original text
Recalling the original exploration, the wind in Yang Liuyi was blowing in the wind; Now back on the road, snowflakes are flying everywhere. Today, as soon as I remembered, it rained.
To annotate ...
Rain: the meaning of rain: past: past thinking: mood auxiliary words. Yi: Modal auxiliary words. Yiyi: Describe the fragile branches swaying in the wind. Feifei: The way snowflakes fly.
(translation)
Recall that when I went out, Yangliuyiyi blew with the wind; Now on the way back, the snow is flying all over the sky.
Enjoy 1:
This is a famous sentence in the Book of Songs, which, like a painting, expresses the feelings of a traveler who is away from home to the fullest. It was already spring when I went out, and the willows were dancing. When I came back, it was already rainy and snowy winter. In a year's time, it goes without saying what he has experienced.
Appreciation 2:
Picking Wei is one of the poems in The Book of Songs. Annotators in past dynasties have different opinions on the date of its completion. However, according to its contents and other historical records, it is more likely that the works of the Zhou Xuanwang era will be revised. The stubborn nationalities in the northern part of the Zhou Dynasty (later Xiongnu) were very powerful and often invaded the Central Plains, which brought many disasters to the people's lives in the north at that time. In history, there are many records of the Zhou emperor sending troops to defend the border and ordering soldiers to send troops to defeat him. Judging from the content of Cai Wei, it is an era in which soldiers defend their country and struggle hard. This poem praises the hard life and homesickness of the soldiers who joined the army. The whole poem is divided into three chapters, and the first three chapters are stacked one after another in order to meet the EU and write about it. The sergeant stationed in the garrison is far from home, homesick for a long time and worried! The author wrote: Shan Wei, you have sprouted and been born. We should go home! But it's another year in a blink of an eye, and we have already neglected our family. Why? In order to invade, we can't even sit still for a while, but also for the invasion. We need to attack! It's time to pick Wei again. Ye Wei has grown up and leaves are tender. Time to go home! The sadness in my heart is so fierce that I am running for the war, and our garrison period is uncertain. Who can bring us a letter home? Shanwei is strong, it's time to go home! October is already spring! But the king's business is endless, and he can't have leisure. His sad mood is very painful, but no one is comforting him! The fourth and fifth chapters are about the busy and tense border war: what are the blooming flowers? It's a flower from Tang Di. Compare the prosperity of military chariots and horses with flowers: what's the big deal? That's a soldier's military vehicle. Now that the chariot has been driven, the war horse is tall and vigorous, and the war is frequent, the army has to migrate. How dare you settle down? Driving four fine horses with their heads held high, the generals sat in the chariot, the infantry hid behind the chariot, and the horses were mighty and powerful, and the elephant bone bow and fish skin quiver in the hands of the soldiers were always by their side. The war of aggression is so powerful and rampant, can horses be more vigilant every day? These two chapters are about ferocity and Zhou's military discipline, which strengthened Ma Zhuang's grand military power. However, the life of the garrison is also hard and tense, which was written by the author in a realistic way. The sixth chapter, with a different style of writing, describes the conscripts' sadness of hunger and cold on their way back to their hometown: it is very embarrassing and miserable to think that when they went to war, Ye Sheng willows were flourishing, and at this time, the snow and snow returned to their hometown, which was a long way, cold, hungry and thirsty. Xie Xuan, a native of Jin Dynasty, regarded the four sentences of "I was in the past tense" as the best poem among the 300 poems. It has a great influence in the history of literature. It is often sung and imitated by later scholars. Because the Book of Songs is famous for its profound simplicity, there are not many such touching works. Therefore, it became a model of lyric works in The Book of Songs and was praised by writers of past dynasties. The theme of this poem is serious. Zhou's soldiers are ready to fight because of their bravery. As a garrison sergeant, the author describes the seriousness of the army and the hardships of life by ordering the generals to send troops to guard China. The author's patriotic feelings are expressed through his hatred for you. It is also reflected in the description of their loyalty to their duties-the sharp contrast between "not eager for success", "not eager for success", "dare to settle down", "never leave" and extreme homesickness. The poem is supplemented by touching descriptions of natural scenery: the birth of Wei, Wei's softness, Wei's rigidity and softness, Tang Di's flowers, weeping willows, rain and snow all set off the soldiers' "Japanese police" life, but they are all homesick. What is written here is the true thoughts of soldiers. Sad mood did not reduce the value of this article as a patriotic poem, on the contrary, it showed people's simplicity. From the writing point of view, like many works in The Book of Songs, it uses the method of stimulating interest. In addition, it is repeated in composition and morphology, which makes the content and interest spread layer by layer and gradually deepen, and also enhances the musical beauty and rhythm of the works. The whole poem has narrative, discussion, scenery, lyricism and psychological description, and the collocation is appropriate. Therefore, picking Wei is indeed one of the most wonderful chapters in the Book of Songs.
Delighting in Rain on a Spring Night 1. Good rain: refers to spring rain and timely rain. 2. Yes: Only three. Occurrence: promote plant growth, germination and growth. 4. sneak in: secretly, quietly. 5. Moisturize: nourish plants with rain. 6. Wild trail: country road. 7. all: all, all. 8. River boat: a fishing boat on the river. 9. independence: loneliness, only. 10. Good morning. 1 1. Red wet place: flowers become heavier when wet. Red, flowers. 12. flower weight: flowers look full and heavy because of the rain and hang down. 13. Jinguancheng: Located in the south of Chengdu today, it is also called Jincheng. During the Three Kingdoms period, officials in charge of brocade in Shu and Han dynasties were stationed here, hence the name. Later generations took it as another name for Chengdu. But also for Chengdu. "Delighting in Rain on a Spring Night" was written by Du Fu in the spring of last year (76 1) in Huanhuaxipan Caotang, Chengdu. Background and ideological content of Delighting in Rain on a Spring Night: This poem was written in the spring of the second year of Shang Dynasty (7,665,438+0). At this time, Du Fu came to Sichuan and settled in Chengdu for two years because of the drought in Shaanxi. He cultivates self-cultivation, grows vegetables and flowers, and interacts with farmers, so he has deep feelings for the spring rain. He wrote this poem to describe the spring night rain and dew nourishing the beauty of all things and express the poet's joy. Delighting in Rain on a Spring Night expresses the poet's love and praise for the selfless dedication to the drizzle on a spring night. The whole poem reads: "Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, Jinguancheng is heavy. " One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, in the boundless night, with the wind, quietly nourishing everything, without any intention to please, just seeking dedication. You see, the author observes the rain scene so carefully that even the spring rain and silence are heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. The neckline is interlocking, and the poet only wants a spring rain for one night, but he is afraid of an abrupt end. He is also happy and worried. He pushed the door and went out, standing overlooking, only to see that the well-defined field path on weekdays was also integrated into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. The profusion and vitality of flowers are the result of silent drizzle moistening and baptism. Therefore, writing flowers is really a selfless dedication to baking the spring rain. Through the above analysis of poetry, it is not difficult to see that Du Fu conceived his writing according to such an emotional train of thought, that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil", which is true. Everyone expects this precious spring rain to be like oil, and so do poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, unable to sleep all night, eager to have a good play, and afraid that it would suddenly stop, so he gently pushed the door and looked into the distance, looking at the boundless spring rain and seeing the dense spring rain, the author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day. Poetry is praising the lofty quality of Spring Rain's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and realistic, full of twists and turns, which can't help but make people marvel at Du Fu's artistic skill in observing things and feelings. In addition, the capture and description of the details in the poem can also reflect the superiority of the poet's body and things. "Sneak into the night with the wind and moisten things silently." The word "latent" is personified, imitating the silent and intangible artistic conception of spring rain, which is quite interesting and induces people's love for spring rain. The word "run" conveys the spirit, accurately and vividly writing the characteristics that spring rain moistens everything and moistens things silently. Both drawing shapes and expressions, and both shapes and feelings are well prepared, profound and unique. "Flowers are more important than Jinguan City", with the word "heavy", accurately wrote the model that Jinguan City was full of vitality after being baptized and moistened by a night of spring rain, and conveyed the author's praise for the spring rain. "Wild trails and clouds are all black, rivers and boats are bright" captures the typical details, describes them in detail, and subtly and vividly renders the rainy and colorful atmosphere in spring. In a word, Du Fu's "Delighting in Rain on a Spring Night" embodies the remarkable characteristics of observing words and feelings, capturing images and describing details. Reading Du Fu's poems in combination with his gloomy style, we will surely understand another life interest in Du Fu's poems. This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood. Praise "rain" with a "good" word from the beginning. In life, "good" is often used to praise people who do good things. Praising rain with "good" now will arouse the association of people who do good things. Next, personify the rain, saying that it "knows the season" and understand it to meet the objective needs. Isn't it? Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Look how nice it is! The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented. "Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping. If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river surface is easier to distinguish than the shore. What about now? Looking around, "the wild path is dark, and the river boat is bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. All right! It looks certain that it will rain until dawn. The tail couplet is about an imaginary scene. After such a "good rain" for a night, everything will be nourished and grow. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City (Chengdu) is full of peanut trees, "red and wet", red and bright, sinking into a sea of flowers. So, what about the seedlings in the field? What about the Woods on the mountain? Everything. Everything? Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble personality of poets and all "good people". The appreciation of this poem is about rain. The poet grasped the characteristics of this rain with keen skills and described it from all aspects. The first sentence is about the rainy season, which directly praised the timely rain. Rain seems to know people's minds and comes quietly when it is most needed. The last three sentences focus on the rain at night. It was dark in the wild, only a little fishing fire was looming. The poet then guessed excitedly: By dawn, Jinguan City should be colorful. There is not a word of happiness in the poem, but the poet's happiness is everywhere. The poem explains that rain seems to know people's minds and comes quietly when it is most needed. Rain quietly comes to night with the wind, quietly nourishing plants. It was dark in the wild, only a little fishing fire was looming. At dawn, Jinguan City should be full of flowers and colorful. The creative background and ideological content of Delighting in Rain on a Spring Night express the poet's love and praise for the selfless dedication to the drizzle on a spring night. The whole poem reads: "Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Xiao Jian Jiang is wet, and Jinguan City is heavy. " One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endowed Yu Chunren with life and emotion. In the author's opinion, Chun Yu is considerate and sensible, and he comes up when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, coming with the wind in the dark night, quietly moistening everything, without any intention of seeking "goodness", just seeking dedication. You see, the author observes the rain so carefully that even the spring rain and silence are heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. Tie couplets around the neck, the poet only looks forward to the spring rain for one night, but he is afraid of an abrupt end. He is happy and worried. He pushed the door out and stood at a distance, only to see that the well-defined field paths on weekdays were also dissolved into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. The richness and vitality of flowers are the result of the silent drizzle moistening ceremony. Therefore, writing flowers is really the selfless dedication of Spring Rain. Through the above analysis of poetry, it is not difficult to see that Du Fu conceived and wrote according to such an emotional thinking, that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil", which is true. Everyone wants this precious spring rain to be like oil, and so do poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, completely sleepless, eager to have a good play, lest it suddenly stop, so he gently pushed the door, looked into the distance, looked at the boundless spring rain, and saw the dense spring rain. The author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day. Poetry is praising the lofty quality of Spring Rain's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and realistic, full of twists and turns, which can't help but make people marvel at Du Fu's artistic skill in observing things and feelings. In addition, the capture and description of poetry details can also reflect the superiority of poetry in observing things and feelings. "Sneak into the night with the wind and moisten things silently." The word "latent" is personified, imitating the silent and invisible modality of spring rain, which is quite interesting and induces people's love for spring rain. The word "run" is conveyed to God, which accurately and vividly describes the characteristics of spring rain that moistens everything and moistens things silently. Both drawing shapes and expressions, and both shapes and feelings are well prepared, profound and unique. "Flowers are more important than Jinguan City", with the word "heavy", accurately wrote the pattern that flowers in Jinguan City were red and full of vitality after being baptized and nourished by a night of spring rain, and conveyed the author's praise for the spring rain. "All the clouds in the wild trail are black, and the boats in the river are bright" captures the typical details and depicts them carefully, subtly and vividly rendering the hazy and colorful atmosphere of the spring rain. In a word, Du Fu's Delighting in Rain on a Spring Night embodies the superiority of observing other things' feelings and nuances in tempering sentences, capturing images and describing details. By comparing and appreciating Du Fu's poems with his gloomy style, we will certainly deeply understand another life interest in Du Fu's poems.
Xin Qiji's Moonlit Night on the West River in Huangsha Road in the Middle Song Dynasty
The moon on the horizon rose to the top of the tree, scaring away the magpies perched on the branches. The cool evening breeze seems to have spread to cicadas in the distance.
In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year. In the old days, Maodian was near the forest, and the road turned to the stream bridge.
The bright moonlight woke up the living birds and magpies, and they left the branches and flew away. A breeze blew in the middle of the night, and cicadas kept barking. In the fragrance of rice flowers, there are frogs, as if telling a story of a good year. Soon, dark clouds covered the moon. There are only seven or eight stars twinkling on the horizon in the distance, and it actually started to rain in front of the mountain. Pedestrians panic: there used to be a hair shop next to the trees in the earth temple to shelter from the rain, but now it's gone. He hurried across the stream from the small bridge and turned a corner, and the Maodian appeared in front of him.
The author biographies Xin Qiji (1 140- 1207), a poet in the Southern Song Dynasty. The word You 'an, Jia Xuan, is from Jinan, Shandong. The artistic style is diverse, mainly bold. And "Jia He's Short Sentence".
Content: This is Xin Qiji's masterpiece Pastoral Poetry. With its natural and simple language and fresh and hearty style, it not only enables us to see a vivid and realistic field scenery painting. And there is a feeling of being there.
At the beginning, the two sentences of "surprised magpie" and "singing cicada" are suitable for both movement and static, describing the scenery under the "breeze" and "bright moon" in the middle of the night. Then, when I turn the pen, I look down from above. On the field, the smell is fragrant and the frog is sweet, which is felt by the sense of smell and heard by the hearing. In just 25 words, the author vividly outlined the scenery up and down the field, which was very three-dimensional. Hierarchical, static and dynamic, in sharp contrast, really touching. It further illustrates the happiness that summer nights full of harvest years will bring to people.
In the first two sentences of the second half, the clever use of the numerals "seven or eight" and "two or three points" tells us that the "stars" are scattered and the "rain" is slightly showered, which is in line with the quiet night, quiet and simple atmosphere of the uptown. In particular, a poem "Beyond the Horizon" and a poem "In front of the Mountain" were originally out of reach, but as soon as the pen turned and the bridge passed, the shadow of the Maodian near the village forest was unexpectedly displayed in front of people. Although the poet is familiar with the path on the Huangsha Road, he always forgets to cross the "outer sky" and the "front of the mountain", because he is obsessed with the sound of frogs pouring out the joy of the good years in front of him, and even the Maodian near the forest near the Shemiao is unaware of it. The former's "turning the road" and the latter's "suddenly enlightened" not only reflect the poet's sudden joy of clearly approaching the old house, but also express his ecstasy of being immersed in the fragrance of rice flowers and forgetting the distance of the road. The two complement each other, which reflects the author's profound artistic foundation and is intriguing.
The word "Xijiang Moon" does not describe amazing mountains and rivers, nor does it describe amazing wonders. Just the common moon, birds, cicadas, frogs, stars, rain, shops and bridges, we can get a kind of beautiful enjoyment from this word and arouse our love for the field scenery.
The sky is clear, the sand and the poetry of autumn mean that the sun is gradually sinking in the west, and the sunset glow on the horizon is gradually dissipating, leaving only a few dim colors, reflecting that the quiet village in the distance is so lonely and dragging a long shadow. The smoke drifted faintly, and when the crow perched on the rickety old tree, it made a few chilling crows from time to time. Suddenly, a wild goose flew down in the distance and crossed the sky. Looking from a distance along it, the scenery is beautiful; Close up, frost grass, flaming maple leaves and golden chrysanthemums are swaying in the wind, and the colors are almost enchanting. It's thick autumn scenery! Make an appreciative comment
This article is selected from Bai Pu's (later 1 126 ~ 1306) Teana Collection, whose real name is Heng, whose word is Renfu, and later renamed Park, Zi and Ming. Together with Ma Zhiyuan, Guan Hanqing and Zheng Guangzu, they are also called "the four masters of Yuan Opera". Although the title of this song is "Autumn" and it is written in autumn, there is no word "Autumn". At the beginning of this song, a picture of autumn dusk is painted, creating a quiet and lonely atmosphere. Then, in the form of noun juxtaposition, typical autumn scenery is selected to describe a colorful Qiu Jingtu from far to near. At this point, autumn scenery in front of readers has changed from bleak and lonely to beautiful. This song has only twenty-eight words, but its language is concise and beautiful, with far-reaching significance. Ceng Yun, Liu Yuxi: "Autumn has been sad and lonely since ancient times. I say autumn is better than spring. There is no one in the clear sky in Wan Li, and a crane, Ling Yunfei, has aroused my meditation on the blue sky. (Autumn Poetry), this song expresses the author's positive, optimistic and cheerful attitude towards life. It is really the so-called "don't be happy with things, don't be sad with yourself ("Yueyang Tower ")"! In this song, twelve intentions are naturally bonded together by the way of feeling in the scene, as if they were handy. The first two sentences, "Sunset in an isolated village, West Western jackdaw as a light smoke from an old tree", have rendered a quiet and lonely atmosphere and set off people's sad mood. The scene of "Flying in the Shadow" is very dynamic, breaking the silence of the previous picture. The last two clauses "green mountains and green waters, white grass, red leaves and yellow flowers" render a clear, gorgeous and colorful picture with the combination of various colors and nouns, so as to write the extremely beautiful things in autumn and contrast with the tranquility and loneliness in front, highlighting the main idea. Although it is similar to Ma Zhiyuan's Qiu Si, it also has its own characteristics. The first two sentences are based on "Lonely Village" and deliberately render the cold silence of autumn dusk. " "A Little Hong Fei" brings vitality to the cold static picture, which causes the emotional transfer of the song. Then the poet described the beautiful autumn scenery in five colors: blue, green, white, red and yellow, from far to near, from high to low, multi-level and multi-faceted, which made the whole picture full of poetry. This song is full of artistic tension. It successfully combines the bleak scenery of autumn with the bright and beautiful scenery, and takes the pleasing autumn scenery as the main theme of the song. It is another masterpiece of writing autumn. Bai Pu chose autumn scenery as the theme of this piece, and it can be seen from rhetoric that his literary accomplishment is extremely high. The whole work consists of some beautiful natural scenes, and Bai Pu himself, like an artist with these natural puzzles, pieced together a beautiful picture of life in harmony. When writing about autumn scenery, it is inevitable to set off a bleak atmosphere. However, if the bleak atmosphere is the main theme of the whole article, it will make readers feel bored and stressed. In order to avoid this situation, Bai Pu took great pains in choosing words. In the first two sentences, "The sunset stays in the lonely village, and the old trees are in the west of Western jackdaw", * * uses six pictures of "Lonely village", "Sunset", "Sunset", "Light smoke", "Old trees" and "West Western jackdaw", and any one of them represents the bleak atmosphere of autumn scenery in autumn. In order to enliven this bleak atmosphere, the author chose Flying in the Shadow as the end of the first half. As a result, the bleak picture turned to be active, and the lonely autumn scenery seemed to present another vivid life. Finally, in order to strengthen the beautiful and charming image of the author autumn scenery, he used "green mountains and green waters, white grass, red leaves and yellow flowers." As Wen Qu concluded. These two sentences use five colors: green, white, red and yellow. White grass, red leaves and yellow flowers are mixed in the two colors of green mountains and green waters. "Green mountains and green waters" is a vast picture scroll, and "white grass, red leaves and yellow flowers" is a delicate picture scroll, which is so patchy that autumn scenery, which was originally lonely and bleak, suddenly becomes colorful. Thus, Bai Pu's prose writing skills are brilliant. The first two sentences describe the first picture. The author captures six natural scenes: village, sun, sunset, kitchen smoke, trees and crows, and then touches them with six words with the same emotional color: loneliness, falling, disability, lightness, old age and cold. The juxtaposition of six images makes the whole picture shrouded in a bleak atmosphere, which makes people feel a strong sense of autumn and takes care of the title of "autumn". Sunset in the West not only points out that it is evening, but also conveys a kind of helplessness and melancholy that "to see the sun, for all his glory is buried by the coming night". Lonely small village, trees withered and old, crows infested, lifeless, filled with misty "light smoke", such a picture makes people feel sad and confused. Here, the author depicts a bleak, bleak and barren late autumn landscape with realistic methods. However, not all places are so desolate and deserted. Look at the scene of "flying in the shadows", "green mountains and green waters, white grass, red leaves and yellow flowers". This picture is colorful, bright and full of vitality, which is in sharp contrast with the previous picture in environmental atmosphere. It's also a piece of autumn scenery. Why is there such a big contrast? What kind of thoughts and feelings does the author want to express? You can't find a clear answer by comparing these two pictures. If Bai Pu's attitude of not wanting to be an official in Yuan Dynasty is linked, the answer is not difficult to understand. The "small" in the picture is a sentence in Li Bai's "Send Pei eighteen pictures south to Songshan II": "Raise your hand and point, it is difficult to talk. There is no morning or evening, and the water is clear. " The "Hong Fei" in the novel has the same effect, which is a metaphor of the author himself. Bai Pu doesn't want to get a job in the imperial court, but hopes to fly away from that bleak, cold and lifeless place like a swan, and find a happy land full of vitality. Therefore, the land of "green mountains and green waters, white grass, red leaves and yellow flowers" under the shadow can be understood as the author's seclusion and the scene in his heart. The artistic conception is cheerful and peaceful, without negative feelings, which shows the author's love for seclusion and should belong to imaginative writing. In this piece of music, the author put the "scene in his heart" together with the real environment at that time in a very clever way, which produced a strong contrast effect and implicitly revealed his love and hate. This central song depicts a landscape of Qiu Jingtu from desolation and loneliness to brightness and beauty. Expressed the author's positive, optimistic and cheerful attitude towards life. (Remember to offer rewards)