How to interpret Li Shangyin's Untitled?

The content of Li Shangyin's untitled literary works determines the form, which is subordinate to the content, but on the other hand, the form also has certain independence and reaction. The independence of form lies in its inheritance and stability. In a certain historical period, its style has the same form. No matter what the author's content is, the means of expression he used must be the literary form accepted by the public in this period, which led to the division of literary forms such as Tang poetry, Song ci, Yuanqu and Ming and Qing novels in the history of Chinese literature. Therefore, in literary creation, writers should not only consider the expression of content, but also make constrained creation according to the characteristics of form. If a writer's creation goes beyond or fails to reach the scope allowed by a certain form and does not follow the law of formal beauty, his creation will fail to a great extent because he can't meet the needs of society. Li Shangyin was a poet in China in the late Tang Dynasty, and Untitled is one of his many masterpieces. First of all, let's start with its flatness. For poetry, its flatness is very important. There is a difference between the four tones in Tang and Song Dynasties and the four tones in Mandarin. The four tones of Putonghua are flat tone, rising tone, rising tone and falling tone. The first sound is flat, the second sound is flat, and the third sound is awkward. Four tones in Tang and Song Dynasties: flat, rising, falling and entering. Flat voice and rising tone are flat, falling tone and entering tone are awkward. The unnamed time was long before I met her, but longer after we separated; From the east wind, a hundred flowers blossom. Silkworms in spring will weave until they die; Every night, the candle will cry dry the wick. In the morning, she saw her hair cloud changing in the mirror; However, she bravely faced the cold moonlight with her evening song. There are not many ways to go here in Pengshan; Oh, bluebirds, listen! -Give me what she said! . Untitled is flat and flat, flat and flat, flat and flat, flat and flat. Eight sentences each, two sentences are couplets; Each sentence has seven characters, two sentences and one rhyme, which are used in antithesis of couplets and necklaces. He is talking about flat rhyme, even rhyme and one rhyme to the end, which are "residual", "dry", "cold" and "hope" respectively. It should be noted that Wei Tan is a disyllabic word, Wei is a disyllabic word, Tan is also a disyllabic word, and Wang is a flat voice. In the confrontation, this poem is double and subtle. In the antithesis, "spring silkworm" versus "wax torch", "silk" versus "tears", noun versus noun, "fatigue" versus "dryness", and verb versus verb. In the abdominal couplets, "Xiao" is relative to "Night", and "Yunbinchang" is relative to "Leng Yue". In these two couplets, not only the real words, but also the function words such as "Fang" to "Shi" and "Dan" to "Ying" are natural and delicate. This neat and natural antithesis form and proper rhyme enhance the formal beauty and musical beauty of poetic language, especially the repeated use of the word "difficult" in "Time was long before I met her, but it has been longer since we separated", which makes the rhythm of this poem go back and forth, making it catchy and meaningful to read. From all aspects, the theme is the core of the meaning of literary works. Only by grasping the theme can we understand the ideological connotation to be expressed in the works. Li Shangyin's poems give people a hazy beauty. In his poems, the poet's emotions are often euphemistic and tortuous. This subtle and graceful hazy beauty gives the reader the first feeling that the theme is vague, and it is usually impossible to really guess what he wants to express. Usually when we analyze the theme of a work, especially poetry and ancient prose, the first thing we have to do is to translate the work, starting with its semantics. The semantic meaning of untitled is roughly like this: seeing each other rarely makes it harder to leave. In late spring, the east wind is weak and the flowers wither. Spring silkworms don't spit until they die, and the wax torch burns to ashes and the wax liquid dries up; I miss her sighing in the mirror in the morning how the years fly and how lonely the moonlight is at night; Her residence is not far from me, is it? May Jade Bird send me a letter to communicate our feelings. After understanding its semantics, through reading, we will find that it describes a man's feelings and thoughts about his wife after a pair of lovers left. In such a state of love, it expresses the endless love between the hero and heroine, as well as their loyalty to love and their love attitude towards their lover until death. In the process of conveying this emotion, the poet uses metaphor, symbol and other means to create a sad mood when leaving. Compared with the lovesickness of a pair of lovers, the death of spring silkworm is the symbol of the poet's emotion. The wax tears dripping from the burning symbolize the poet's tears of loyalty to love, which are euphemistic and implicit, and the homophonic use of "silk" and "thinking" makes people applaud. The combination of images such as "Hundred Flowers", "Spring Silkworm", "Wax Torch" and "Jade Bird" makes the poet feel the same, expresses his feelings with the help of scenery, and expresses his sadness through implicit metaphor. For example, "Hundred Flowers Wither" implies that the hero's love in the poem has vanished like spring, like a hundred flowers wither and cannot be recovered; Choosing such illusory and exotic images as "Pengshan" and "Jade Bird", especially placing the hope of conveying love on the Jade Bird that only exists in myths and legends, can ensure that this situation is unattainable. Self-deception with infinite hope highlights the protagonist's helpless bitterness. This poem is a feeling of pain and lingering, disappointment and persistence, pain and happiness. Appreciating Li Shangyin's Untitled, we can see that the poet's rich literary attainments or profound literary skills are the solid backing of his creation. Only works with rich connotations can stand the test of time and the endless exploration of future generations. At the same time, it also enlightens us that only by carefully reading and analyzing its internal structure, its profound meaning, and the poet's meticulous carving of his works in grammar, semantics, style, artistic conception and metaphor, will it become more and more moving and more worthy of our admiration and study.