The Yellow River is getting farther and farther away, because it flows in the middle of the Yellow River, and Yumenguan is located on a lonely mountain.
Why use the elegy of willow to complain about the delay of spring, old Yumenguan, a spring breeze is not blowing!
Secondly,
Khan looked at the clouds in the north and killed the altar of Madden several times.
The son of the Han family is now in SHEN WOO, and he refuses to go home with his relatives.
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Two Poems of Liangzhou is a group of poems written by Wang Zhihuan, a poet in the Tang Dynasty.
The poem depicts the special feeling of overlooking the Yellow River from a special perspective, and at the same time shows the magnificent and desolate scenery of the frontier fortress area, which is tragic and desolate and exudes a generous spirit. The cold of the frontier fortress reflects the sadness that the border guards can't return to their hometown. This kind of sadness is not depressed, but heroic and broad.
The second poem reflects the relationship between the Tang Dynasty and the northern minorities. During the Han and Tang Dynasties, the poem described a frontier fortress leader who came to the Tang Dynasty to find relatives but failed. By describing his behavior and psychology, the prosperity of the Tang Dynasty is set off from the side.
author
Wang Zhihuan (688-742) was a famous poet in the prosperous Tang Dynasty, whose nickname was Ji Ling, Han nationality and Jimen. Bold and uninhibited, he often mourned swordsmanship, and his poems were sung by musicians at that time. At that time, he often sang with Gao Shi and Wang Changling, and was famous for describing the frontier fortress scenery. Representative works include Heron Pavilion and Liangzhou Ci.
Step 2: First,
Wine luminous glass, want to drink pipa, hurry up immediately.
Don't laugh when you are drunk on the battlefield. How many people fought in ancient times?
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? The poet set the first sentence of this opening with passionate brushstrokes, sonorous tones and dazzling words. "Glowing glass of wine" is like a grand banquet, with colorful, dazzling and fragrant wine. This scene gives people surprise and excitement, creates an atmosphere and sets the tone for the lyric of the whole poem.
? The word "want to drink" at the beginning of the second sentence renders the extraordinary attractive charm of this feast of wine and food, and shows the generous and cheerful character of the soldiers. Just when everyone wanted to drink, the band played the pipa and the party began. The fast and cheerful melody seems to urge the soldiers to raise their glasses and drink, so that the original warm atmosphere suddenly boils up. This poem has changed the syllables commonly used in seven-character quatrains and adopted the syntax of "upper two and lower five", further enhancing its appeal. The word "catch up" here, some people say that it is in a hurry to start, and it seems difficult to connect with the following. Some people interpret it as: push, drink or drink. This is also not in line with the unrestrained mental state of soldiers. The word "immediately" is often associated with "beginning". In fact, among the Hu people in the Western Regions, the pipa was originally played on horseback. "Pipa Prompt" is a scene that deliberately renders a cheerful feast.
Three or four sentences in the poem are catering and drinking to persuade wine. Some people used to think that these two sentences were "be broad-minded and sad." Others said: "Pretending to be drunk is extremely sad." Although the words are different, they are all inseparable from the word "sadness". Later, on the basis of three or four sentences, especially the last sentence, it is more useful to summarize the thoughts and feelings of this poem with words such as deep, sad, sentimental and anti-war. It is obviously an exaggeration to say that "how many people fought in ancient times". Shi Buhua said these two poems in Qing Dynasty: "Sad words are easy to read, joking words are wonderful to read, and scholars are easy to understand." The reason why it is easy to read sad words is because it is not to publicize the horror of war, nor to express disgust at military career, nor to lament the passing of life. Looking back at the feast, the soldiers were really in high spirits, listening to the cheerful and passionate pipa. After a while, they were all a little drunk. Maybe someone wants to put a cup, and then someone in the seat shouts, What are you afraid of? Getting drunk is getting drunk on the battlefield. Please don't laugh. "How many people fought in ancient times" has long ignored life and death. It can be seen that these three or four sentences are just words to persuade wine at dinner, but they are not sad. Although some "banter", but also found the most environmental and personality characteristics of the "reason" for getting drunk. Drunk on the Battlefield shows not only bold, cheerful and excited feelings, but also the courage to die, which is consistent with the warm atmosphere shown by the luxurious banquet. This is a joyful feast, and the scene and artistic conception are by no means one or two people drinking to drown their sorrows. The mood reflected by its bright language and fluctuating rhythm is unrestrained and fanatical; What it shows is an exciting and yearning artistic charm, which is the characteristic of frontier poems in the prosperous Tang Dynasty.
author
? William Wang (687-726 AD), a native of Jinyang (now Taiyuan, Shanxi), was a frontier poet in the Tang Dynasty. William Wang, a contemporary of Wang Changling, is a rare talented poet. There are only 14 poems in the whole Tang Dynasty. Rise to the first place and give an outspoken suggestion.
References:
1. Zhou Huangguang. China's Classical Poetry: Shandong University Press, 1994: 903-904.
2. Appreciation of Zhao-Liangzhou Ci? China literature network [citation date 20 14-04- 16]
3. Patten, etc. Complete works of Tang poetry (1). Shanghai: Shanghai Ancient Books Publishing House 1986: 640
4. Yu Haidong and other complete works of Tang poetry appreciation. Beijing: China Overseas Chinese Publishing House, 20 10: 52-53.