After reading a famous book, I believe everyone has gained a lot of knowledge, so it is necessary to write reading notes! So how should I write my reading notes? The following are six reading notes of Ba Jin's Spring collected for you. Welcome to share.
Ba Jin's Reading Notes in Spring 1 This book was written by Ba Jin, who has been dead for a long time and is called the torrent trilogy. The book tells the history of joys and sorrows of a big bourgeois family, taking the Gaos as a clue.
The story is long, but it has no beginning and no end. Maybe some stories don't have to have endings. If they don't finish, they will forget to start.
It was because of the darkness of society at that time that this famous secretary was finally created. Through this book, I saw the society at that time, which was dark and could not find a way out. I am addicted to this world, crying and laughing with them.
The tragic ending and the passing of young and lively life in the book "perfectly" interpret the darkness of society. They were swallowed up by the darkness of society and virtually bound by feudal ideas.
But as Lu Xun said, "Do we have China people who have lost confidence?" In the book, a faint light burns in some people's hearts, supporting their eroded hearts and moving forward towards their dreams. So, the girl Ming-feng threw herself into the lake for love; Gao Juehui, the third young master, ran away from home in order to get rid of the bondage of fate. Gao Juemin, the second young master, openly escaped from marriage for happiness; Gao Juexin, a gentleman, finally changed his mind after repeatedly giving in.
The story of resisting oppression jumped to the page. Everything, just for freedom, for love and happiness, to please the shackles of fate. Facts have proved that they really succeeded under the bright light of their dreams. The light in their hearts is also burning brighter and brighter under their beliefs.
When I was addicted to it, the story ended, but Ba Jin didn't write the ending. In my opinion, we need to write about our unfinished life. Who can decide what the future will be like? As Ba Jin wrote at the end of the article: "Where a person will go, of course, depends on what road he takes. If a person keeps going north, he won't go south. "
In the face of broken books, I am still addicted to his world, and the broken words and pictures seem to be looming in my heart, slowly recovering.
Notes on Ba Jin's Spring II. Chueh-hsin in Spring is more tragic than Home, but he still struggles with the contradiction between sober thinking and weak behavior. However, successive blows caused him to collapse and despair again and again. At last, the balance in his heart tilted to Qin and Chueh-min, a progressive young man with thought and courage, so he escaped from the Gaos family like helping Chueh-hui, and his second sister Shuying also escaped.
Juexin is my favorite character. After two works, he is one of the best figures created by Mr. Ba Jin. Chueh-hsin is a poor man through and through. For various reasons, he can't control his own destiny. He was so miserable that he couldn't bear to watch his closest relatives die one after another, and his brothers and sisters denounced his disobedience. He frankly admitted that he was such a person, but he endured to live. But I can't hate him. I always have more sympathy and regret for him than resentment.
When he regarded Haichen as his life, he gave Haichen the only warmth and hope in his life. On the surface, he promised Ke Ming to arrange Shuying's marriage, but in fact he secretly helped Shuying, Chueh-min and Chin escape. I'm beginning to think Chueh-hsin has become cute. Although he didn't dare to love and hate like Chueh-min and Qin, he was actually the most typical, authentic and complicated intellectual image of that era. It was through Chueh-hsin's actions and feelings that I really understood the helplessness of people in that feudal era and the value of progressive ideas. It was from his inner contradictions and pains that I really felt the hesitation and helplessness of the young people of that era.
Chueh-hsin is not a figure admired by Mr. Ba Jin, but his tragic fate is a powerful evidence to criticize feudal autocracy. He is a product and a victim of the times, and his fate is the most bumpy and regrettable. The two tasks of Chueh-min and Qin were "non-mainstream" in that feudal era. At that time, the mainstream of society was old ethics and old ideas, and most people foolishly followed the footsteps of such a hypocritical "guardian" as Feng Leshan. Hui was killed by feudal superstition, and Chueh-min and Qin kept announcing: We are not attacking one person, we are attacking the whole system! Finally, they won, and Shu Ying became the second Chueh-hui. With their encouragement and help, she left home successfully. "I know that spring is ours." When I saw this sentence in Shu Ying's letter to Qin, I couldn't help crying. I was moved by Shuying's Spring, rejoiced that she dared to pursue happiness and ideals, and rejoiced that she had a fresh life to break the old institutional cage! Abandon all old systems and concepts. Spring will always belong to us!
Ba Jin's Notes on Spring 3 Ba Jin's Spring is a good textbook, which makes me understand that I have never been to an era full of contempt for women. Although I don't have the memory of that period of history, it's even harder to live like that time, but Ba Jin's book and his words touched me. Spring is the second part of Ba Jin's Riptide Trilogy. After reading this book, I have many feelings. Let's listen to it!
The book "Spring" mainly tells that Gao Juehui in Gao Mansion ran away and his sister was forced to marry Chen Kejia's second son. This man eats, drinks, whores, gambles and smokes everything from cheating to stealing. Shuying doesn't want to. Besides, after watching the maid marry Feng Leshan, she was beaten and scolded every day, and she had to wait on Mrs. Feng. After getting married, Huihe was tortured to death by them and could not be buried after death. So Shuying made up her mind to go to Shanghai and go to third brother Chueh-hui.
After reading this book, I think women were not treated as people at that time! Let's talk about Hui first: when Hui was ill, she knew that she wanted Chinese medicine, and it took three or four days to tell Hui's family. Chueh-hsin suggested using western medicine, but Hui's father actually said, I don't think it's appropriate to invite western medicine, because western medicine can't cure internal medicine! Finally, Hui died, and her father actually turned to the Zheng family and said that she was a contemporary wizard. Hui had no happiness to enjoy, and Hui was cured by western medicine! This kind of person is not worthy of being a father! Shuying is different. Although she was depressed, she listened to her third cousin. She can't leave her fate to chance. She wants to stand up and pursue her own happiness! So she left and created another new woman for that era.
As the second part of Ba Jin's Riptide Trilogy, Ba Jin's reading note 4 "Spring" continues the style of the first book "Home", and still shows the struggle of young people under the old ideas and foolish arrangements of the older generation through the description of the daily life of the Gaos. This film centers on the girls of the Gaos, and also introduces another family & the Zhous. The different fates of Gao Jiashuying and Zhou Jiahui once again tell us that we should be brave enough to break through the cage of old ideas in the old society and pursue our own happiness.
In this book, I saw several main girls: Shu Ying, Qin, Hui, Yun, Yun. Knowing that she needed to marry a man with a bad reputation, Shuying had no choice but to listen to her father's wishes, reluctantly endured life and gradually became calm and melancholy. Fortunately, she also has an understanding cousin Qin, and her cousins Chueh-hui and Chueh-min, who inspire her and inspire her. She saw hope step by step, and with the help of the three of them, she fled the Gaos and went to Shanghai where Chueh-hui was located to pursue her hope. Finally, she wrote back to Qin and said, "Spring is ours." She finally achieved the woman she saw in the original magazine who could control her own destiny, live freely and fall in love. Probably at that time, she felt that her beautiful life really began. She is also my greatest comfort in this book.
I don't like sentimental women, but I also know Shu Ying's helplessness. A woman full of sadness seems impossible to be happy, but she is willing to change little by little. It can be seen from her persistence in English learning that she wants to settle down and look for the outside world. Later, under the clear hint of Chueh-hui and Chueh-min, she saw this hope of escape and finally gradually became cheerful. I will cheer up because there is hope. Isn't this what we should have? Even if you are confused about what you want to do in the future, don't muddle along because of confusion, but try to find hope. If you don't have enough strength, then seek guidance and help from others. I hope it will appear bit by bit. When you cross the bridge, you will come to it. People have come up with all the solutions. In fact, when I watched it for a long time, I secretly said, "Why don't you try to help her escape?" ! "But I gradually realized that Shu Ying, as a woman, is absolutely different from Chueh-hui. Women are always the biggest victims of the feudal system, and their resistance is even more insignificant than that of men. What's more, she is the most "Taoist" person in this feudal family-the daughter of Sanye Keming, and it is definitely more difficult to break free from this cage.
Shuying's English teacher is a distant relative, Jianyu Chen, a poor man. In everyone's eyes, he is pessimistic and timid. In Shuying's view, he really can't help himself. But he regarded Shuying as the second star in his life, and he found the way forward by this light. He is happy because of Shuying's happiness and sad because of her sadness. He always tells her to expect from herself when she is sad. He always noticed Shuying's mental changes first. Although I have always felt guilty that I can't really help her, I am still trying my best to comfort and inspire her. Think about the feeling that our own friends are helpless when they encounter sad things. There is nothing but moral support. I can only hope that the parties themselves can think clearly and tide over the difficulties. In the face of other people's sadness, learn to listen. Even if we can't really help each other, our support and understanding are very important. Without the spiritual comfort of those around her before she fled, Shuying would have died of depression. He said firmly to Shu Ying, "If one day you need help, someone is willing to sacrifice everything for you." Finally, he did it. He offered to escort Shuying to Shanghai and take care of Shuying all the way until she died of lung disease in Shanghai. Shuying is lucky to try her best to help so much. I was deeply moved by the deep friendship between my brothers, sisters and friends in spring. I am willing to listen and help with all my strength and encourage each other with positive thoughts. Friends and relatives are like this, what else can you ask for?
Shuying is the second star in Jianyu Chen's life. What about the first star? This is a piano. However, Qin and his second cousin Chueh-min have long liked each other, and in the first film, they also broke through the family barrier, and the future is very beautiful. Under the guidance of Chueh-min and a group of friends, Qin is increasingly developing in the direction of new women, and also serves as an editor of Liqun Weekly initiated by friends. She is gradually getting in touch with the wider world, and her sisters envy her for being able to control her life freely and follow new ideas. Her starlight has risen to a height that Jianyu Chen can hardly see, shining in another world of Chueh-min, which is more suitable for her. If the environment permits, the girls of Gaos can gradually grow into such new women. While constantly becoming a better self, encouraging people around you to explore the new world like themselves is a true friend worthy of deep friendship.
People's situations are always different. Others' lives may have something to envy, but if you just feel sorry for yourself in your own world, instead of asking for change or complaining that others don't understand you, it's self-inflicted. My wife died in the first home, and now two children die in this home. Even his sympathetic and loving cousin Hui, because of her cowardice, made her a victim of feudal ethics step by step. I have been wondering if Chueh-hsin would not have died if he insisted on treating Haichen and Hui with western medicine. Chueh-hsin's insistence is always intermittent. Ah, that can't be called persistence. He comforted Hui and said that he would get better, and he would try his best to find a way. But what about the result? He still succumbed to Nuo Nuo and the old moral standards. In the book, Chueh-hsin has always said that others don't understand him, but why do you have the heart to leave and stubbornly go to extinction when others sincerely help you? It's not that no one doesn't understand you, but that you dare not face the reality at all. Why can't you live happily for yourself?
What makes me most ironic and sad is that Chueh-hsin deliberately said something that angered Shuhua, trying to spread his anger on others and provoke others to say something he wanted to say but dared not say to attack the system. It's really sad He knows where he is wrong, but he keeps making mistakes. The pressure on my eldest son is really heavy, but I still look down on him and want to blame him. His pain is endless, and the people he wants to protect can't protect him. It's all because of his cowardice. Feudal ethics may really be more important than the living in the eyes of elders, but is it necessary for him to sacrifice his relatives for the harmony of his big family? He always reminds me of a sentence: "I know a lot of truth, but I still can't live this life." If these truths are not translated into practical actions, how can I make a beautiful change in my life?
What I like best is Shu Hua's personality. She is outspoken, loves to talk and laugh, and has a strong sense of resistance. Originally, my sister Shuying was similar to her' personality', but it gradually changed because of the arrival of marriage. I'm afraid Shuhua will follow in the footsteps of Shuying. Their fourth sister, Shu Zhen, has felt inferior because of the oppression of ethical codes. Hui became the second plum, because the life married by her parents was always unhappy, and when she was sick, she insisted on the less effective Chinese medicine therapy. I don't want to see the third or fourth plum. Do the new generation of a family really have to escape to find a way out in the future? At least women do. But even if he is not a woman, who can say that he will not become a contradictory and timid person like Chueh-hsin?
It is really full of sadness and helplessness, but also because the last song "Spring is ours" rekindled hope. Yes, spring belongs to our younger generation. We need to fight bravely. Spring brings life, hope, warmth and joy. This kind of spring can't be perceived by people who are locked in the feudal ethics cage. We dare to resist the old system and old ideas, we actively seek new ways out, and we are eager to see a new world and a new century. How can you not welcome your own spring?
Ba Jin's Notes on Spring 5 "I accuse the old society and sentence the old system to death. As a writer, I have rights and responsibilities. I hate that system and despise it. I have only one firm idea: it must die. " -Ba Jin.
Spring is a novel after Home and before Autumn in Ba Jin's trilogy. This paper introduces the story of how a girl who lives in a big family under the feudal system in the old society betrayed her marriage and family and gained personal freedom.
This is a story that looks relaxed and happy on the surface, but in fact, when you read every plot of the story, your heart is always sad, depressed and angry.
Especially when you see the weakness of Miss Li and Miss Er, you really want to walk in, strangle them and throw them into the cesspit. Perhaps only when you see Miss San's boldness, liveliness and innocence, and Miss Qin's kindness, study and optimism, will your frowning brows unfold slightly.
I still remember when I was a child, my mother told me that my sister-in-law had a short shoulder-length haircut when she was young and was scolded by the old lady next door as a man or a woman. Well, my sister-in-law is still in her forties.
I am glad that I was not born in the feudal era when that woman had to follow three obedience and four virtues and show off her capital with her little feet. Being naked and unable to make ends meet since childhood has made our generation less spoiled by our parents and more bitter experiences in life. How admirable it is to listen to the old man or "explore". Discovery occasionally tells the life course of their generation on CCTV science and education channel!
Notes on Ba Jin's Spring 6 Ba Jin's Spring is the second part of Ba Jin's Riptide Trilogy. It is an extension of "home", and I read some "spring". After reading this book, many plots in the book have been in my mind, and the characters in the book are deeply rooted in my heart. After reading the book "Spring", an unexpressed sense of oppression comes to mind, a grievance, a depression and a heartache.
I like Shuhua very much, this very open-minded Miss San. She doesn't have the anxiety in Shu-ying's heart or the timidity of Shu Zhen. She seldom felt sorry for Chueh-hsin's experience, and seldom stood in the position of Shu-ying and Shu Zhen to feel their helplessness. Shu Hua, who is cheerful and lively, enjoys her rare happiness as a young lady in this depressed Gaos Mansion every day, and will watch the quarrel between Ding Ke and his wife very lively. Maybe Shuhua doesn't have Qin's ambition to change the times, maybe Shuhua doesn't have Shuying's rebellion against fate, and maybe Shuhua doesn't have the fear of discord between her parents. In that era when a woman could not hide her face, Shuhua's excellent psychological quality brought her a relatively satisfactory life.
Everyone's personality is determined by his living environment and life experience.
When Chueh-min wanted to take the two young ladies out to see the world, Shu-ying was afraid of her father, and Shu-zhen was worried about discord with her parents. Only Shuhua actively offered Chueh-min her inner desires. I don't care. Mom won't stop me. Shu Hua's words made Shuying jealous, even a little indifferent to other people's feelings, but at the same time, they also revealed the difference with the high-ranking wives. Shuhua is not Shuying, and she has no father who pushed herself into the fire pit; Shuhua is not Shu Zhen. She wants to tie her mother's feet. She has no parents who quarrel all day. Shuhua takes Zhou as her mother, Chueh-hsin as her brother, Chueh-min's runaway marriage as a reference and Chueh-hui's runaway marriage as an example. In Gao Mansion, apart from Chueh-min and Chueh-hui, Shuhua is the most daring to pursue herself in this generation, but at the same time, due to her lack of in-depth understanding of society and considerate feelings for people around her, Shuhua is not so disappointed with this family and society. Shuhua is not the freest and most thoughtful person in Gao Mansion, but she is definitely the happiest.
Chueh-hsin is probably the most compassionate one. Eldest brother perfunctory everywhere, everyone perfunctory, perfunctory life, or end up like this. Chueh-hsin wanted to follow the route arranged by his family, so he perfunctory. In order to perfuse Gao's father, he gave up his beloved Mei and married a jade he had never met before. When Chueh-hsin, who resigned himself to life, gradually developed feelings with this girl he was not familiar with, sparked a spark of love and started his own warm and happy family, it was feudal ethics that shattered his hopes and threw him into the abyss of despair. Living alone with the clever son Haichen may be the final outcome of Chueh-hsin's life in his twenties, but God doesn't want to. He doesn't want such a tragic person to spend the rest of his life so peacefully. Meningitis, a word that sounds a little scary now, suddenly fell on Chueh-hsin's lovely child.
Seeing that the only sustenance was so painful, Chueh-hsin, who had always been perfunctory, no longer had so many worries and went to invite western medicine himself. When I was still a little relieved that Chueh-hsin ignored the opposition of the most prestigious third master in Gao Mansion and took tin foil to find a western doctor, the unfortunate news leaked with Chueh-min's return home. Hai Chen's emotional scene for Qin and Shu Ying's sisters emerged. Haichen has always been different from Jueying's naughty. He will listen to his father, give up the desire to play for a while and go to bed quickly. He will leave the storyteller Qin immediately, when his father tells him that Qin has left; When he is ill, he will hold back from crying, but Chueh-hsin won't let him cry. I can't imagine what such a child would be like if he didn't die young and was a coward who compromised his family and society like his father. A wan ku who is as numb to beating and cursing as Chueh-ying? It is hard to imagine that he can fight against this extremely dissatisfied society as fiercely as Chueh-hui. God is too cruel to Chueh-hsin. Chueh-hsin is more sensible than anyone else. He accepted the political marriage that could help his family, the superstition that his wife was giving birth outside, and the death of Haichen delayed by quacks. Chueh-hsin is always sad about his fate. What you didn't have before will always make people sad after you lose it. No one can pretend you never had it.
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