Is there a difference between modernism and realism in poetry in the 1930s?

Modernist poetry in 1930s and China New Poetry School in 1940s belong to China's modernist literary trend of thought, while China New Poetry School and Modernist School come down in one continuous line and have their own characteristics. Their differences are mainly reflected in three aspects: the theme of expression, the artistic conception of poetry and the means of expression;

First, the performance of the differences in the theme

Each literary school has its own specific social background. The difference between modernist poetry in 1930s and China New Poetry School in 1940s is to some extent due to the profound influence of social conditions and mainstream social thoughts in their respective periods.

In 1930s, intellectuals who came from the May 4th Enlightenment literature were in the ebb tide of the May 4th Literary Revolution. At the same time, the failure of the Great Revolution brought negative emotions such as depression and loss to this generation of intellectuals. Under the pressure of dark and cruel reality at that time, modernist poets focused on the expression of inner feelings. The poet tried to find a spiritual home in his poems, and the loss he could not get aggravated the poet's inner anguish and hesitation. At the same time, modernist poets did not compromise because of the cruelty of reality, but insisted on the expectation of the future and the persistent pursuit of beautiful ideals. The most representative work is Rain Lane, the masterpiece of Dai Wangshu, a representative modernist poet.

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