Analyze the two characters in Song of Eternal Sorrow?

The reason why The Song of Eternal Sorrow has such great artistic charm has been attracting readers for thousands of years is not unrelated to the ingenious conception of the poem. The center of the whole article is the song "Long Hate". In order to prompt the reason, the poet tried his best to write and render: "The sun rises high", "It's not morning", "Night is for the dark", "I can't get enough of it" and so on. It looks extremely happy, like a comedy. However, the extreme joy and love just reflect the endless hatred behind it. Tang's debauchery and amorous feelings led to political tragedy and national disaster, and then led to his "love" tragedy with Yang Guifei. In order to better express the love tragedy between Li and Yang, the author adopts the method of combining reality with reality, that is, the method of combining realism with romantic fantasy. In content, the first part of Song of Eternal Sorrow is basically realistic, which reveals the root of the tragedy and generally reflects the uncontested indulgence of Tang and Yang Guifei in the past 50 years, leading to the Anshi Rebellion. Such as Patriotism, Slow Song and Slow Dance, The Emperor Abandons the Early Dynasty, Sisters and Brothers Are Brothers, Until the drums in Yuyang ring and shake the earth, and until the moths fly under the horseshoe. At the same time, she tried her best to describe Yang Guifei, one of the four most beautiful women in China-her beauty, femininity and natural beauty. As long as she turned her head and smiled, there were hundreds of magic powers to be exerted. The makeup of the sixth house vanished, warming and smoothing the cream crystals on her skin. Because of her burnout, a maid was helping her up, and even "squandered all his time on her with feasts and revelry, from spring to spring". However, happiness brings sadness, "until their hooves, they may trample on those moths." After the tragedy, the author described the love story between Li Longji and Yang Guifei with romantic fantasy as the main theme. For example, after Emperor Ming of the Tang Dynasty retired to Beijing, he was still obsessed with Yang Guifei, so the author expressed it through rich imagination and fiction: "Water pools, gardens, palaces, everything is the same, Taiye Lake hibiscus, Weiyang Palace willow. But the petals are like her face, and the willow leaves are like her eyebrows. Why don't you cry for it? Peach trees and plum trees have blossomed. In the spring wind, after the autumn rain, the leaves of Raqqa fell to the ground. " "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep. "Who is Yu Han?" . These imaginary and fictional plots vividly depict the image of Tang, a lover of the emperor: in the past, he and Yang Guifei enjoyed flowers and grass in the palace. Now, the vegetation is still the same, hibiscus flowers are in full bloom, but the world has changed, but the people who appreciate flowers are not exactly the same. Things are unpredictable, times have changed and history has changed dramatically. My son Hengli proclaimed himself emperor in private, and Li Longji became the father of the emperor. The struggle for imperial power and the crisis of trust have caused many contradictions between them. Under the threat of Su Zong and Li, he moved from Xingqing Palace to Taiji Palace. At this time, Li Longji is in the abyss of adversity, unhappy, in a bad mood, and even unable to eat. Li Longji, the haggard and lifeless emperor's father, felt more lonely and missed Yang Guifei more and more. He sighs for it every day and cries for it all the time, so that he stays up all night, waiting anxiously for the sudden appearance of Yang Guifei alone. Not only that, the poet also invented a fairyland on the sea: "Then he heard a narrative about an enchanted island on the sea, which is part of the invisible world. There are pavilions in the five-color sky, and exquisite immortals walk back and forth. One of them-they call it forever true, and he looks for a face like her snow and flowers ... "After her death, Yang Guifei is still so beautiful! The author's fictional story of Yang Guifei living alone in Xianshan, Pengdao, complements the description of the tragic heroine. This lady, hearing the news of the emissary sent by Emperor China, first woke up from a dream in her nine-flowered canopy, then she pushed her pillow away, dressed herself and shook off her drowsiness. When she came along the balcony, her canopy was loose. These poems are about Yang Guifei's whole psychological process after hearing the news, first surprised, then dubious, and finally eager to see the messenger. She doesn't know whether she is happy or sad. When she arrived at the messenger, she was pale and covered with tears. She misses the Palace and doesn't blame Saburo for giving her life to Maweipo. She misses the world and the emperor who dotes on her. In the past, she and the emperor loved each other day and night, but now they are separated by yin and yang. "Since happiness has ended in the court of the bright sun", why not "tears flow down her sad white face"? Although I am in Fairy Palace, it is unbearable, lonely and painful that the sun and the moon are long in Fairy Mountain Palace. She is looking forward to returning to the emperor again. Therefore, she hopes to "send him back a shell box and a golden hairpin through his special envoy" and believes that "somewhere, at some time, on earth or in heaven, we will definitely", and says that she will never forget the secret oath in the Palace of Eternal Life: "We hope to fly in heaven, two birds use one wing to grow together on the earth, and two branches of a tree." . After reading this, we can't help but admire the author's artistic talent, and we can't help but be moved by the lovesickness of Taizhenxian. This is unswerving love, which deserves praise. Of course, in addition to the structural expression of the full text, the combination of realistic realism and romantic fantasy is used in the poem, and this technique is also used in a certain paragraph or scene to make the full text seamless. For example, in the description of the fantasy fairy tale world, the author still uses realistic pen and ink to describe the environment, scenes and characters in detail: "She pushed the pillow away, got dressed, shook off her sleepiness, opened the pearly shade, and then the silver screen." Natural human modality; After waking up, she put on her clothes and pushed the jade pillow away. She stood up and walked up and down in a hurry. The heavy bead curtain and screen are opened. Call the messenger in quickly. The description of gifts and messages vividly depicts Yang Guifei's mentality and expression as the wife of Tang Dynasty, and further pushes the theme of "Song of Eternal Sorrow", which is an inseparable love theme, to a climax. The whole poem is novel in structure. Generally speaking, the thinking is clear and coherent, and the occurrence, development, turning point, climax and ending of the plot are written with narrative as the clue and interspersed with lyricism. The details of the event and the transition of the level are wonderful. The Song of Eternal Sorrow can be divided into four parts, and the last two sentences of each part are secretly filmed. For example, from "until the war drum, from Yuyang, it shook the earth and broke the tune of rainbow skirts and feather coats" to the Anshi rebellion, Xuanzong was lucky in Shu; From "he stared at the desolate moon in the temporary palace, he heard the bell in the late rain, cutting his chest" to the natural transition to the east and the unforgettable thoughts after returning to Beijing; From "year after year, the distance between life and death, but no beloved soul visits his dream" to the romantic description of Taoist evocation, and so on. Such a turning point and connection is handled naturally, aptly, concisely and vividly by the poet. It not only keeps the level and connection of story development, but also keeps the concise, implicit and lyrical color required by poetry genre, which fully shows the poet's superb artistic talent. From a small point of view, Song of Eternal Sorrow, while laying out the words and details, constantly tempered some aphorisms and interspersed them, so that the whole article everywhere reflects the beauty of opening and closing. For example, the first paragraph of "Song of Eternal Sorrow" constantly describes how Yang Guifei dotes on color, but it doesn't feel repetitive when reading it, because after he narrates a few words, there will be one or two aphorisms, such as "With the emperor, abandon his early listening", "But his love for 3,000 is concentrated on one person" and "She brings happiness to every father and every mother when giving birth to a girl instead of a boy through the empire". For another example, after the East returned to Chang 'an, there was a saying, "Water pools, gardens and palaces are all the same, and Taiye Lake is full of hibiscus and Weiyang Palace is full of willows". At first glance, it seems to turn to the description of the scenery, but immediately it is "but the petals are like her face and the willow leaves are like her eyebrows. What can he do, but whenever he looks at them, does he cry?" ! "It's extremely frustrating that the two words turned around and made it return to the theme of acacia. This poem is realistic in front, but it flies to the romantic fantasy in the back. And this flight, the connection is seamless. Through this romantic fantasy, the heroine is completely purified into a beautiful image loyal to love, adding a sad and moving color to her.