On February 2nd, spring outing to the riverside, the spring breeze and sunny and warm music are melodious.
The stamens are like willow buds and graceful eyes, a
On February 2nd, spring outing to the riverside, the spring breeze and sunny and warm music are melodious.
The stamens are like willow buds and graceful eyes, and the purple bees and butterflies hover, which is more slender.
He has been back to his hometown for three years. He has been in his hometown for three years.
Xintan doesn't understand the wishes of tourists, and it is rainy at night.
These seven laws were written in the seventh year of Dazhong (853), and Li Shangyin worked in Zizhou (now Santai, Sichuan) in Liu Zhongying for the second year. According to the custom in central Sichuan, February 2nd is an outing festival.
The whole poem mainly expresses homesickness and sadness of life experience. The first couplet comes straight to the point, writing the initial feeling of spring outing on the river. The poet strolled on the river, facing the warm east wind and bathing in the warm sunshine. He feels that spring is beautiful, and it is the clear sheng sound, which seems to bring the warmth and joy of spring back to the earth. Warm East Wind is about touch, and Smelling blowing sheng is about hearing, which are closely related. Shengquan is afraid of the tide and cold, and when it is cold, its voice is astringent. Now that the east wind is getting warmer, Sheng is naturally warm and clear. Zhuan Xu wrote colorful, warm and vigorous spring scenery from the visual angle. What the poet can see is that spring flowers are everywhere, tender willows are tender, and butterflies and bees, the messengers of spring, are dancing among the willows. "Flower beard", stamen. The stamens of flowers are slender and bearded, so they are cloudy. Ada, when willow leaves are born, they are as slender as eyes. The poet carefully chose the two images of "flower beard" and "willow eye" to highlight the seasonal characteristics of early spring. "Rogue" originally means unruly and cunning, but here it means provocative, lovely and annoying. "Rogue" and "All sentient beings are sentient" use personification or empathy to describe flowers, willows, bees and butterflies as sentient and righteous as people, as if intending to show their lively and beautiful charm to poets and welcome spring. Red flowers, willows, wasps and purple butterflies set each other off and have bright colors. Therefore, this couplet slightly reveals the poet's sadness touched by the beautiful spring scenery. Yao Peiqian, a man of A Qing Dynasty, said: "Rogues are hooligans, and people with feelings have feelings, which will never be anything to me." Notes on Li Yishan's poems point out that poets are not interested in enjoying such rich spring scenery. He Chao said: "I was forced to recall in the first half, so strong, but people felt it." (Shen's Comments on Li Yishan's Poems) Appreciate the above four sentences, and make a subtle and full environmental atmosphere for the following description of homesickness. The opinions are all to the point.
Couplets express the homesickness of the guests. "Liang Yuan" is the word of Tao Qian, a poet in the Eastern Jin Dynasty. There is a sentence in his poem "Returning to the Garden" that "there is something left in the well, and the mulberry and bamboo are rotten". "Engaged in" refers to acting as a curtain officer. "Yafu Camp", during the reign of Emperor Wen of Han Dynasty, General Zhou Yafu was stationed in Liu Xi (near Chang 'an) with strict military discipline, and was later called "Liu Camp". Liu's surname is hidden here, referring to the curtain. The last sentence says that I live in a foreign land thousands of miles away and often think about returning to China; The next sentence says, well, I have been detained in Liulian for three years, and I don't know when I will return. In this couplet, "Wan Li" and "Three Years" took a long time to write, and set each other off. "Memories" and "engagement" are contradictory, one is to write inner thoughts, and the other is to write body departments, which are all in contrast. Liu Zhongying, our Dongchuan envoy, attaches great importance to, trusts and cares about Li Shangyin. Shortly after Li Shangyin entered the shogunate, he was changed from the archives to the festival trial. Liu Zhongying Xuan also recommended him as a doctor in the calibration department. So why does Li Shangyin miss his hometown so much? This is because his beloved wife Wang died three years ago. The poet with pure feelings was very sad and never forgot it. I often miss those young children who are fostered in the homes of relatives and friends in Chang' an; Coupled with physical decline, illness, I feel that my ambition is hard to pay, and the years are wasted. So my mood is very depressed, my heart is very painful, and my homesickness is getting stronger and stronger. Connecting with the poet's life situation, we can better understand the spiritual pain contained in this seemingly dull narrative, which is extremely profound and profound.
At the end of the couplet, he responded to "Jiang Shangxing" and used the voice of the river beach to further pour out his bitterness. "Tourist" refers to the poet himself. The new beach on the river doesn't understand the mood of my wanderer, and it makes a miserable rain sound between the eaves at night. The sound of running water on the new beach is naturally a tinkling and pleasant spring melody for ordinary people on a spring outing. However, in the ears of homesick poets, it is a sad and urgent voice. Why should the sound of the beach be regarded as the rain on the roof at night? Presumably, the poet is usually worried by the sound of rain on the eaves of the wind, trouble sleeping, so even if he hears the sound of the beach during the day, he also has this association. It is an illusion that the sound of water in the new beach becomes the sound of rain at night on the roof. With the help of this illusion association, the poet expressed his sadness and sadness in a particularly profound and touching way.
This poem is very distinctive in artistic expression. The first is the implicit implication of lyricism. The whole article is about homesickness, but it doesn't use the words "worry" and "bitterness", but it is secretly revealed from verbs such as "rogue", "don't understand" and "try again". Writing sadness is generally expressed in scenes that make people feel sad and embarrassed; However, in addition to the conclusion sentence, this poem mainly uses happy scenes to write sadness, and uses warm, beautiful and vibrant spring to set off the poet's sadness, but it has the artistic effect of complementary opposites. Writing sadness is generally a deep and dignified style; However, this poem is anti-traditional. Use empty language and light style to express, but also express feelings of depression and discomfort. In this way, it is unique. The first section of this poem deliberately points out that "February 2" is an outing festival. The whole sentence * * * uses five syllables, and the second sentence "Smell blowing sheng" uses three tones to correspond to it, forming an awkward and novel syllable, which is light and smooth, consistent with the initial feeling of fresh and refreshing in early spring. The "Mo Wu" and "Geng Zuo" in the tail couplet echo each other up and down, closely combining the two onomatopoeic images and making poetry flow down. In a word, the conception and syntax of the whole article are similar to Du Fu's Homesickness in Shu, but the style of running away is different from the melancholy and frustration of Du Fu's poems. He Chao's evaluation of this poem is: "He is also homesick, and he said that Wen Ya is quiet and free and easy. These poems are similar to Lao Du in spirit, but their functions are not in tune. " He also said: "The same river, eyes and ears are connected, everything is spring, not feeling." And if you don't get it back, you will hear the sound of the beach on the river, and you will feel the wind and rain. At this point, every word has a chemical industry. "It is very pertinent to analyze the conception, brushwork and style of this poem.