The representatives are Liu Yong, Yan Shu, Yan, Zhou Bangyan, Li Qingzhao, Qin Guan, Jiang Kui, Wu Wenying, Li Yu and Ouyang Xiu. Liu Yong's representative works: Yulin Ridge (cold cicada), Butterfly Love Flower (leaning against a dangerous building), Uncle Yan: Huanxisha (a new word and a glass of wine), Huanxisha (total age), Yan: Linjiangxian (closing the balcony after a dream), Partridge Sky (holding a jade bell with colorful sleeves), Zhou Bangyan: Warrior Lan Ling. Jiang Kui: Yangzhou Slow (a famous work in the left middle school), Dimfragrance (the moonlight in the old days): The preface to Ying Ti (the cold can bully the sick wine), Feng Song (listening to the wind and rain is too clear) Li Yu: Yu Meiren (spring flowers and autumn moons), meeting each other (flowers in the forest have withered in spring) The main characteristics of the graceful school are that the content focuses on children's customs. Narrow content. For a long time, characters tend to be gentle and graceful, so people have formed the concept that grace is authentic. Li Houzhu, Liu Yong, Zhou Bangyan and other poets' The Truth of Ci represents this view. Graceful words once dominated the ci world for a long time, until a large number of poets such as Jiang Kui, Wu Wenying and Zhang Yan in the Southern Song Dynasty were influenced by graceful words in different ways.
(usually poetry) a free and powerful style
Representative figures are Xin Qiji, Su Shi, Yue Fei, Lu You, Zhang and Liu Guo. Su Shi's masterpiece: Nian Nu Jiao. Red cliff nostalgia (river of no return); Jiangchengzi Michigan hunting; Xin Qiji's: abnormality. Give Chen Tongfu strong words to send him; Yonghe music, Jingkou, Gubeiting nostalgia (eternal rivers and mountains); Zhang's: He Xinlang's (Dream of China Road); Zhang Xiaoxiang's: the head of the Six Kingdoms Song Dynasty (Wang Changhuai). The weather is magnificent, and he likes to write words with poetic techniques, syntax and typology. His words are very broad and versatile, and they are not constrained by rhythm. In the Northern Song Dynasty, Huang Tingjian, Chao, He Zhu and others all had works of this style. After Du Nan, due to the great changes of the times, tragic and generous high notes came into being, which became a common practice, and Xin Qiji became a giant and leader of a generation who created bold and unconstrained ci. The school of bold and unconstrained ci is not only unique, but also has a great influence on the ci circle in Song Dynasty. From the Song and Jin Dynasties to the Qing Dynasty, there were always poets who held high the bold banner and made great efforts to study Su and Xin.