Qian Qi
is good at drums, clouds and harps, and often hears about the spirit of the Emperor.
Feng Yi dances in the air, which makes the Chuke unbearable.
the bitter tone makes the stone sad, and the voiceless sounds enter the dark.
Cangwu came to complain, while Angelica dahurica moved fragrance.
flowing water spreads to Xiangpu and hentai crosses Dongting.
at the end of the song, people disappear, and there are several peaks on the river.
this is a poem that tries to post. Try to post a poem (also known as "poem for saving the topic") with strict restrictions: it must have five words and twelve sentences, six rhymes, and eight sentences in the middle must be dual. Its title mostly takes idioms from ancient books, and rhymes on the title. For example, the title of this poem is taken from the poem "Making Xiang Ling drum and make Hai Ruo dance Feng Yi" in "Traveling Far" of Chu Ci, and it is also called "Giving Ling". Due to strict restrictions and improvisation, it is rare to try to post poems. Qian Qi's poem, however, is regarded by later generations as a masterpiece of "1 million can't be unified" in the trial poem. Lu Xun also said in "Untitled Draft" that "this poem can be regarded as a good poem in the Tang Dynasty".
what's good about poetry? Fortunately, with rich imagination, every sentence is linked to the characteristics of the gods playing the piano, and the charm is endless. The general format of trial poems is to point out the topic and set the tone, describe it in detail and reveal the aftertaste. The first two sentences of this poem summarize the theme with inverted sentences (not inverted sentences), which are practical and eye-catching, and meet the rhyme requirements of the word "ling". Di Zi is the legendary daughter of Yao and the wife of Shun, E Huang and Nv Ying. After Shun's death in Cangwu, they also committed suicide by throwing themselves into Xiang water and became the goddess of Xiang water. This happened to the goddess Xiang Shui, so what kind of music should they play with the most excellent harps made of clouds and sycamore? The second two sentences set the tone of the sound: it was wonderful, which made Feng Yi, the water god, dance uncontrollably, but Feng Yi was ignorant and didn't understand the mood of music, so he said "empty" and danced by himself; Their voices are sad, and only the ghosts of poets who have been relegated to the waterfront of Hunan for thousands of years can understand the samadhi. They listen to the sad voice with bitterness and add sadness to it, so they say it is "unbearable". Then four sentences, the poet carefully describes this sad tone. It is by no means something that can be found in the world: "Bitter tune and sorrowful stone", and the bitterness and sadness of writing the tone of the instrument can not be expressed by ordinary musical instruments such as the human clock (stone); "Voiced sounds go into the shadows", and the sound of the voice goes straight into space, which is higher than the music of Han E, the master of human music, and Qin Qing's "Vibrating the Woods and very sonorous". "Cangwu came to complain", and the reason why Sediao cried and complained was because it was not a mortal who mourned, but the undead of the good emperor and husband Shun buried on Cangwu Mountain. "Angelica dahurica moves the fragrance", and the appeal of writing the sound makes the ignorant vegetation move, giving out elegant and delicate fragrance. "Running water" two sentences, slightly changed, no longer write directly, but "told even more in silence than they had told in sound". Legend has it that Cangwu is the burial place of Shun. Baili Dongting is also the "two sons living together" of E Huang Nvying. The water of Xiaoxiang originates from Cangwu, flows into Dongting, and connects the two places. After reading these two sentences, people seem to feel the lingering sound of the tune, the eternal regret expressed by the tune, which is blended in the sobbing water and the whispering breeze and permeates the whole foothills of Jiuyi Mountain, the banks of Xiangjiang River and Dongting Lake. The last two sentences, although returning to reality from the mythical world, still closely echo the meaning of the question: at the end of the song, the Iraqi people disappeared, only on the clear river, reflecting the shadow of the nine green peaks, how quiet, how relaxing and intoxicating! In nine cases out of ten, the general post-trial poems are vulgar "begging" or "praising the saints", but this poem is abnormal and far-reaching.
since (Qian), I have been recommended from my hometown and lived in a guest house in the Jianghu. When I heard the song in the court, I said, "At the end of the song, I don't see anyone, and there are several peaks on the river." See it, see nothing. Next year (ten years in Tianbao), Cui Kun will try the poem "Xiang Ling Gu Se", which is used as the last sentence from the beginning, and people think it is a ghost rumor. (There is a great contribution to the Chronicle of Tang Poetry, Volume 3)
There are many people in the Tang Dynasty who are famous for their poems. Often, because of the goodness of an article and the work of a sentence, the famous public first came to talk about it and extended their reputation, so they heard about it. "When the song ends, people don't see it, and the peaks on the river are green", hence Qian Qi's name. (Ge Lifang's "Rhyme in Yangqiu", Volume 4)
Qian Zhongwen's "Provincial Trial of Xiang Ling Drums and Harvests" says: "At the end of the song, people disappear, and the mountains and rivers are green." Pick out the last sentence, plain language, and combine the two sentences, which is extremely implicit. ([Ming] Xie Zhen's "Four styles of poetry" Volume 4)