First of all, Xiangling's most direct experience is that Wang Wei's poems are vivid: "The desert is lonely and straight, and the long river sets the yen" and "The rivers and lakes are white at sunset, and the tide comes to the sky." This directly reflects the greatest feature of Wang Wei's poetry: poetry is like a picture scroll, which is beautiful. His poems were called by Su Shi as "paintings in poems and poems in paintings". He really has his unique attainments in describing natural scenery. Whether it is the grandeur of famous mountains and rivers, the grandeur of frontier blockades, or the quietness of small bridges and flowing water, it can accurately and concisely create a perfect and vivid image, with less pen and ink, high artistic conception and complete integration of poetry and painting.
Secondly, Xiangling analyzed the "sunset transition, smoke rises at midnight", and thought that when she read "Yu" and "Shang", she thought of the previous scene and admired Wang Wei's conception. This reflects the second feature of Wang Wei's poetry: the blending of scene and nature. In Wang Wei's poems, scenery is used to express feelings, and scenery is used to set off feelings, which makes his scenery full of aftertaste and lyricism.