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Where can I leave? Chang 'an Qingqi Gate. Hu Ji beckons the vegetarian hand, and the guest is drunk.
I'll talk to you alone when I get on the horse. The wind blows the fragrant orchid, and there is no bird song every day.
Please raise your hand and point to Hong Fei, which is a difficult topic to talk about. There is no difference between morning and evening, and there is a clear source in Shui Ying.
Secondly,
You think of water green and suddenly return to Song Cen. Don't wash your ears when you come back, wash your heart for me
Wash your heart and ears, buy a name. Xie Gong will be together eventually, and he will help the people.
Appreciation of the ancient poem "Send eighteen pictures to Pei and return to South Songshan Mountain"
In the autumn of 743, the second year of Tianbao in Xuanzong of the Tang Dynasty, Li Bai was canonized as an academician in the capital Chang 'an, but he was no longer reused by Xuanzong and was repeatedly slandered. This painful life is mentioned in Hanlin's book "Reading, Speaking, Thinking, Being a Scholar": "The flying youth is easy to see, but the snow is difficult to adjust. This is to evacuate the crowd and publicize it repeatedly. " Under such circumstances, the poet came up with the idea of staying away from officialdom and living in seclusion in the rivers and lakes for the Ming Dynasty. At this time, his good friend Pei Tunan had just retired from Songshan, and Li Bai wrote "Send Pei Eighteen Pictures to Songshan" to express his anguish. Pei Tunan, ranked 18, whose life experience is unknown.
There are twelve sentences in the first poem, and the first six are parting. Qingqimen in the east of Chang 'an is a farewell place. On the bustling street, Hu Ji pressed the wine with a golden bottle. There are many feelings between subject and object, but there is always nothing to say. When I got on the horse, I finally pulled my friend who was about to leave aside and poured out my heart. The last six sentences of the poem inherit "I am alone with you" and express the words of parting. The wind blew and the sun disappeared. This natural scene is a symbol of the country's luck. Fang Lan died young, just like the experience of an upright man; Birds are noisy, just like the noise of adulterers and villains. It is difficult to tell the face of this dark society, and looking up at the mysterious Feirong seems to be enlightening. The source of Shui Ying is very clear, and there is no pollution. I think retiring to Songshan is just the time difference between you and me. Here, the poet expresses his dissatisfaction with reality and his ambition of seclusion in a metaphorical way. The phrase "the wind blows" is associated with the darkness of state affairs from the scene in front of us. "Raise your hand and point to Hong Fei" is a metaphor for seclusion with the story of Xu Guo. The biography of Guo Yu in the Book of Jin contains: Guo Yu hid in the valley, and the former cool country advocated that Tian Xi should send an envoy to Bangladesh to prepare for the ceremony. He pointed to Hong Xiang and said, "This bird can be safely kept in a cage!" Then he ran away and disappeared. The sentence "Shui Ying has a clear source" refers to Pei Tunan's seclusion and coincides with the story of Xu Youdong hiding in Shui Ying, which is the second poem.
Wang Fuzhi's "Selected Poems of Tang Dynasty" commented on the poem: "Just write farewell, stand up and write flatly." This evaluation points out that this poem is caused by farewell in art, creating a complete and difficult realm with a simple and natural ordinary pen, and expressing a kind of poetry beyond farewell. This kind of poetry is: through farewell, it attacks the ignorance of dark politics, admiration for Pei 18-year-old seclusion, and his ambition to escape from life.
However, the poet's monologue with Pei in the East Gate of Chang 'an is not just a simple confession of his thought of avoiding the soil and retiring. The second poem is a further development of "Shui Ying has a clear source", and it pours out his heart to his confidant at a deeper level. In this poem, Li Bai used the allusions of two hermits to express his ambition: First, in ancient times, according to Biography of Gao Shi: "Yao Zhao (Xu You) was the first in Kyushu, and he didn't like to hear it, so he washed his ears on the bank of Yingshui. When his friend Chao Fu took the calf to drink water, he saw it washing its ears and asked him why. He said,' Yao wants to call me the head of Kyushu. I hate his voice, so I'm all ears.' "The second is Xie An in the Eastern Jin Dynasty. The Book of Jin records his early seclusion in Dongshan, Shangyu, Zhejiang Province, and he has been called many times. Later, Qin attacked Jin, and Xie An set out to conquer the viceroy, break the enemy in the water and pay tribute to Taibao.
One or two of the second * * * eight sentences should be dismissed, about Xu Pei's eighteen years of seclusion in Songshan. The word "green" in "Jun Ying Si is water green" refers to both reality and peaceful and uncontested seclusion. The word "suddenly returning to Song Cen" vividly embodies Pei's famous performance of being free and easy. The middle four sentences turn over the book of ear washing, encouraging friends not to learn to wash their ears and hide in the mountains like those who seek fame and fame in the world, but to wash away the fatigue of fame from their hearts and become real hermits. But what kind of model is a hermit who washes his heart? The last two sentences give the answer: like Xie An who lives in Dongshan, he should move from seclusion to official position and make the great cause of saving the world and defending the country. Here, the poet expresses his idea of actively using the world behind his seclusion, which is quite pertinent in the evaluation of Shen Deqian's Poems of Tang Dynasty: "Words can really wash the heart, then the source is appropriate and forgetting the world is not special." Wash your heart by washing your ears. There is no intention of deviating from Chao Fu. "This poem is characterized by artistic pleasure, and Tang and Song poems also give a clear expression:" If expressed in a quick way, it will bring surprises to the listener. "
These two poems are interrelated and complement each other. If the first poem expresses dissatisfaction with reality by taking the opportunity of Pei 18 retirement, then the second poem expresses the spirit of joining the WTO after having to retire. Dissatisfaction with reality, keeping a low profile and pursuing the bright and active use of the world constitute the spiritual basis of the poet Li Bai's romanticism. Two poems, "Seeing Pei off for Eighteen Days" and "Returning to Songshan Mountain", are the most typical and comprehensive masterpieces of his works.