Reading ancient poems and listening to wandering songs, Meng Jiao, a loving mother, made clothes for her wayward son's body. I'm afraid it's too late for her to mend carefully and thoroughly. ...

Similarity: Both poems praise the profundity and greatness of maternal love, depict maternal love through detailed description, and choose the mother of cold clothes and needlework.

Typical love is to express feelings with things. They all used the method of psychological description. The former is about mothers' worries about their children's long journey, while the latter is about inner shame.

Difference: Meng Shi compares maternal love to the sunshine in spring, and her son is like a barren grass. The metaphor is apt and vivid, ending with a rhetorical question, which makes people think about how grass can be.

Reward the sunshine and carry forward the loftiness of maternal love.

By depicting the joy of mother-child reunion, Jiang wrote the mother's yearning for her son with intensive needle and thread and new ink, and wrote with pity and thinness.

The mother is kind to her son, and her son is ashamed. She dares not tell the hardships of the dust, but directly expresses her feelings, and has no gratitude and love for her mother.

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