What did the poet of the poem "Praise" actually "praise"

Praise was written in the most difficult "stalemate stage" of the Anti-Japanese War. At that time, the Chinese nation was not only burdened with the heaviness, poverty and suffering accumulated in history, but also awakened in the bonfire of anti-Japanese war. Although the people were in rags and soaked in blood, they fought bloody battles to get rid of humiliation. As a young poet, Mu Dan deeply felt the suffering of the times and saw the rise of the people, thus seeing the hope of the nation. He grasped the characteristics of this era and sang for it, showing the poet's concern for reality and love for the motherland and the people. Paying attention to social reality, caring for the working people, loving the suffering motherland and enthusiastically praising the people who fought bravely are the ideological gist of praise, and we must interpret all the chapters of this poem closely around this theme. The first paragraph of the poem is a description of the land of vast expanse, a long and heavy history, and a poor and humiliating nation, expressing the love for the motherland and the nation's flesh and blood. The poet should embrace all this, because such a nation has stood up on such a land. Poetry first describes the motherland with numerous images (the first six sentences), full of complex feelings of love and hate. There are rolling mountains, dense villages, beautiful rivers and grasslands, and quaint and beautiful dogs and dogs barking; There are weeds, dry sand, low pressure of dark clouds, and sobs of running water; There are desolate and barren land, gloomy and dark forests and quietly passing years. The arrangement of these images shows us the vast land of the Chinese nation, the sufferings of the people and the long history, giving people the impression that it is both vast and heavy. Then, the poem describes the experience and feelings of "I" with the scene of "They hugged me quietly" (7- 1 1 sentence). Living in this land, stories are endless and disasters are overwhelming. No eagle flies high in the sky and sings with its head held high. There is no vigorous and thrilling love on earth. People "crawl" in the distant sky, facing the dust and bearing humiliation, and slowly walk from ancient times to modern times. They look forward to the gushing tears with "dry eyes", despair in expectation and expectation in despair, showing a survival style of facing disasters directly, bearing the burden of humiliation, unyielding will and unyielding faith. "(Silent) is dry eyes looking forward to gushing tears) The appearance of the static image is like a statue, which contains eternity in an instant and infinity in the finite, reaching to the heart and touching the heart. Why are your eyes dry? Is it because of the pain of the disaster that tears turned into blood, or because of the difficulty of hope, no cause, no result? Is it because of emaciation and old age? Or dry up because of extreme poverty? Why is "dry eye" still looking forward to it? Can "spring tears" appear? If it appears, can it soothe a tired and haggard heart? ..... Hunger for food and clothing, or turmoil for peace? Does darkness expect light, or does misery expect happiness? ..... a pair of dry eyes and a persistent expectation, condensed the infinite vicissitudes of life and the painful memory of the nation. Vaguely, we clearly feel a kind of strength, a kind of hard work, a kind of unwilling humiliation, the courage to fight. Mu Dan wrote the great power of a nation seeking survival and freedom through a pair of eyes. Finally, the poem uses a series of sad and tragic images (12- 18 sentences) to describe "I want to hug you with everything, I can see people everywhere". Desolate desert, bumpy roads, wild flowers everywhere, rainy weather, mule carts and trough boats, like "bloody hands", show that "I" and "man" are one, suffering and * * *, all living in the past suffering, today's blood stains and tomorrow's hope. Despite the people's suffering and humiliation, despite the hardships and bloodshed, I have "too many words and feelings for too long", and I still want to "hug you one by one". There are joys and sorrows in the hug, high respect and endless motivation in the hug, and fighting bloody battles in the hug, because. The second and third sections condense the whole into a concrete one. The poet's praise and singing point to a concrete "farmer", who is not only the condensation of the description and emotion in the first section, but also the representative and symbol of our nation, with more detailed description and more profound and single-minded emotional orientation. The second part describes the major choice of "farmers" at the critical moment. Like his ancestors, he lived and multiplied in this land full of hardships and vicissitudes, cultivated silently, shouldered hopes and disappointments, and suffered countless pains and disasters. When the anti-Japanese bonfire ignited, the enthusiasm of young people infected him, and the idea of saving the country and protecting the family inspired him. He resolutely "put down the ancient hoe" and resolutely plunged into the torrent of the war of resistance. Different from people's "talking, shouting, singing", he is calm and strong, and "believing in nouns" (the idea of resisting Japan and saving the country), he acts as unknown as farming. Although the road is infinitely long and the future is full of bloodshed and sacrifice, he is resolute and unyielding, brave and fearless, dying without tears, and a man should be self-reliant! The close-up of "Putting Down the Ancient Hoe" with great visual impact contains a profound historical complex, which shows the courage and determination of the "farmer" to choose and the epoch-making historical significance of this choice. From this, we can see the will to survive and amazing strength of the Chinese nation. We are moved by the image of a tough guy who "melts to death" without tears. We are shocked by the strength of a nation's rise and the courage of a nation's struggle! The third section eulogizes the courage and loftiness of farmers regardless of life and death. Poverty afflicts him, fear afflicts him, hunger afflicts him, and children yearn for him ... He is a family, the backbone of women and children's lives, a dark hut, a cultivator of barren land, and a bearer of suffering and misfortune. His "silent pain" is really too much However, when the bugle of anti-Japanese sounded, he resolutely embarked on the journey of anti-Japanese war, without turning back, cursing, even leaving his wife and children, even leaving his hometown and even dying in battle. What perseverance and courage! It is because of this perseverance and courage that our nation can defeat the invading jackals! So the poet "I want to hug everyone for him". How much excitement and awakening this hug contains! "Let's cry to him!" Of course, it means mourning for the heroic spirit and heavy sorrow, but it also means the courage and determination to pursue the loyal soul, advance wave after wave and fight bloody battles! Because we firmly believe that a nation has risen! The last sentence of the poem is a re-expression of feelings and a deeper and wider praise to a nation that has stood up. From the detailed descriptions in the second and third sections, to the macro-scanning with emphasis on history, we respond to the first section. Inclined eaves, withered tree tops, desolate swamps, moaning crows ... These perceptual images render a bleak, dilapidated, barren and desolate atmosphere, which actually implies the poverty and suffering of the motherland and the profound and long history. And "I"-a young intellectual who has awakened and longed for the reform of the motherland, has been waiting for the reform of the motherland for many years. Today, this dream has finally come true, so I walked through "hesitation" and suddenly got excited. The awakening of the nation is the torch of hope, and the struggle of "farmers" means the arrival of a new era. So at the end of the poem, the poet used two words in succession: "However, a nation has risen". At the end of the overlapping, such as heavy drums and dull drums, there is a heavy high spirit in the majestic; If the angle is clear, the cold air blows straight, and there is fierce endeavor in lightness! Today, they read Praise with dignity and affection, as if they had returned to that hurried and noisy era. It was an era of suffering and poverty, shame and struggle. There are enthusiastic anti-Japanese youths, and there are villagers who remain silent and rise up. In the baptism of blood and fire, in the battle of swords and shadows, we feel that a nation is rising.