The whole poem leads to a paradise through peach blossoms, skillfully combining the present reality of seclusion in the mountains with the ideal world described by Tao Yuanming, and expressing the author's loneliness in the mountains. The expression of the combination of reality and fiction can sometimes form the role of rendering and contrast, thus highlighting the center of poetry. For example, Cui Hu's titled South Village "Today last year, in this door, peach blossoms set each other off.
Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze. One year in Tomb-Sweeping Day, the poet went for an outing in Nanzhuang, a suburb of Beijing. Because of thirst, he asked a peasant girl for water to drink. The girl gave him a glass of water and leaned against the peach tree to stare at him. This scene is unforgettable. The next year, he came again. Although the scenery remained the same, the girl didn't know where to go, so he wrote this poem on the closed door to express his thoughts for the girl who was not in front of him.
In the writing method of combining the real with the virtual: for example, "I am bound between numbers and ABC all day, sitting at my desk alone, looking at the dense Arabic numerals in the math book, my head is getting bigger."
At this time, a breeze blew me back to my childhood. How happy I was then! Play with friends under blue sky and white clouds, lie flat beside green grass and wild flowers. An old man with white hair took us to see soft white clouds and colorful rainbows. "
In this paragraph, it is realistic to write about the distress and bondage of learning, but empty to recall the freedom and happiness of childhood. "A gust of breeze" ingeniously introduces the truth into the virtual, forming a contrast, which has a strong contrast effect and enhances the expressive force of the article.