Source of works
The Song of the Golden Gate is the work of Feng Yansi, a poet in the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms period.
The first part of the word is mainly scenery, which points out the season, environment and people's activities; The next film is mainly lyrical, and points out all the reasons for anxiety. The whole poem describes a young aristocratic woman's boring situation of missing her husband in spring, reflecting her depressed mood.
original work
Qiaojinmen
The spring breeze suddenly started and blew out a pool of clear water.
Nothing was done. The believers in the pool folded the apricot flowers and crushed them gently on the path among the flowers.
Leaning on the railing by the pool, watching the fighting ducks, the Hosta on his head hangs obliquely.
He missed his sweetheart all day, but he never came back, and suddenly he heard a magpie calling.
Sentence annotation
(1) Qiaojinmen: the name of the monument.
(2) (2): Suddenly.
(3) Leisure Quotations: Boring for fun.
(4): knead.
[5] Duckling: Duckling is fun. Duckfighting stalls and cockfighting platforms are places for bureaucrats to have fun. Independence: "All over" at once.
[6] Jasper haircut: A hairpin made of jasper.
Translation of works
The spring breeze suddenly blows, and the spring water in the pond ripples.
(I) have nothing to do. I tease Yuanyang in the pool of Huadao bored, and I will break the apricot kernel at my fingertips and crush it gently.
Leaning on the railing by the pool to watch the ducks being beaten, the Hosta hung down from his head.
I miss my sweetheart all day, but my sweetheart will never come back. When I was depressed, I suddenly heard the voice of a magpie.
Creation background
Feng Yansi used this word to describe this noble young woman's boredom of missing her husband in spring, which reflected her depressed mood at that time. Because women had no status in feudal society, upper-class women were attached to men, and women were imprisoned in boudoir, which was quite common in feudal society. So there are many complaints about boudoir in classical poetry. This kind of in my heart forever's poems more or less reflect the unfortunate experience of women. For example, Wang Changling's "Forever in My Heart": "Young women in boudoir don't know how to worry. They put on makeup in spring and go up to Cuilou. Suddenly I saw the willow color and regretted teaching my husband to find the marquis. " This word focuses not on the direct description of the situation, but on an elegant and beautiful artistic conception.
works appreciation
"When the wind blows, a pool of spring water blows." These two sentences are puns. On the surface, they describe the scenery, but in fact, they write about feelings. Originally, the water waves were quiet, but suddenly the strong wind wrinkled the water in the pond, symbolizing the inner turmoil of the heroine in the poem. Spring returns to the earth, Vientiane is renewed, her husband is absent, and the heroine is alone, which can not help but make people feel lonely and depressed. The first two sentences are familiar from ancient times to the present. It is said that Li Jing and Feng Yansi are joking. Li said, Feng: "Blow a pool of spring water, what's the matter?" Feng replied: "If your majesty's' small building blows through the jade chilling cicada'!" So everyone is happy!
"I'm walking along the fragrant path of Yuanyang, holding an apricot in my hand." Yuanyang is a kind of waterfowl, which is often used as a symbol of love in poetry. Peacock flies southeast: "There are two birds in the bird, calling themselves Yuanyang." Use "Yuanyang" to compare the love between Liu Lanzhi and Jiao Zhongqing. These two sentences are upside down. In order to relieve her depression, the heroine rubs the stamens of red apricots with her hands and teases Yuanyang to wander in the garden path, which brings her some pleasure and temporarily forgets loneliness. But seeing couples of mandarin ducks makes me feel lonely, reminds me of my own troubles and reminds me of my sweetheart.
"The fighting duck is lonely and the jade head is inclined." In ancient times, there was a scene of shooting ducks. Biography of the Three Kingdoms Wu Shu Lu Xun: "Jianchang was quite young when he paid attention to fighting ducks in front of the hall." The ancient novel Zhao Yan Fei Biography also said: "I remember when I was in Jiangdu, Huayang Guli's livestock were shooting ducks in the pool, and bitter otters were biting ducks." Cai Hong in Jin Dynasty and Li Yong in Tang Dynasty both wrote Cliff Digging Fu. Some people think that the "duck fighting" here is to watch the duck fighting, while others think that it is to watch the ducks playing in the water, but it is actually a sculpture on the railing. Judging from the sentence pattern and artistic conception, it is appropriate to understand it as carving. The heroine is in a bad mood, standing alone against the railing, the hairpin on her head is casually inserted obliquely, and she is about to fall off. Draw the heroine's lazy mood. There is a saying in the Book of Songs Feng Wei Bo Xi: "From the east of Bo, my head is like a canopy. No ointment? Who is comfortable! " Sentences have the same effect.
"I don't see Jun Jun all day long, but I look up and smell the magpie." The "Kaiyuan Tianbao Legacy" records: "People at home think that the sound of magpies is a good omen, so it is called good news." All I can think about from morning till night is where is my sweetheart now? When will you return to normal? Magpie's singing aroused her expectation again, but who knows that new expectation is not new loss? Don't need too many languages, this sentence is enough. Words are like ripples in the pool, with endless twists and turns. Finally, it set off a higher wave, which was subtle and intriguing. It can be said that this sentence is the finishing touch of the whole word.
Famous comments
Yu Biyun's Selected Interpretation of Ci Poems in Tang, Five Dynasties and Two Song Dynasties: The phrase "The wind blows at the beginning" floated from the air, intentionally or unintentionally, as if floating like firewood, which should be praised by the masters of later studies. This was made in the heyday of the Southern Tang Dynasty. The phrase "I like to listen to the magpie newspaper" is almost a celebration with a ribbon, but also a thought of loyalty.
"Preface to Yangchun Collection" engraved by Si Yinzhai: Feng's ci is full of labor and thinking about women, "worrying about life and thinking about chaos is meaningful."
Shen Jiyun was quoted in Selected Poems of Starting a prairie fire: When you hear the good news from the magpie, you should know that there are still doubts in the joy, but you want to be happy and spoil your heart, and your words are clear and sincere.
River merchants' Wrinkled Poems on the Waterhouse: Feng Yansi, the master of the Southern Tang Dynasty (Li Jing), said, "What can I do for you?" Feng said, "If there is no drizzle, the chicken will be far away, and the small building will blow through the jade cold." Don't let the neighboring countries know. However, if you look at the meaning of these words carefully, there are still many meanings. There is another saying, "Without harmonious magpie language, I'd better rest assured for a while." Hanwo also talks about it. Shortly after Feng Yansi arrived in Tuo, he said in his own language, "I haven't seen Jun Jun for a day, so I looked up to smell the magpie's happiness." Although meaning is stolen, language adds meaning.
Brief introduction of the author
Feng Yansi (903-960) was born in Guangling (now Yangzhou, Jiangsu) in the Five Dynasties. I am a prime minister in Nantang, and my life is very comfortable and comfortable. Most of his ci poems are casual words, with a strong literati atmosphere, which had a great influence on the poets in the early Northern Song Dynasty. In the early Song Dynasty, Tan Yan Diao commented on his "profound knowledge, incisive articles and debate", and his ci collection was named Yangchunji.