.
The Longmen Grottoes lasted for a long time and spanned many dynasties. They reflected the development and changes in ancient China's politics, economy, religion, culture and other fields from different aspects with a large number of physical images and written materials. They also exerted great influence on Chinese grotto art. has made significant contributions to innovation and development. It was listed as a World Cultural Heritage by UNESCO in 2000.
Since its construction, the Longmen Grottoes have been severely damaged by man-made chiseling. The movement to exterminate Buddhism during the reign of Emperor Wuzong of the Tang Dynasty caused disaster to the grottoes.
Historical travel notes from the late Qing Dynasty and the early Republic of China record that the grotto statues were severely stolen at that time. In addition, when the Communists of the Republic of China moved the capital from Nanjing to Luoyang and built the road under Longmen West Mountain, they also blew up a large number of Buddhist niches at the foot of the mountain.
Due to the lack of war management, the Longmen Grottoes statues were frantically stolen from the 1930s to the 1940s. Many heads, inscriptions, and reliefs were acquired by Japanese and American cultural relics dealers. Longmen Grottoes is also a treasure of the history of calligraphy art.
The famous calligraphy masterpiece Longmen Twenty Pieces is the best calligraphy selected by connoisseurs of later generations from the numerous stone carvings and statue inscriptions in Longmen Grottoes. These inscriptions not only record the motivation and purpose of making the statue, but also provide a basis for the archaeological staging of the grottoes.
Kang Youwei, a scholar in the Qing Dynasty, once strongly advocated that the whole society should use Wei stele style for writing. He also praised Wei stele for its ten beauties, such as: jumping brushwork, natural structure, rich flesh and blood, etc. Today, Wei stele style is also widely used as slogans and decorative characters.
It can be seen from this that the twenty grades play an important role in calligraphy.
Reference: Baidu Encyclopedia - Longmen Grottoes. 4. Paragraph describing the Longmen Grottoes
As of 2014, there are 2,345 cave niches and more than 80 pagodas in the east and west mountains.
The Longmen Grottoes are the place with the most ancient inscriptions in China, and are known as the Forest of Ancient Steles. There are more than 2,860 inscriptions in the Longmen Grottoes, including the prestigious Longmen Twenty Pieces and the Stele of the Yique Buddhist Niche by Chu Sheliang. They are models of Wei stele style and Tang Kai style respectively, and can be called the finest works of Chinese calligraphy art. There are more than 110,000 statues in Longmen Mountain. The largest Buddha statue, the Lucena Buddha, is 17.14 meters high, with a head height of 4 meters and an ear length of 1.9 meters. The smallest Buddha statues are in the Lotus Cave, each only 2 centimeters long, and are called miniature sculptures.
Longmen Grottoes is also a treasure of the history of calligraphy art. The famous calligraphy masterpiece Longmen Twenty Pieces is the best calligraphy selected by connoisseurs of later generations from the numerous stone carvings and statue inscriptions in Longmen Grottoes.
These inscriptions not only record the motivation and purpose of making the statue, but also provide a basis for the archaeological dating of the grottoes. Kang Youwei, a scholar in the Qing Dynasty, once strongly advocated that the entire society should use Wei stele style for writing, and also praised Wei stele for its ten beauties, such as: jumping brushwork, natural structure, rich flesh and blood, etc.
Today, Wei stele style is also widely used as slogans and decorative characters. It can be seen that the 20th grade plays an important role in calligraphy.
Extended information: The Longmen Grottoes, the main attraction, were first excavated around the time Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang (AD 493). Later, large-scale construction continued through the Eastern and Western Wei, Northern Qi, Northern Zhou, Sui, Tang and Song dynasties. For more than 400 years. Densely dotted on the cliffs of the east and west mountains of Yishui, it is 1 kilometer long from north to south. There are more than 97,000 Buddha statues in total. The largest Buddha statue is 17.14 meters high and the smallest is only 2 centimeters.
Night view of Longmen There are more than 50 large and medium-sized caves from the Northern Dynasties and Sui and Tang Dynasties on the cliffs of Xishan Mountain. Guyang Cave, Binyang Middle Cave, Lotus Cave, Huangfu Gong Cave, Weizi Cave, Putai Cave, Huoshao Cave, Cixiang Cave, Ludong, etc. are representative caves of the Northern Wei Dynasty; Qianxi Temple, Binyang South Cave , Binyang North Cave (the caves and cave roof decorations of the above two caves were completed in the Northern Wei Dynasty, and the Buddha statues were completed in the Sui and early Tang Dynasties), Jingshan Temple, Three Buddha Niches on the Cliff, Ten Thousand Buddhas Cave, Huijian Cave, Fengxian Temple, Pure Land Hall, Longhua Temple and Jinan Cave are representative caves of the Tang Dynasty.
Dongshan is full of caves and niches from the Tang Dynasty, including 20 large and medium-sized caves, such as Erlianhua Cave, Kanjingsi Cave, Dawanwufo Cave (also known as Leigutai San Cave), Gaoping Cave, etc. Junwang Cave, etc. Panoramic view of Longmen Grottoes Fengxian Temple Fengxian Temple is the largest and most artistic group of cliff-shaped group sculptures in Longmen Grottoes. It is commonly known as "Fengxian Temple" because it belonged to Fengxian Temple, the royal temple at that time.
This cave was built in the early days of Emperor Gaozong of the Tang Dynasty. In the third year of Xianxiang (AD 672), Empress Wu Zetian sponsored 20,000 yuan of powder money. It was completed in the second year of Shangyuan (AD 675). It is more than 30 meters long and wide. The Buddha statues in the cave clearly reflect the artistic characteristics of Tang Dynasty Buddhist statues. They have a plump face, drooping ears, and a perfect, serene, gentle, and friendly form, which is extremely moving. The inscription on the north side of the main Buddha lotus seat is called the "Great Lushena Statue Niche". There are nine large statues here. The main Buddha in the middle is the Lushena Buddha, the Sambhogakaya Buddha of Sakyamuni. According to Buddhist scriptures It is said that Lu Shena means that the light shines all over.
This Buddha statue is 17.14 meters high, with a head height of 4 meters and ears 1.9 meters long. The Buddha statue has a plump and round face, wavy hair lines on the top of its head, eyebrows curved like a crescent moon, and a pair of beautiful eyes. , staring down slightly. A straight nose, a small mouth, and a peaceful smile.
The ears are long and slightly drooping, and the chin is round and slightly protruding forward. He is harmonious, peaceful and at ease. He wears a shoulder-length cassock with simple and unpretentious clothing patterns. The concentric circles of clothing patterns make the portrait extremely vivid and holy.
The entire Buddha statue looks like a wise and kind middle-aged woman, which makes people respect but not fear. Some people commented that when shaping this Buddha statue, she perfectly combined noble sentiments, rich emotions, broad mind and elegant appearance. Therefore, she has great artistic charm.
A group of artistic group images rich in modality and texture. [6] There are many rectangular niches behind the nine-bodied statue of Fengxian Temple. Around the Song and Jin dynasties, in order to protect the statue niches, people built wooden eaves-style buildings based on the niches. These buildings influenced The ventilation of the Buddha statue accelerated the weathering of the Buddha statue, so it was later demolished.
The large-scale art group sculptures of Fengxian Temple are at the pinnacle of Chinese stone carving art with their grand scale and exquisite carvings. They have become a model of Chinese stone carving art and a symbol of the great era of the Tang Dynasty. symbol. Sogou Encyclopedia-Longmen Grottoes. 5. What are the ancient poems describing the Longmen Grottoes?
1. The scenery of Longmen Mountain
When the water breaks through the mountains, it looks like two towers opening towards the city.
Thousands of Buddha statues in niches were carved in the Tang Dynasty and cut by Yu, the divine power of all ages.
[Author] Lu Weiqi, a native of Xin'an, Henan Province in the Ming Dynasty, named Jieru and named Yushi, was a Wanli Jinshi. He once served as the head of the Ministry of Personnel and retired to Luoyang.
[Note] Yu Chicai: According to legend, "Yique" and "Longmen" were chiseled by Yu the Great when he was controlling floods, so they are called the Divine Art of the Eternal World. Tang Dynasty carvings: This is a metaphor, because the Longmen Grottoes were first built around the time when Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang (493), and continued to be built in the Wei, Northern Qi, Sui, Tang, Northern Song and other dynasties. They were not the first generation of the Tang Dynasty. achievement.
2. Untitled
There are two majestic mountain gates and beautiful water.
There are thousands of drums and chariots on the beach, and thousands of niches and sinuses on the stone walls.
The gold and silver Buddhist temple is ancient, and the sheng and yu are played at night.
Just follow the example of Lotte and give up your crown and ribbon sooner or later.
[Author] Su Guo, a writer of the Northern Song Dynasty, also known as Shudang, was the youngest son of Su Shi and was known as Xiaopo at the time. Su Shi was demoted for many years, and Su Guo accompanied him. After Su Shi's death, he settled in Xiechuan, Yingchang (now Xuchang, Henan), and named himself Xiechuan Jushi.
[Note] Zhengrong: The mountain is high and steep. 挌: means to guard. Drum chariot: The drumming and ceremonial guard of the army.
"Li": "When a gentleman listens to the sound of drums and chariots, he thinks of the generals and their ministers." Dou: hole, refers to the cave of the Buddhist niche. Lotte: That is Bai Juyi, Lotte is his given name. Crown and ribbon: a hat and ribbon for officials. Abandoning the crown and ribbon means abandoning the official position and going into seclusion.
3. View of Longmen Tour
The mountain is cut into the mountain to guide the flow, and the interruption is like a gap in the sky.
The capitals are facing each other from a distance, and the good mood is bright day and night.
The monastery is surrounded by layers, and thousands of niches are adjacent to the cliff.
Looking at the capital city at sunset, what kind of work is there in the world?
[Author] Wei Yingwu, a poet of the Tang Dynasty in China, Han nationality, was born in Chang'an (now Xi'an, Shaanxi). The great-grandson of Wenchang Right Prime Minister Wei Daizi was born in Weishi's Xiaoyao Public House in Jingzhao. There are 10 volumes of "Wei Jiangzhou Collection", two volumes of "Wei Suzhou Collection of Poems" and 10 volumes of "Wei Suzhou Collection". Only one essay survives. Because he served as the governor of Suzhou, he was known as "Wei Suzhou" in the world. His poetic style is calm and lofty, and he is famous for his ability to describe scenery and reclusive life.
[Notes] Two sentences about chiseling mountains: writing about the scene of two mountains in Longmen facing each other across the Yishui River, reminds me of its long history and ancient legends: "Shui Jing Zhu" says, "In the past, Dayu Shu When the water is connected, the two mountains face each other, and they look like a que, and the Yili flows northward, so it is called Yique." It is also said that the interruption of the two mountains is like a sky ax opening up.
Two sentences about Dumen: During the Sui and Tang Dynasties, Dingding Gate and Longmen Mountain in the south of Luoyang City faced each other from a distance, and the Longmen area was filled with good air and mist day and night. Two sentences about Jingshe: Describe the temples and grottoes in Longmen. The Buddhist temples are built on the mountains, with floors stacked on top of each other. Thousands of Buddhist niches are carved into the walls. Human Sentence: A sigh for people who are busy all day long for life.
4. Visit Longmen Fengxian Temple
I have traveled from Zhaoti and stayed in Zhaotijing.
The shadowy valleys give rise to empty sounds, and the moon forest scatters clear shadows.
The sky is like a latitude and longitude, and the clouds are lying on the ground, and the clothes are cold.
Hearing the morning bell is thought-provoking.
[Author] Du Fu, in the 24th year of Kaiyuan of the Tang Dynasty (735), he was elected as a Jinshi but failed. He left Chang'an and traveled to Qi and Zhao. He wrote a poem when passing by Luoyang.
[Note] Fengxian Temple: one of the ten famous temples in Longmen in the Tang Dynasty. It was sculpted during the reign of Emperor Gaozong of the Tang Dynasty. Wu Zetian once funded 20,000 yuan of powder money. It is the largest cave with the most exquisite art among the Longmen Grottoes. The main statue of Buddha Lushena is 17.
4 meters high and the head is 4 meters high. meters, with an ear length of 1.
8 meters. It is the largest Longmen Buddha statue preserved so far.
Zhaoti: The first sentence "Zhaoti" refers to the monk, and he said that he would travel with him. The second sentence "Zhaoti" refers to the Buddhist temple, which is a Buddhist term. Here it refers to Fengxian Temple. Xu Lai:
Lai generally refers to sound;
Xu Lai is the wind.
Tianque sentence: refers to the dragon gate where two mountains confront each other, so towering that it seems to be approaching the stars in the sky. Xiangwei, star latitude and longitude, refers to the sun, moon and stars. Yunwo Sentence: It describes the high cold in Fengxian Temple. Staying in Fengxian Temple is like sleeping in the clouds, so it is said: "The clothes are cold."
5. Nostalgia for the past in Longmen
Thousands of Buddhas remain from the history of the Yuan and Wei dynasties, and the walls of Longmen have a history of thousands of years.
Surrounded by the mountains of Luoyi, it points to the Yellow River flowing into the sea.
People stand in the blue sky, the wind rustles, and dream about the deep cave.
Remembering the infinite vastness, pouring the pure and turbid water into the pot and leaning against the building drunk.
[Author] Aixinjueluo Pujie, written in the autumn of 1964. Aixinjueluo Pujie (April 16, 1907 - February 28, 1994), with a good name, courtesy name, Junzhi, and the name Bingfan, was a Manchu and a member of the Qing Dynasty clan. He was a comrade of the last emperor of the Qing Dynasty, Aixinjueluo Puyi. Mother and brother. Pujie was born in Prince Chun's Mansion in Beijing. He is the second son of his family. His father is Aixinjueluo Zaifeng, the second generation of Prince Chun, and his mother is Guarjia Youlan.
[Note] Yuan and Wei: Longmen Grottoes began to be built after Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang; Emperor Xiaowen's surname was Yuan, so it was called Yuan and Wei. Stand: Stand still, stand for a long time. 6. Sentences to describe the Longmen Grottoes
Answer: Sentences to describe the Longmen Grottoes:
When visiting the Longmen Grottoes, you will first marvel at the wisdom and perseverance of the ancients. Without uncanny craftsmanship, a confident idea, unwavering faith, and the courage to save all sentient beings, there would be 100,000 huge caves, 100,000 lifelike Buddha statues with different expressions, and more than 400 years of experience. After years of hard work, it is impossible to complete such a great and arduous grand project. Whether it is Fengxian Temple or Guyang Cave, whether it is Ten Thousand Buddhas Cave or Lotus Cave, whether it is Qianxi Temple or Binyang Cave, whether it is Kanjing Temple or cliff Buddhist niche, every Buddha sculpture contains infinite charm. Every Buddha statue is soaked with the youth and life of skilled craftsmen. In particular, the huge Buddhist statue of Bodhisattva from the Tang Dynasty left in Fengxian Temple is 17.14 meters tall, with a head height of 4 meters and ears of 1.9 meters. The broad mind and noble moral character also showed the splendid style of a great country with developed material and culture in the Tang Dynasty. Someone commented: This Bodhisattva statue perfectly combines noble sentiments, rich emotions, broad mind and elegant appearance. This is the place that tourists admire most, and it is also a classic and iconic stone carving of Buddhism. It has profound religious research value and permanent cultural and artistic charm.