1, original text
The mountain is not high, and the fairy is famous. The water is not deep, and the dragon is the spirit. I am a humble room, but I am virtuous. The moss on the stage is green, and the curtain grass is green. There is no Ding Bai who laughs and has a university. You can tune the pipa and read Jin Dian. There is no confusion, and there is no complicated form. Zhuge Lu in Nanyang and Ting Yun Pavilion in West Shu. Kong Ziyun: What's wrong?
2. Translation?
The mountain is not high, but the fairy is famous. The water is not deep, and with the dragon, it seems to have aura. This is a humble house, but I (the people who live in it) have a good moral character (so I don't feel humble). The moss marks on the steps are green; The grass is green and reflected in the curtains. All the people who come here to talk and laugh are knowledgeable scholars, and there are no people with shallow knowledge.
Usually you can play the elegant guqin and read Buddhist scriptures written in clay gold. No music, no official documents. There is Zhuge Liang Caotang in Nanyang and Yangzi Yunting in West Shu. Confucius said, "What's so simple about this?"
3, Author: Tang Dynasty poet Liu Yuxi
? Extended information 1. Creation background
The inscription on the humble abode was written in Hezhou (824-826). The author participated in Wang's "Yongzhen Innovation" and opposed the separatist forces of eunuchs and buffer regions. After the failure of innovation, he was demoted to Anhui and Zhou Xian as a small judge. According to the regulations, Tongguan will live in three three-bedroom rooms in the county government.
But when I saw the author demoted, I deliberately made things difficult for him. Hezhou county magistrate arranged for him to live in Chengnan River. Instead of complaining, the author is very happy. He also casually wrote two sentences and posted them on the door: "Face the river, look at the white sails, and compete with the state."
The magistrate of a county was very angry when he learned that he ordered the staff in the office to move the author's residence from the south gate of the county to the north gate of the county, and the area was reduced from three to one and a half. The new house is by the Desheng River, with weeping willows nearby, and the environment is OK. The author still didn't care, but looked at the scenery and wrote two sentences on the door: "weeping willows are beside the Qinghe River, and people are in Liyang and their hearts are in Beijing."
The magistrate of a county saw that he was still carefree and indifferent, and sent someone to transfer him to the county center, giving him only a hut with only one bed, one table and one chair. In half a year, the magistrate of a county forced the author to move three times, each time the area was small, and finally it was just a room. The author then angrily wrote this "Humble Room Inscription" and had a stone tablet carved and stood in front of the door.
Second, appreciate
Humble Room Inscription is an inscription written by Liu Yuxi, a poet in the Tang Dynasty. The full text is only 8 1 word. By praising the humble room, the author expresses his ambition to be a noble person, care for the poor and not collude with the secular.
The article skillfully uses a variety of artistic techniques. First of all, the bi xing technique was successfully used. "The mountain is not high, and there is a fairy name; The water is not deep, and the dragon is the spirit. " The mountain is high and the water is deep, and the fairy and the dragon are attached to the owner's virtue and fragrance; "Zhuge Lu in Nanyang and Ting Yun in West Shu" set off today's humble room with the famous humble room in ancient times, and compared the author himself with the ancient sages.
Secondly, there are narratives, descriptions, lyricism, arguments and affairs. "Moss marks on the green. The grass in the curtain is green. There is no Ding Bai who laughs and has a university. You can tune the pipa and read Jin Dian.
There is no doubt in the ears of silk and bamboo, and the case is not overworked. "This is a narrative description and a dye. The last sentence "What's the matter?" is an allusion, a lyric, a discussion and a finishing touch. The combination of point and dye combines narrative description with lyric discussion.
In language expression, four sentences and five sentences are often used, including antithesis and parallelism. Only the last sentence is a prose sentence, with neat and changeable sentence patterns, concise and beautiful words, harmonious tone and sonorous syllables.
Three. Brief introduction of the author
Liu Yuxi (772-842), a native of Luoyang, Henan, called himself "Luoyang" and Zhongshan. The first one is Zhongshan, Wang Jing and Liu Sheng. A writer and philosopher in the Tang Dynasty, he was called a "poet".
Liu Yuxi was a scholar in the ninth year of Zhenyuan (793). At the beginning, he was a clerk in Du You's shogunate and an envoy in Huainan, and was highly valued by Du You. Later, he entered the DPRK from Du You, supervising the empire. At the end of Zhenyuan, he made friends with Liu Zongyuan, Han Ye and formed a political group headed by Wang.
Besides poetry and prose, Liu Yuxi's creation of Ci and Fu is also an important part of the history of Ci and Fu in Tang Dynasty and even the whole history of Ci and Fu. His eleven poems are no less than the number of Ci and Fu in the Tang Dynasty.
Ma ranked Liu Zongyuan as the first, followed by Han Yu and Liu Yuxi, and compared Liu Zongyuan's ci and fu with Qu Yuan.
In fact, rachel himself is quite confident about the level of his articles. In his autobiography of Zi Liu Zi, he said: "Heaven and strength do not make beauty." The "director" here refers to his own literary words. Of course, this "literary word" also includes Ci and Fu. Among Liu Yuxi's eleven works of ci and fu, Qiu is the most respected one by later generations.
Because most of Liu Yuxi's ci and fu were written in the period of relegation, the sadness of chasing officials and the lack of talent became the important themes of his ci and fu creation, and the resentment was his main emotional sustenance, and the Confucian thought of helping the world ran through.
In addition, in addition to the works reflecting relegation and melancholy, there are also the legal fu made by imperial examinations, such as Ping Weighing Fu, Yang Shancheng Fu mourning the past and hurting the present, Shang Xiang Fu mourning the death, and Wang Chu Fu describing the scenery and customs. As an important writer and philosopher in the Tang Dynasty, Liu Yuxi's poetry has made great achievements and is an important field in the study of Tang poetry.
Poetry was the mainstream of literature at that time, and Liu Yuxi's ci and fu creation was inevitably influenced by his poetry creation. For example, the theme of Liu Yuxi's poems influenced the theme of his ci and fu, and many scenes and emotional contents depicted in his poems also appeared in his ci and fu works. Therefore, it is a favorable link to study the interactive relationship between his poems and ci fu.
Baidu Encyclopedia-Liu Yuxi
Baidu encyclopedia-humble room inscription