The "national style" in The Book of Songs was originally a music song and a popular literature of that era. After finishing by Confucius, it was regarded as a classic by Confucianism in the Han Dynasty and explained, and then refined. There were many folk songs in the Zhou Dynasty, and the authors of these songs were mostly civilians. It is said that these poems were collected by a special person, modified and processed by the music official and the master in charge of melody, and then played to the emperor to observe the customs and know the gains and losses. This is the style of fifteen countries in the Book of Songs.
The wind is a musical tune, and the national wind is a musical tune in various regions. Countries refer to regions and territories. The 15-nation Wind 160 articles include Nan Zhou, Zhao Nan, Qifeng, Zhu Feng, Feng Wei, Feng Wang, Zheng Feng, Qifeng, Wei Feng, tang style, Qin Feng, Martin, Qifeng, Cao Feng and Zhuifeng. Money is a place name, Wang refers to Luoyang, the capital of the Eastern Zhou Dynasty, and the rest are the names of princes. The Fifteen Kingdoms is the local folk music in these areas. In the national style, Qi's works are all works of the Western Zhou Dynasty, except for a few works originating from the Western Zhou Dynasty, most of them are works of the Eastern Zhou Dynasty.
The works with national style more express the poet's true feelings about life such as war corvee, marriage and love, and show the poet's sincere feelings, distinctive personality and positive attitude towards life in the concrete description of these life aspects.
Feng Wang
Wang is the abbreviation of "Ji Wang", that is, the area directly ruled by the Eastern Zhou Dynasty, generally including Luoyang, Yanshi, Gongxian, wen county, Qinyang, Jiyuan and other regions in Henan today. Feng Wang is such a poem.
The Eastern Zhou Dynasty lost its original suzerain status, not only unable to control the vassal state, but also bullied by powerful vassal States, and its territory was shrinking day by day. However, at the beginning of the Spring and Autumn Period, the Zhou Dynasty had to put on a majestic posture to conquer the so-called "rude" vassal states, but sadly, it always ended in failure.
It is precisely because of the frequent conquests in the early Eastern Zhou Dynasty, the concentration of big noble and the luxury of life that the oppression and exploitation of the people in this region have to be aggravated. Under the heavy burden of military service, heavy labor and economic burden, many people are dissatisfied with their wives and homeless people, and people generally feel that their lives are declining day by day, which is much worse than before they moved eastward. Most of Feng Wang's ten poems reflect people's groans and resentment.
Feng Wang and Nan Zhou are of the same ancestry, but their tunes are different. Wang Ji's folk music in the Eastern Zhou Dynasty belongs to Feng Wang, while foreign music influenced by Nanyin belongs to Nan Zhou.
There are ten * * * songs in Feng Wang: Mi Li \ gentleman in the middle \ gentleman Yang Yang Yang Zhishui \ vine in the middle valley \ a rabbit \ a vine \ a vine \ a car \ hemp in the mountains.