Du Fu
Flowers, as high as my window, hurt a homeless man's heart, because I see from this height that sadness is everywhere. The silk river with beautiful spring scenery
Du Fu
Flowers, as high as my window, hurt a homeless man's heart, because I see from this height that sadness is everywhere. The silk river with beautiful spring scenery floats between heaven and earth, like a cloud next to the jade peak, shuttling between ancient times and the present.
The Arctic court did not change, and bandits invaded the Western Hills. However, I felt sorry for the sorrow of a long-lost emperor at dusk and talked with Fu Liang at sunset.
(1) when he returned to Chengdu Caotang in the early spring of Guangde two years (764).
(2) 10,000 square meters, all over the world.
③ Jinjiang, a tributary of Minjiang River, flows through southwest Chengdu. Du Fu Caotang is near Jinjiang.
(4) Lei Yu, the mountain name, located in the northwest of Chengdu, is the main road leading to Tubo in central Sichuan.
The North Pole, Polaris, also known as Beichen. "The Analects of Confucius is a government": "Be a government with morality, swear to be like Beichen, live in its place, and the stars will arch it." This is a metaphor for the Tang Dynasty. The first year of Guangde (763)
In the first month, loyalists recovered Henan and Hebei, and the Anshi Rebellion was put down. In August of the same year, Tubo took advantage of the virtual invasion, captured Chang 'an in October, and came out of Shaanxi. Guo Ziyi returned to Beijing.
Teacher, in December, Dai Zong will go back to Chang 'an, and he will take Yu with him anyway. Because Tubo once made Guangwu Emperor Li Chenghong a puppet emperor, he said, "The imperial court will never change."
Xishan and Minshan are in the west of Chengdu, so they are called. The bandits in Xishan refer to Tubo. In December of the first year of Guangde, Tubo was trapped in Songsong, Uygur, Baoding and other states. Xishan is near Victoria.
All landowners poor, alas. Later, it refers to Liu Chan. Houzhu Temple, Zhu Xian Temple and Wuhou Temple are all outside the Jinguan Gate. Still, there are.
⑧ Liang Yinfu, titled Yue Fu's Biography of the Three Kingdoms and Zhuge Liang: "Fu Liangyin". Being eight feet long, compared with Guan Zhong and Le Yi, people can't do it.
Yes "
This poem expresses the poet's deep anxiety about the national disaster and infinite sadness about serving the country.
The first couplet mentions the whole article, "ten thousand people are so difficult" is the starting point of the whole poem to write scenery and express emotion. In March, the spring is full, and the flowers are near the tall buildings, just for appreciation, but the poet is moved by this scene and can't help it. "Sorrow is not in flowers, but in ten thousand people" ("Jin Shengtan selected and approved Du Fu's poems"). This time, the war is not over and current events are disturbing. The whole poem begins with inverted sentences, and the language is extremely frustrating. Like "Where petals flow like tears" in "Spring Watch", flowers hurt guests' hearts, and they all use the contrast method of happy writing and sad writing.
Zhuan Xu followed "boarding the ship" and wrote down what he saw and heard. The splendid spring scenery on the vast Chengdu Plain, accompanied by the surging of Jinjiang spring water, permeates between heaven and earth. "The clouds in the sky are like white clothes, you must change like a pale dog" (alas). The floating clouds on the top of the mountain in Lei Yu remind the poet of the changes in the ancient and modern world. Among them, "today" means the vicissitudes of the world since the "An Shi Rebellion". Two lyrical sentences, thinking for thousands of years, magnificent and fantastic, with a broad realm. Shen Deqian, a poet in A Qing, commented on this poem "The weather is majestic and the universe is covered" ("Three Hundred Tang Poems"), mainly aiming at these two sentences. Starting from the fourth sentence, the couplet describes the current situation of "how difficult it is for 10 thousand people", which is also my idea when I boarded the plane. "How difficult is it for 10,000 people?" It is impossible to write all of them, so I only focus on things like Tubo being trapped in the capital and disturbing Sichuan. This is a catastrophe after the Anshi Rebellion. The last sentence "never change" inherits the fourth sentence "change from ancient times to the present", which shows that the Tang Empire has a long history of luck. It is precisely because the author firmly believes that "the imperial court will never change" that the next sentence says "non-aggression" against the wishes of Tubo. The word Yan Yizheng is awe-inspiring, showing a firm belief in burning anxiety. Wang Siyuan, a scholar of Amin Dynasty, said: "The Arctic court has a long history, such as the river of Jin, which will never change; And' bandits of the Western Hills' are like clouds on the jade base, so they don't come to invade each other "(Du Yi). The internal relationship between abdominal joint and parallel joint is well expounded.
William expressed his gratitude for the monument he saw when he climbed the building. His words were euphemistic and ironic. Liu Chan, the late ruler of Shu, still enjoys the sacrifice, but he really has no way to conquer the king of the country, which can only make people feel sorry. This is entirely through the sight of places of interest, lamenting Liu Chan's death of employing people, and making a sharp and profound satire on Tang Daizong's favorite eunuchs Cheng and Yu Chaoen, making it difficult for ten thousand people to invade. Sum up a sentence and hurt yourself. Du Fu is a man who is willing to commit suicide in times of crisis and reports to the Lord in times of crisis. However, at this difficult time, he can only climb stairs here and recite poems, just like Zhuge Liang who worked hard in Longmu in the past, but he is ill in his later years and has no ambition. How can he not be sad! This is the main reason why the first sentence "flowers are as high as my window and hurt the hearts of wanderers".
The whole poem expresses the feelings of the scenery, and the mountains and rivers are magnificent, which is connected with the changes of the ancient and modern world. Artemisia can penetrate the natural scenery in difficult times and integrate natural scenery, national disaster and personal feelings. His writing is extensive and profound, which well reflects the poet's depressed artistic style.
Drink with the moon
li po
Flowers in the next pot of wine, no friends, drink alone.
Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind.
I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering.
Wake up and be happy together, and disperse after drunkenness.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
This is a carefully cut scene, but it is written so naturally. Li Bai and the bright moon alone, facing the bright moon and shadow, seem to form a picture of three people drinking in hallucinations. On this spring night, Li Bai was singing and dancing while drinking, and the moon shadow fluctuated with his mood, as if sharing his joy and sadness in drinking.
Logically speaking, things have little to do with people's inner world. But from the perspective of poetry, they are closely related. This is also the origin of "Xing" in China's poems. Since the Book of Songs, it has always endowed nature with anthropomorphic actions, thoughts and emotions, such as "the moon is bright, people are beautiful", "worrying about the moon" and "hating Taiwan". Li Bai's poems are in line with this "xing" writing style, which endows the moon and shadow with emotion. As Lin Yutang said: "It is a poetic belief in harmony with nature, which makes life fluctuate with the fluctuation of human emotions."
But at the end of the poem, Li Bai reveals a kind of lonely, not lonely, not lonely complex feelings. He knows that the moon shadows are heartless things, but they are just sentient beings. In the face of this heartless thing, does Li Bai still think that goodwill was ever safe? That is to say, when he is drinking alone with the moon, he will still invite him to sing and dance with him this month, even if it is "I see the long road of the Milky Way". Visible Taibai loneliness has reached a point!
Stephen Owen once said: "Poetry is a tool, and the poet makes people understand and admire his uniqueness through poetry."
It is with this song "Bring my shadow, let the three of us" and "Drinking the bright moon alone" that Li Bai let us know and admire his uniqueness.
Today, no matter men, women and children, anyone in China, as long as he raises a glass and drinks lightly, will sing "Until, raise my glass, I ask for the bright moon, bring my shadow to me and let the three of us" to express his appreciation of the so-called elegance and drinking alone. The uniqueness of this poem has long been integrated into the collective unconsciousness of our nation.