Farewell pointed out the time and climate of parting at the beginning. He didn't say that the separation between him and his girlfriend happened on a stormy night, but said, "It was the wind, the rain and the night that I left you this time." Is this relationship destined to be as light as the wind? Destined to be like a rain that makes lovers cry? Is the end of this relationship towards the dark night that seems to have been doomed for a long time? The time of parting was chosen on that stormy night, which really created a more suitable atmosphere and time for this sad parting. However, when breaking up, there is no unnecessary quarrel and crying. She just smiled wordlessly, and the poet just waved wordlessly. So, loneliness is accompanied by two people, along a completely opposite road that will never be met again, extending endlessly at both ends, extending and extending. "Goodbye" usually means "goodbye". Therefore, in this case, such pleasantries become completely unnecessary? Do you need to say it again Words are a way to express yourself, as are silent smiles and waves. Is the breakup between the poet and his girlfriend really a wordless "epiphany" like "Sakyamuni's funny twist of flowers and leaves"? However, can their breakup really make them "epiphany"? Or is the order of "you smiled and I waved" simply "upside down", suddenly changing from "epiphany" to the opposite and becoming a complete "obsession"? "A lonely road will spread to both ends", which is really a high literary brushwork! Loneliness has no feet, it will not extend to two opposite roads, but people who break up and fall in love will! "One kind of acacia, two places of leisure, this situation can not be eliminated, only frowning, but to my heart." This is a sentence by Li Qingzhao, a talented woman in the Song Dynasty. Acacia without feet will not run to Bianjing and Jinan. However, the distress and sadness brought by people who deeply miss each other made Li Qingzhao frown more than 800 years ago. She tried to comfort herself, thinking that the day of the "full moon in the west wing" would never come back, maybe at the end of the month! So, the eyebrows don't knit. However, what should I do if I think he may not come back at the end of the month? As a result, the distress of holding her every nerve tightly has just been eliminated from her brow, but it has run to her heart! Here we can see that the techniques of the two poets are strikingly similar! The poet broke up with his girlfriend, which is an objective fact that cannot be changed! However, poets can't forget each other. Can he stop reading and thinking? So, at this moment, "Miss" may have returned to her cabin by the lake, "thinking" that she may be combing her long hair messed up by the wind or tidying up her coat wet by the rain. Isn't this unavoidable suspense proof that you still love each other? But what is waiting for the poet? The long road under the wind and rain is a lonely way home! What is the poet's inner feeling? Is lonely, small, lonely, confused, depressed, dark! "Spring mountains are everywhere, and the layman in spring mountains is even more" is a famous sentence of Ouyang Xiu in the Northern Song Dynasty. The distance between those who write goodbye and those who leave is getting farther and farther. They seem to be cut off from the endless open world. Even if you climb a tall building and lean on a high hurdle, the other party has made up his mind, but he won't look back. From the moment they break up, they will step out of his world, go further and further, and finally disappear completely. However, the poet Zheng Chouyu did not write like this. After he left the sadness of breaking up, it seems that he went home by train through hardships. The train passed through the hilly area and entered a wide and flat weed field, so the mountain slowly retreated, and the flat weeds became wider and wider because of the continuous retreat of the mountain. How lonely, small and lonely he is, setting off the lovelorn poet on the train with this wide and flat weed. Isn't this vast and boundless Pingwu a completely suitable stage for lonely, small and lonely poets at present? Jie Jiang, a poet at the end of the Southern Song Dynasty, wrote a poem "Yu Meiren" about listening to the rain. The poem wrote: "Middle-aged people are listening to the rain on the boat, the river is wide and the clouds are low, and the wild geese are called the west wind." Can be compared with Zheng Chouyu's writing. Jie Jiang, a poet, wrote that when people reach middle age, they are far away from familiar family and friends and hurry to board the passenger ship on the journey. Because of the rain, the sky is foggy, and endless rivers are closely connected with the sky, forming endless water and sky, which just sets off the poet Jie Jiang sitting on the boat. How lonely, small and lonely he is! Isn't this boundless watery sky the most suitable stage for the current poet Jie Jiang? However, at this moment, in the autumn west wind, a lone goose is calling its companion on the river: "where are you?" Where are you? " Isn't this the sad cry of the poet Jie Jiang from the heart? The objective scenery is only the projection of the subjective inner world. This wonderful technique of China's traditional poetry has long been fully mastered by the poet Zheng Chouyu, who is only 22 years old! However, the poet still can't fully understand why they broke up. He was depressed and his heart was already dark, but the poet Zheng Chouyu didn't say it directly, but the world after he lost her was meaningless darkness, just like the "really formed" dark world. The writing of the first paragraph responds to the initial "windy" and "rainy" by thinking that she is combing her long hair and tidying her wet coat, and responds to "it's night now" by "alas, I'm afraid the world is really dark ...", which makes the first paragraph of the poem present a close, meticulous and interlocking organic organization. Isn't this a big deal?