The first refers to the overall layout, that is, the layout and aesthetics of the work, and refers to the degree of cooperation and coordination between words and paper;
The second refers to the shelf structure and complementary relationship between words and each word in the work, which can refer to the disconnection of meaning, mutual care and so on.
Question 2: What does composition mean? 10 integral rule.
No rules = no rules.
Question 3: What do you mean by thinking rules? Rule zhāngfǎ m: m:
(1) refers to the organizational structure of the article.
(2) metaphor rules and methods to deal with things.
think
Simply put, it is the way to solve the problem. Sometimes, you have to come up with a specific plan to make others understand.
Question 4: I am so confused because I am innocent, so I am so disorganized. What do you mean I like you so much? This is unreasonable, unorganized and hopeless ... 24. Occasionally, I close my eyes and think of your innocent smile in those years ... because knowing each other is like knowing myself, which is the day when I was devastated. ...
Question 5: What does composition in calligraphy mean? The law of calligraphy track.
Question 6: The composition characteristics of calligraphy should start with the theme (the text content of the text). When the theme is fixed, the object can grow around the theme, either hidden or present, or leave immediately. The purpose is always to enrich its space and level, just like the stars arch the moon, making the subject image more prominent and perfect. The text content of calligraphy works is not the most important aspect of calligraphy works from an artistic point of view. But what to write needs the careful choice of the author, and the content of the work can sometimes explain the author's thoughts, feelings and cultivation level. Good content adds a layer of interest to the work, which is literary and emotional, as good as ever. Ancient calligraphy handed down from generation to generation, such as Wang Xizhi's Preface to Lanting and Su Shi's Fu on the Red Wall. These words are immortal works in literature. They are written by first-class calligraphers, so how can they be less precious than memorial archways? Writing poems by oneself is an important ability of calligraphers and cannot be ignored. Judging from the text content of calligraphy works, it can be divided into five categories: ancient poetry, classical Chinese, new poetry, vernacular Chinese and "decimal". In addition, in the selection of text content, it is best to coordinate with the style of the book, integrate with water and reflect the artistic conception. If the "tiger" and "dragon" in Decimal are the main characters, the description of "tiger" and "dragon" should be the object. In short, a painting must have a subject and an object, and the tooth order is clear, so that it can be concentrated, rich, unified and diverse. Big and small, curved and straight, all exist relatively in the works and are one of the necessary components of any form of aesthetic feeling. Bai Juyi's Pipa Trip says: "Big strings are like rain, small strings are like whispers, humming and whispering-and then mixed together, like pouring pearls of all sizes into a plate of jade." Subtle syllables are produced under the coordination of appropriate sizes. The images of natural characters, the contrast of size, and the mutual learning of merits and demerits are everywhere. The articles of association are there and naturally come together. It is the embodiment of natural beauty and the need of artistic beauty. People who are good at capturing and using will definitely make their works have a beautiful rhythm. Judging from the style of calligraphy, it can be said that the big one is the combination and the small one is the division; The big one is unity, and the small one is change. Embrace the small with the big, seek change with the big, break the big with the small, and seek unity with the rich. Generally speaking, it is not difficult to get the overall weather when large and straight strokes are put into books, but it is easy to make simple mistakes. It is necessary to divide them appropriately, or strengthen their own changes, or insert other deformed strokes to make them smaller; Fine lines into the book, when it is not difficult to find the meaning of change, but easy to make trivial and messy mistakes, should be combined and summarized, so that some parts are assembled and zero is a whole. You can also use larger thick lines to set off the packaging and enhance the overall feeling. The same is true for curved and straight ones. Judging from the calligraphy strokes, it is soft and straight, round and straight, and if there is a code and straight, it is both rigid and soft, and Fiona Fang sets each other off; Qu is sluggish, straight is smooth, qu is changeable, straight is positive, smooth is sluggish, and positive is cross, so ancient and beautiful are compatible. The whole calligraphy structure is just like the word "female" said by the predecessors, which is very vivid. Female characters are the changes of characters. Because of the linearity of the upper horizontal, the curve of the right bend and the turning point of the left bend, the three paintings overlap and cross, forming a pattern of odd and positive dependence, rigid and flexible mutual reflection, in which there are pauses, turns, simplicity and richness. Writing a book is like writing. At the beginning of writing an article, describe the plot and characters one by one, cross it steadily, go back and forth, then collect the outline and summarize it step by step. The plot has a result, the characters have a home, and the article is over. This is the way to open and close. Because the first opening, there can be a plot, there can be changes; After the combination, you can see the meaning and spirit. The so-called God's satisfaction is probably the case. At the beginning of calligraphy composition, the writing content is exaggerated to occupy the space of the work and express the ideological content, and then the level is gradually enriched, and the image is revised to make the structure complete and the content rich, so as to see the charm and artistic conception. This is the opening and closing of the writing program. Calligraphy is like boxing. Hands and feet should be open, closed, steady, light, reciprocating, interlocking, and then horizontal and vertical, vertical and horizontal, invincible. On the whole, cursive works, by letting go of the brushwork, make them gain momentum vertically and horizontally, form in the characters, and breathe through the paper. It can be said that they are open, open and scattered, that is, they are closed and released immediately, that is, the end of the characters is retracted according to a certain procedure, and they are folded inward. If Xianglong looks back, it is intended to look back, then the momentum will converge in the characters but not disperse. If there is a combination, the work will be introverted, open and inconsistent, and it will inevitably be sloppy and lose cohesion. It can also be seen that opening and closing and echoing, seemingly different, are actually born in the same realm, especially running script and cursive script. Opening and closing is the visual image of the work, and echo is the psychological effect produced through it. So it can also be said that the echo comes from opening and closing, which is reflected in looking around. The impression and echo between the lines is the feeling and intention of the work all the time ... >>
Question 7: What's the difference between article structure and composition? The article structure refers to the creative thinking of the creator; Composition refers to the planning and layout of the whole work and the agreed rules.