1954 co-founded Genesis Poetry Magazine with his good friend * *, and served as editor-in-chief for decades. His works have been translated into English, French, Japanese, Korean, Dutch, Swedish, Yugoslav and other languages, and have been included in major poetry collections, including Selected Works of Ten Contemporary Poets in China.
The works of love are rich. Thirty-one poems such as Injury of Time, six essays such as A Lotus at Noon, five comments such as The Mirror of the Poet and eight translations such as Biography of Hugo have been published. His masterpiece "Death of a Stone Chamber" has always been concerned by the poetry circle, and there have been continuous comments for more than 30 years. The English version was published by Dao Lang Publishing House in San Francisco on 1994. 1982, his long poem "Reprint of Blood" won the literary recommendation award of China Times. In the same year, the poem "Injured by Time" won the 1983 Zhongshan Literary Creation Award and Wu Sanlian Literary Award. 199 1 won the Taiwan Province Literature and Art Award. 1999, Love's poetry collection Magic Song was selected as a literary classic in Taiwan Province Province. In 200 1 year, the publication of 3,000 poems "Drift Wood" shocked the poetry circles in China. In 2003, he was awarded the honorary award of Lifetime Achievement Award by China Literature and Art Association. In 2004, he won the Big Dipper Award in Beijing's "New Poetry International Poetry Award".
There are many monographs on love works, including The Metamorphosis of Poets: A Collection of Comments on Love Poetry, Love and Modern Poetry in China, Biography of Love, Love of a Generation of Poets, Upanishads of Wandering, Experience of Tragedy Subject Value-An Interpretation of Love, and Love: Poetry? Magic? Zen, etc Love was a surrealist poet in his early years, and his expression was almost magical, and he was praised as a poet demon by the poetry circle. He has been immersed in the exploration of calligraphy for years. He is not only good at Wei Bei and Han Li, but also good at cursive writing. His book style is smart and loose, and his realm is lofty. He has been invited to exhibit in Taipei, Taichung, the Philippines, Malaysia, Vancouver, new york, Jinan, Shenzhen, Hangzhou and Hengyang.