Find several kinds of pastoral poems (9)! Worth watching

"Mountain in Autumn Night" is also a beautiful, ethereal and interesting masterpiece: an empty mountain stands on an autumn night after the rain. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. The new rain washed away the dust in the mountains and became clearer and clearer. Dust and customs disturbed and washed away the mood before it became clear and broad. Such an empty mountain, the bright moon is in the sky, pine trees are covered, mountain springs are flowing, happy women are returning, lotus shadows are swaying, and fishing boats are light. Here, there are autumn mountains, bright moons, clear springs, proud flowers, withered grass and people coming and going. Everything here seems natural, business is booming, and it is undoubtedly the ideal residence for poets. So, isn't the empty mountain the "Taoyuan" in your heart? Autumn Night in the Mountain is the representative work of the Tang Dynasty poet Wang Wei. This is an excellent landscape poem with poetry, artistic conception, musical theory and Zen meaning. The poet has created a magical and charming realm in the field of poetry with his unique artistic conception and ingenious description method.

Tao Yuanming's Return to the Garden has five songs, and this is the third one. On the surface, this poem is about the joy of pastoral work and the idea of seclusion in the mountains; But comparing this poem with other poems, the author's "wish" actually has its special connotation.

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.

These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night. Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home".

The narrow path covered with vegetation, the night dew wet my clothes.

It's not a pity to get wet, but I hope it won't be against my will.

The road is narrow and the grass is long, but the clothes are wet. What's the pity? This sentence seems dull, but this kind of dullness just reflects the ending sentence "but I don't want to violate it", which makes "I don't want to violate it" fully emphasized. The "wish" here contains the meaning of not losing yourself in the dirty real world.

The language of this poem is very plain and natural. "Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and plain poem blends into the mellow artistic conception of the whole poem, making oral English a poem and making oral English plain and poetic.

"Prepare chicken and rice for me, old friend. You entertain me on your farm." This beginning is like a note in a diary. The old friend "invited" and I "arrived". There is no rendering in the text, it is simple and casual. This is just a possible form between friends who don't need to be polite. The invitation of "chicken and millet" not only shows the unique flavor of Tianjia, but also shows the simplicity of hospitality. It is this kind of hospitality without ceremony and ostentation and extravagance that makes the hearts of friends more open to each other. This beginning is calm and natural, but it is an excellent introduction to the content of life to be developed, showing the characteristics of the atmosphere, which needs to be further enriched and developed below.

"We look at the green trees around your village and the pale blue of the distant mountains." It is a fresh and pleasant feeling to walk into the village and look around. These two sentences are close to the border and surrounded by green trees, which seem to be unique and unique. The next sentence is light, accompanied by green hills abroad, which makes the village not lonely and shows a broad prospect. The village is located in Pingchou, far away from Qingshan, which makes people feel light and quiet, and never lonely. It is precisely because the "Old Friends Village" appeared in such a natural and social environment that the guests and guests raised their glasses at the window. "Let's open your window across the garden and fields and talk about Sang Ma with a cup in hand" is even more enjoyable. The word "open porch" here seems to be inadvertently written into the poem, but the above two sentences are written on the outer wall of the village. Here, the narrator drinks and chats in the house. The porch window is open, and the outdoor is reflected indoors, giving people a relaxed feeling. For these two sentences, people pay more attention to "talking about Sang Ma" and think that it is "meeting each other without miscellaneous words" (Tao Yuanming's Return to the Countryside). It's good to forget about farming. But there are threshing floors and vegetable gardens in front of the entrance window, surrounded by green shade, giving people a spacious and stretched feeling. Sang Ma makes you feel more rural. Therefore, we can not only appreciate the stronger local flavor, the flavor of labor production, but also smell the soil flavor on the nursery, see the growth and harvest of crops, and even see the characteristics of regions and seasons. With the combination of these two sentences and the first two sentences, green trees, green hills, cottages, playgrounds and Sang Ma blend together harmoniously, forming a beautiful and quiet pastoral landscape, while the laughter of the host and guest and the words about Sang Ma seem to linger in our ears. It is different from the pure fantasy of the Peach Blossom Garden, but it is more realistic in the prosperous Tang society. It is in this world that poets who once lamented that "the Lord of the realm is harsh on us, and the people who handle affairs are not like us" not only forgot the setbacks encountered in political pursuit, but also forgot the gains and losses of fame and fortune, even the lonely and depressed mood in seclusion. It seems not hard to imagine that his thoughts are relaxed, and even his actions are flexible, from his view of mountains and rivers, from his * * * words about wine with friends in Sang Ma. The environment and atmosphere of the farm showed its conquest here, which made Meng Haoran seem to be converted.

Wait until the mountain is on holiday, and I'll come back at chrysanthemum time. Meng Haoran was deeply attracted by farm life, so when he left, he told his master frankly that he would come back to see chrysanthemums on the Double Ninth Festival in autumn. A few simple poems, the enthusiasm of old friends to treat each other, the pleasure of being a guest, and the cordial harmony between the host and the guest are all on the paper. This can't help but remind people of Du Fu's "being drunk by Tianfu mud is beautiful, strict and sincere": "When will the bright moon start, I will stay, and I still want to be promoted." Du's father supports people, and he is in a hurry; Montessori made an appointment with an old friend again to soften his words. The difference between the stagnation and Meng's calmness may give us a glimpse of some news.